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X-WR-CALDESC:Events for St. Matthew's Cathedral Arts
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BEGIN:VEVENT
DTSTART;TZID=UTC:20220911T150000
DTEND;TZID=UTC:20220911T150000
DTSTAMP:20260425T111911
CREATED:20220615T023903Z
LAST-MODIFIED:20220904T031953Z
UID:5568-1662908400-1662908400@cathedralartsdallas.org
SUMMARY:MAKE Trio in Concert
DESCRIPTION:MAKE TRIO\nGRACE KANG WOLLETT • VIOLIN\nDANNY GOLDMAN • CLARINET\nMIKHAIL BERESTNEV • PIANO\nFEATURING RYAN LESCALLEET • NARRATOR\n\nSUNDAY\, SEPTEMBER 11\, 2022 AT 3:00 PM\nCOLLORA PIANO RECITAL HALL\n1451 WYCLIFF AVENUE\, DALLAS\nPROGRAM:\nDarius Milhaud: Suite for Violin\, Clarinet and Piano\, Op. 157b\nIgor Stravinsky: Suite from L’Histoire du soldat (A Soldier’s Tale)\nCharles Ives: Largo for Violin\, Clarinet and Piano\nBéla Bartók: Contrasts for Violin\, Clarinet and Piano\, SZ. 111\nABOUT THE MAKE TRIO\n\nMAKE—violinist Grace Kang Wollett\, clarinetist Danny Goldman\, and pianist Mikhail Berestnev—presents versatile performances and content to engage audiences around the world. The trio made its formal debut at Dallas’ 2019 Basically Beethoven Festival with a recital entitled “The American Sound\,” about which the Dallas Morning News wrote\, “the ensemble’s style fit the character of the music like a tailored suit.” Other recent reviews describe the trio as having “an incredibly rich sound” (Cry Havoc Theater) and as “mind-blowing to hear such transcendental difficulties played with a combination of technical mastery and keen musical insight” (Theater Jones). MAKE has created a performance concept called “The Classical Lounge” to bring audiences closer to music\, starting as a channel of professional music videos and documentary-style film shoots about being a musician and working in a classical chamber ensemble. To further this vision\, MAKE partnered with SamsungVR (Virtual Reality) to produce three-dimensional\, 360-degree classical music public concerts; these videos have been viewed in over forty countries. MAKE’s recent collaborations include work with Avant Chamber Ballet\, Ballet North Texas\, Bruce Wood Dance at the Annette Strauss Square\, and performances in Moody Performance Hall\, Winspear Opera House’s Hamon Hall\, and the Tin Star Theater. \nVisit MAKE Trio online HERE. \nEvent flyer HERE.  \nFree admission and parking.\nMap and directions HERE.
URL:https://cathedralartsdallas.org/event/make-trio-9-11-22/
LOCATION:Collora Piano Recital Hall\, 1451 Wycliff Avenue\, Dallas\, TX\, 75207\, United States
CATEGORIES:Music,Recital
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2022/06/MAKE-Trio-3.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220717T140000
DTEND;TZID=UTC:20220717T140000
DTSTAMP:20260425T111911
CREATED:20220620T220937Z
LAST-MODIFIED:20220712T033509Z
UID:5589-1658066400-1658066400@cathedralartsdallas.org
SUMMARY:Cathedral Arts Live from Paris!
DESCRIPTION:CATHEDRAL ARTS LIVE FROM PARIS!\nFROM L’ATELIER DE LA MAIN D’OR\nCHRISTOPHER A. LEACH\, TENOR\nMARY DIBBERN\, PIANO\nJEAN LIBERMANN\, CELLO\nLUCE ZURITA\, FLUTE\nCLARISSE BERTUCCI\, PIANO\nMUSIC OF FAURÉ\, HOWE\, BEACH\, GORDON\, MASSENET\,\nFARRENC\, HAHN\, DRING\, CHAMINADE AND SAINT-SAËNS\nPRINTED CONCERT PROGRAM HERE. \nSUNDAY\, JULY 17\nLIVESTREAM AT https://www.youtube.com/watch?v=0Zw-MLKX2i0\nBEGINS AT 2:00PM CDT\nTHE COMPLETED VIDEO WILL BE POSTED TO\nYOUTUBE/ST MATTHEW’S CATHEDRAL ARTS\nEVENT FLYER HERE.
URL:https://cathedralartsdallas.org/event/paris-concert-7-17-22/
LOCATION:TX
CATEGORIES:Music,Recital,Special Event
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2022/06/Paris-Postcard-e1659826087230.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220327T150000
DTEND;TZID=UTC:20220327T150000
DTSTAMP:20260425T111911
CREATED:20220225T043613Z
LAST-MODIFIED:20220309T045312Z
UID:5327-1648393200-1648393200@cathedralartsdallas.org
SUMMARY:Black Voices III: Music and Musicians from South Africa to America
DESCRIPTION:Presenting in Recital:\nAvuya Ngcaweni\, soprano\nAlexandria Jackson\, mezzo-soprano\nNdumiso Nyoka\, tenor\nTshilidzi Ndou\, baritone\nSeth Clarke\, bass-baritone\nwith Brian Bentley\, piano\nMusic of Phelelani Mnomiya\, William Grant Still\,\nAnthony Davis\, Robert Owens\,\nByron Motley\, Howard Swanson\,\nMoses Hogan\, Francis Hall Johnson\,\nFranz Liszt and Simon Sargon.\nGuest Concert Curator\nBarbara Hill Moore\nSenior Associate Dean for Faculty\nMeadows Distinguished Professor of Voice\nDirector\, SMU in South Africa Study Abroad Program\nSouthern Methodist University\nRead about Barbara Hill Moore\nand the SMU in South Africa Study Abroad Program HERE.\nGuest Arts Organization\nThe Bruce Foote Memorial Scholarship Foundation\nEvent flyer HERE.\nFree admission and parking.
URL:https://cathedralartsdallas.org/event/black-voices-iii-music-and-musicians-from-south-africa-to-america/
LOCATION:TX
CATEGORIES:Music,Recital,Special Event
ATTACH;FMTTYPE=image/png:https://cathedralartsdallas.org/wp-content/uploads/2022/02/South-Africa-Satellite-Map-e1645740469800.png
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220306T150000
DTEND;TZID=UTC:20220306T150000
DTSTAMP:20260425T111911
CREATED:20201014T202406Z
LAST-MODIFIED:20220225T225545Z
UID:4535-1646578800-1646578800@cathedralartsdallas.org
SUMMARY:Pianist Dongni Xie in Recital
DESCRIPTION:Music of Domenico Scarlatti\, Franz Liszt\, Earl Wild\,\nEnrique Granados and Maurice Ravel\nOriginally from China\, Dongni Xie is a first prize winner of seven international piano competitions. She is in demand throughout the United States\, Europe and Asia\, having performed in venues including Carnegie Hall\, Château de Fontainebleau (France)\, Dream Forest Art Center (South Korea)\, Gijon City Hall (Spain)\, and the Wallis Annenberg Center for the Performing Arts (US) and has been praised for her “bravura performance…mature and relaxed\, perfectly in line with its composer’s presumed intention.” Having opened the 2017/2018 season of the Boulder Symphony Orchestra\, she boasts featured artist appearances at many international music festivals\, including the Imago Sloveniae (Slovenia)\, Festival ARTIS (Slovakia)\, and the August Music Festival (UK) to name but a few. She is a big supporter of young American musical talent\, performing with the Debut Orchestra\, Los Angeles’ premier youth orchestra\, in 2016. Xie is not only respected as a performer\, but also as an academic\, invited to lecture at El Paso University (US) and Huzhou Normal University (China)\, and to deliver masterclasses at venues throughout China. \nXie is a leader in the interplay between classical and modern music\, having founded In6ix\, a sextet combining both jazz and classical styles. Xie successfully led her group on a tour throughout China in 2019\, giving concerts and masterclasses. A recent co-founder of the concert series Live! Again\, based in Dallas and Houston\, she has brought a unique way to experience new music and modern arts. \nXie obtained her doctoral degree in Piano Performance at the University of North Texas under the guidance of Dr. Pamela Mia Paul\, where she won a Teaching Fellowship. She received her B.M. at Shanghai Conservatory of Music with Chen Jiang\, her M.M. at the Peabody Institute of Johns Hopkins University with Yong Hi Moon\, and earned her Graduate Certificate at the University of Southern California with Norman Krieger. She is a recipient of the Meadows Artistic Scholarship Award\, working with maestro Joaquín Achúcarro. Xie is an Adjunct Professor at Tarrant County College. \nVisit Dongni Xie on Facebook here. \nEvent flyer here. \nFree admission and parking.
URL:https://cathedralartsdallas.org/event/pianist-dongni-xie-in-recital/
LOCATION:TX
CATEGORIES:Music,Recital
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2021/05/Dongni-Xie-2.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220219T100000
DTEND;TZID=UTC:20220219T120000
DTSTAMP:20260425T111911
CREATED:20211224T051350Z
LAST-MODIFIED:20220124T012443Z
UID:5242-1645264800-1645272000@cathedralartsdallas.org
SUMMARY:2022 Distinguished Artist Master Class with Donnie Ray Albert
DESCRIPTION:Black Voices II: Honoring Black History Month\n2022 DISTINGUISHED ARTIST WEEKEND\npresenting\nA Master Class with Donnie Ray Albert\, bass-baritone\nSaturday\, February 19 at 10:00 am\nGreat Hall\nFree parking and admission\n2022 Distinguished Artist Donnie Ray Albert returns to the Great Hall to conduct a master class with outstanding young vocal artists from area universities. Admission is free to the public. Donations are welcomed.\nEvent flyer here. \nAbout the Artist:\n \nDonnie Ray Albert is a regular guest of opera companies and symphony orchestras around the world\, including the Metropolitan Opera as Germont\, Los Angeles Opera as Trinity Moses in Mahagonny\, Simone in A Florentine Tragedy\, and as the Father in Hansel and Gretel\, plus numerous appearances with Opera Pacific\, Houston Grand Opera\, Florentine Opera of Milwaukee\, Dallas Opera\, Arizona; Atlanta Opera\, Austin Lyric Opera\, Florida Grand Opera\, Minnesota Opera\, Utah Opera\, and the opera companies of New Orleans\, Baltimore\, Columbus\, Kansas City\, Omaha\, Pittsburgh\, and\, in Canada\, with the companies in Calgary\, Edmonton\, Toronto\, Montreal\, Manitoba\, and Vancouver. In Europe\, he has appeared at the Cologne Opera singing all Four Villains in Les Contes d’Hoffman\, Cavalleria Rusticana\, I Pagliacci\, and Frank in Die Tote Stadt\, the Royal Opera House\, Covent Garden as the Four Villains\, the Royal Opera Wallonie in Liege for Zemlinsky’s A Florentine Tragedy\, the National Theater in Prague as Jack Rance\, the Deutsche Opera Berlin\, Lithuanian National Opera in the title role of Der Fliegende Holländer\, plus the opera houses in Bordeaux\, Köln\, Bregenz\, Milan\, Mannheim and Hamburg\, and in Vienna in the title role in Ernst Bloch’s Macbeth for the Vienna “Klangbogen” Festival. \nHe has appeared in Japan with the New National Theater in Tokyo as Wotan and the Wanderer in Der Ring des Nibelungen\, and in Brazil as Jochanaan in Salome in Sao Paolo. As a concert artist\, Mr. Albert has sung with the orchestras of Washington DC (National)\, Cologne\, Southwest Florida\, Chicago\, Cincinnati\, Dallas\, Fort Worth\, Houston\, Dallas\, Minnesota\, Seattle\, St. Paul\, Los Angeles\, Austin\, Palm Beach\, Greensboro\, Grant Park Music Festival\, and Madison\, Vienna and Linz\, in Austria and in Jerusalem. He is also a resident artist with the Center for Black Music Research at Chicago’s Columbia College. In recent seasons\, Mr. Albert has appeared as Rigoletto for Vancouver Opera\, Amonasro in Riga\, Latvia\, and Phoenix\, Alfio for the Orlando Opera\, Iago for the Kentucky Opera\, Il Giuramento for the Washington Concert Opera\, Das lied von der Erde with Rhode Island Philharmonic\, Elijah with the Southwest Florida Master Chorale\, concerts with the Choral Arts Society of Washington\, the Atlanta Symphony\, the American Symphony Orchestra for their performance of d’Indy’s Fervaal\, Nashville Symphony\, the Kentucky Opera as Germont\, Latvian Opera as Giorgio in I Puritani\, Prague’s National Theater as the Four Villains in a new production of Les Contes d’Hoffman\, and the Semper Opera in Dresden for Keith Warner’s new production of Faust\, in Paris for Aida\, in Riga\, Latvia for Otello\, Madison Opera for La traviata\, and Washington Concert Opera for Adriana Lecouvreur. Future engagements include appearances as Amonasro in Edmonton and in the title role of Verdi’s Falstaff for the Royal Danish Opera in Copenhagen. \nMr. Albert may be heard on RCA’s Grammy Award and Grand Prix du Disque winning recording of Porgy and Bess\, NOW’s recording of The Horse I Ride Has Wings with David Garvey on piano\, EMI’s Frühlingsbegräbnis and Eine Florentinesche Tragodie by Zemlinsky conducted by James Conlon\, and Simon Sargon’s A Clear Midnight on the Gasparo label. Mr. Albert is currently Senior Lecturer in Voice at the Butler School of Music of the University of Texas College of Fine Arts. \nRead more about Donnie Ray Albert here.
URL:https://cathedralartsdallas.org/event/2022-distinguished-artist-master-class-with-donnie-ray-albert/
LOCATION:TX
CATEGORIES:Music,Recital,Special Event
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2021/09/Donnie-Ray-Albert-headshot.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220218T193000
DTEND;TZID=UTC:20220218T193000
DTSTAMP:20260425T111912
CREATED:20110102T003049Z
LAST-MODIFIED:20220215T043832Z
UID:5020-1645212600-1645212600@cathedralartsdallas.org
SUMMARY:2022 Distinguished Artist Recital: Donnie Ray Albert with Rick Rowley
DESCRIPTION:Black Voices II: Honoring Black History Month\n2022 DISTINGUISHED ARTIST WEEKEND\npresenting\nDONNIE RAY ALBERT\, bass-baritone\nand\nRICK ROWLEY\, piano\nmusic of J.S. Bach\, Robert Owens\, Franz Schubert\,\nLena McLin\, Uzee Brown\, Jr. and Hale Smith\nfree parking and admission\nConversation with the artists at 7:00\nReception with the artists follows immediately\nOn Saturday\, February 19 at 10:00 am\, Mr. Albert returns to the Great Hall to conduct a master class featuring outstanding young vocalists. Admission is free to the public. Donations are welcomed.\nEvent flyer here. \nAbout the Artists:\n \nDonnie Ray Albert is a regular guest of opera companies and symphony orchestras around the world\, including the Metropolitan Opera as Germont\, Los Angeles Opera as Trinity Moses in Mahagonny\, Simone in A Florentine Tragedy\, and as the Father in Hansel and Gretel\, plus numerous appearances with Opera Pacific\, Houston Grand Opera\, Florentine Opera of Milwaukee\, Dallas Opera\, Arizona; Atlanta Opera\, Austin Lyric Opera\, Florida Grand Opera\, Minnesota Opera\, Utah Opera\, and the opera companies of New Orleans\, Baltimore\, Columbus\, Kansas City\, Omaha\, Pittsburgh\, and\, in Canada\, with the companies in Calgary\, Edmonton\, Toronto\, Montreal\, Manitoba\, and Vancouver. In Europe\, he has appeared at the Cologne Opera singing all Four Villains in Les Contes d’Hoffman\, Cavalleria Rusticana\, I Pagliacci\, and Frank in Die Tote Stadt\, the Royal Opera House\, Covent Garden as the Four Villains\, the Royal Opera Wallonie in Liege for Zemlinsky’s A Florentine Tragedy\, the National Theater in Prague as Jack Rance\, the Deutsche Opera Berlin\, Lithuanian National Opera in the title role of Der Fliegende Holländer\, plus the opera houses in Bordeaux\, Köln\, Bregenz\, Milan\, Mannheim and Hamburg\, and in Vienna in the title role in Ernst Bloch’s Macbeth for the Vienna “Klangbogen” Festival. \nHe has appeared in Japan with the New National Theater in Tokyo as Wotan and the Wanderer in Der Ring des Nibelungen\, and in Brazil as Jochanaan in Salome in Sao Paolo. As a concert artist\, Mr. Albert has sung with the orchestras of Washington DC (National)\, Cologne\, Southwest Florida\, Chicago\, Cincinnati\, Dallas\, Fort Worth\, Houston\, Dallas\, Minnesota\, Seattle\, St. Paul\, Los Angeles\, Austin\, Palm Beach\, Greensboro\, Grant Park Music Festival\, and Madison\, Vienna and Linz\, in Austria and in Jerusalem. He is also a resident artist with the Center for Black Music Research at Chicago’s Columbia College. In recent seasons\, Mr. Albert has appeared as Rigoletto for Vancouver Opera\, Amonasro in Riga\, Latvia\, and Phoenix\, Alfio for the Orlando Opera\, Iago for the Kentucky Opera\, Il Giuramento for the Washington Concert Opera\, Das lied von der Erde with Rhode Island Philharmonic\, Elijah with the Southwest Florida Master Chorale\, concerts with the Choral Arts Society of Washington\, the Atlanta Symphony\, the American Symphony Orchestra for their performance of d’Indy’s Fervaal\, Nashville Symphony\, the Kentucky Opera as Germont\, Latvian Opera as Giorgio in I Puritani\, Prague’s National Theater as the Four Villains in a new production of Les Contes d’Hoffman\, and the Semper Opera in Dresden for Keith Warner’s new production of Faust\, in Paris for Aida\, in Riga\, Latvia for Otello\, Madison Opera for La traviata\, and Washington Concert Opera for Adriana Lecouvreur. Future engagements include appearances as Amonasro in Edmonton and in the title role of Verdi’s Falstaff for the Royal Danish Opera in Copenhagen. \nMr. Albert may be heard on RCA’s Grammy Award and Grand Prix du Disque winning recording of Porgy and Bess\, NOW’s recording of The Horse I Ride Has Wings with David Garvey on piano\, EMI’s Frühlingsbegräbnis and Eine Florentinesche Tragodie by Zemlinsky conducted by James Conlon\, and Simon Sargon’s A Clear Midnight on the Gasparo label. Mr. Albert is currently Senior Lecturer in Voice at the Butler School of Music of the University of Texas College of Fine Arts. \nRead more about Donnie Ray Albert here. \nRick Rowley leads a diverse musical life. He gives concerts with many of the world’s finest instrumentalists and singers and his solo\, concerto and collaborative performances have taken him throughout the United States\, to Europe and Latin America. \nMr. Rowley has made several recordings of solo piano repertoire\, chamber music and art songs. His second CD with flutist Marianne Gedigian was one of the first recordings issued on the University of Texas Longhorn label. He has recorded piano music of Chopin\, Liszt\, Granados\, Mompou and American composers David Guion\, Richard Cumming\, Aaron Copland and Samuel Barber. His recordings with sopranos Cheryl Parrish and Mela Dailey also feature the music of American composers. He has begun making video performances as part of a series of concerts in partnership with Prof. Darlene Wiley of the Butler School of Music (BSOM) voice faculty. \nMr. Rowley coaches singers and works with collaborative pianists\, has taught classes in German\, French and American art song\, singing and acting for musical theater\, and a history of musical theater on Broadway. He has appeared three times as a soloist with the UT Symphony Orchestra and is heard frequently on broadcasts of live performances from the BSOM. \nMr. Rowley has worked extensively in theater in over 50 productions as an actor\, director and musical director. As well as a concerto soloist\, he has appeared with the Austin Symphony as an actor in two “Beyond the Score” presentations and a concert of the music of Silvestre Revueltas. He played the role of Frosch in a production of Die Fledermaus at the Butler Opera Center and also wrote incidental music for a children’s theater production of The Firebird. \nMr. Rowley has been a partner in a piano rebuilding shop\, where he gained knowledge and experience in the workings of the instrument. He is currently Associate Professor of Practice\, Vocal Coaching and Collaborative Piano at the Butler School of Music of the University of Texas College of Fine Arts.
URL:https://cathedralartsdallas.org/event/2022-distinguished-artist-recital-donnie-ray-albert-bass-baritone/
LOCATION:TX
CATEGORIES:Music,Recital
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2021/09/Donnie-Ray-Albert-as-Alberich.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220130T150000
DTEND;TZID=UTC:20220130T150000
DTSTAMP:20260425T111912
CREATED:20210925T034334Z
LAST-MODIFIED:20211221T060312Z
UID:5001-1643554800-1643554800@cathedralartsdallas.org
SUMMARY:Pianist Gregory Thompson in Recital
DESCRIPTION:Black Voices I: The Piano’s Voice\nmusic of\nIrene Britton Smith\nFranz Josef Haydn\nGeorge Walker\nJoel Thompson\nFrédéric Chopin\nGregory Thompson’s recital features seldom-heard contributions to the concert piano repertoire by distinguished Black American composers Irene Britton Smith\, Joel Thompson and George Walker. 2022 marks the 100th anniversary of the birth of  George Walker\, who was the first black composer to be awarded the Pulitzer Prize. \nPianist Gregory Thompson is widely known as a solo and collaborative artist in the United States\, Europe and Asia. Following his Carnegie Hall debut\, the New York Times praised his “intuitive playing”\, and his ability to “make a melodic line sing and inflect it with delicate rubato effects.” \nThompson’s international performance credits include concerts at Marmolle Hall in Salzburg\, at the Atelier Concert Series in Paris and the Teatro Signorelli in Cortona\, Italy. He has played at New York City’s Weill and Zankel Recital Halls\, as well as at Steinway Galleries in North Carolina and Georgia. His varied repertoire ranges from Beethoven and Schubert to Prokofiev\, including the celebrated Black American composers George Walker\, Adolphus Hailstork\, Joel Thompson and Irene Britton Smith. He has collaborated with several internationally-renowned vocal artists\, including Grace Bumbry\, Allan Glassman and Russell Thomas\, and with woodwind faculty members at the Salzburg Mozarteum. His concerto performances include appearances with the Baltimore Symphony\, the South Carolina Philharmonic and the Charlotte Philharmonic Orchestra. \nDr. Thompson holds degrees from Peabody Conservatory\, Limestone College and the University of South Carolina. A committed educator\, he has served on the faculties of colleges and universities in Ohio and the Carolinas\, including Winston-Salem State University\, a historically black public university founded in 1892. \nVisit Gregory Thompson online. \nEVENT FLYER HERE \nFree parking and admission.
URL:https://cathedralartsdallas.org/event/pianist-gregory-thompson-in-recital-1-30-22/
LOCATION:TX
CATEGORIES:Music,Recital
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2021/09/Gregory-Thompson5.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210502T150000
DTEND;TZID=UTC:20210502T150000
DTSTAMP:20260425T111912
CREATED:20201012T022604Z
LAST-MODIFIED:20210502T160841Z
UID:4527-1619967600-1619967600@cathedralartsdallas.org
SUMMARY:Soprano Michelle Perez in a Benefit Recital
DESCRIPTION:THE FACETS OF LOVE\nA Benefit Recital for St. Matthew’s Cathedral Arts\nwith\nMICHELLE PEREZ\, SOPRANO\nSTEPHEN CAREY\, PIANO\nMUSIC OF MANUEL DE FALLA\, MAX REGER\, CHARLES GOUNOD\,\nFERNANDO OBRADORS\, FRANZ LISZT\, GEORGE FRIDERIC HANDEL\,\nLIBBY LARSON\, LIN MANUEL MIRANDA AND STEPHEN FLAHERTY\nSoprano Michelle Perez currently serves as the associate director of choral activities at Mesquite High School and the Texas Music Educators Association Region III Vocal Chair. Originally from the Rio Grande Valley\, Michelle has enjoyed performing throughout the U.S.\, and with professional local and liturgical choirs in the Dallas-Fort Worth area\, including the St. Matthew’s Cathedral Arts Choral Artists. A graduate of the University of North Texas\, Michelle holds a Bachelor of Music in Choral Music Education. While at UNT\, she studied with Alan McClung\, Jerry McCoy\, Jeffrey Snider\, and Richard Sparks. As a member of UNT choirs\, Michelle enjoyed a variety of national and international performance opportunities. Michelle will graduate with her Masters in Music Education this May at Southern Methodist University and will pursue a Masters in Vocal performance under a full scholarship to Arizona State University in the Fall of 2021. \nPianist Stephen Carey is a native of York\, Pennsylvania. Stephen has his bachelor of music degree from West Virginia University\, and his master of music degree from the University of Tennessee in Knoxville. Both of his degrees are in piano performance and collaborative piano. From the fall of 2001 through the spring of 2013\, Mr. Carey worked for Opera Memphis\, where he ultimately served as assistant artistic director\, director of the young artist program\, chorus master\, assistant conductor\, and rehearsal pianist/vocal coach. Then\, from the fall of 2013 through the spring of 2018\, Mr. Carey worked for Fort Worth Opera\, where he served as principal pianist and vocal coach. From the fall of 2018 through the spring of 2019\, Mr. Carey served as the assistant music director for the opera program at the University of North Texas. In 2020 he joined the music faculty of the Seagle Festival\, the premier opera and musical theater producing organization in the Adirondack region of upstate New York\, as well as the oldest summer vocal training program in the United States. Mr. Carey is currently the music director for the opera program at Texas Christian University. \nSuggested donation $15.00.\nDonate in person or securely online HERE.\nDownload a complete program and notes HERE.\nWatch live on YouTube HERE.\nEvent flyer HERE.
URL:https://cathedralartsdallas.org/event/soprano-michelle-perez-in-recital-5-2-21/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Music,Recital
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2020/10/Michelle-Perez.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210321T150000
DTEND;TZID=UTC:20210321T150000
DTSTAMP:20260425T111912
CREATED:20200111T064931Z
LAST-MODIFIED:20210301T043842Z
UID:4061-1616338800-1616338800@cathedralartsdallas.org
SUMMARY:2021 Distinguished Artist Recital: Chloé Trevor\, violin and Jonathan Tsay\, piano
DESCRIPTION:2021 Distinguished Artist Recital\nChloé Trevor\, violin\nJonathan Tsay\, piano\nMusic of\nLera Auerbach\nAmy Beach\nAlexandra T. Bryant\nGabriela Lena Frank\n(click composer’s name for more information)\nFeaturing artworks by Carlos Cázares\n\nA pre-recorded video of this recital will launch on the Cathedral Arts YouTube Channel on Sunday\, March 21. Details to follow.\nComplete Recital Program and Notes HERE. \nEvent Flyer HERE. \n \nQuickly becoming one of the most talked-about and sought after musical ambassadors to Generation Z\, violinist Chloé Trevor has combined her technical brilliance\, spirit for classical music and her passion for mentoring the youth of today to connect with audiences in exciting and innovative ways. Silver medalist of the Ima Hogg Competition\, critics have acclaimed Chloé for her “dazzling technique”\, “excellent musicianship”\, “huge tone”\, “poise and professional grace”\, and “bold personality unafraid to exult in music and ability”. She has appeared as a soloist with orchestras worldwide\, including the Hong Kong Sinfonietta\, Latvian Chamber Orchestra\, Slovak State Philharmonic\, Plano Symphony\, and the Knoxville Symphony. She made her New York concerto debut in 2013 and Avery Fisher Hall debut in 2014. Chloé was the Grand Prize winner at the 2006 Lynn Harrell Competition and the 2005 Lennox Competition. She has been a featured soloist with the Dallas Symphony at the Meyerson Symphony Center\, and with the Missouri Symphony on tour throughout the state. At age thirteen she appeared on the nationally syndicated radio program From the Top. Chloé has appeared as a soloist with the Lutoslawski Filharmonie (Poland)\, the Teplice Philharmonic (Czech Republic)\, and a tour with the Latvian Chamber Orchestra. She was also invited as a soloist in the Young Prague Spring Festival to give recitals and perform the Mendelssohn Concerto in and around Prague. More recent performances included Tchaikovsky’s Violin Concerto with the Dallas Symphony and Prokofiev’s 2nd Concerto both at Sala São Paulo in Brazil and with the Cleveland Institute of Music Orchestra as a result of winning the Cleveland Institute of Music’s Concerto Competition. She went on to perform Tchaikovsky’s Violin Concerto with the Houston Symphony and recitals at the Music in the Mountains Festival with pianist David Korevaar. She opened the Indianapolis Chamber Orchestra’s 2010-11 season with the Barber Violin Concerto and the Missouri Symphony’s “Hot Summer Nights” 2011 Opening Gala with the Brahms Concerto. She returned to perform the Beethoven Concerto with the Knoxville Symphony for their Diamond anniversary season. \nChloé was introduced to the violin at age 2 by her mother\, Heidi Trevor Itashiki\, a Dallas Symphony violinist. She later studied with Arkady Fomin\, Dallas Symphony violinist and Artistic Director of the New Conservatory of Dallas. Chloé has made numerous appearances on the concert stage with her father\, internationally recognized conductor and teacher\, Kirk Trevor. She completed her undergraduate degree at the Cleveland Institute of Music studying with David and Linda Cerone\, and her graduate degree as a scholarship student at Rice University studying with Kenneth Goldsmith. Chloé plays on a Carlo Landolfi violin made in Italy in 1771 and bows by Etienne Pajeot and Émile-Auguste Ouchard. \nVisit Chloé Trevor online here. \n \nSoloist\, collaborative pianist\, chamber musician\, producer\, and arts administrator\, Jonathan Tsay maintains an artistic career as diverse as his interests. A recent multi-city tour of Taiwan included solo recital stops at the National Recital Hall in Taipei\, Kaohsiung Music Hall\, and the Pingtung Arts Center. Other recent solo engagements include performances for The Cliburn\, Music at Southminster in Ottawa\, Blanco Performing Arts\, and Fine Arts Chamber Players. \nA sought-after collaborator\, Dr. Tsay has performed alongside some of the world’s premier musicians\, including Chee-Yun\, David Cooper (Principal Horn\, Dallas Symphony)\, Jing Wang (Concertmaster\, Hong Kong Philharmonic)\, dramatic soprano Alessandra Marc\, Chloé Trevor (“musical ambassador to Generation Z”)\, the Cézanne Quartet\, and Nathan Olson (Concertmaster\, Dallas Symphony Orchestra). Jonathan performs regularly as Principal Keyboard of the Las Colinas Symphony and serves as Artistic Director of Ensemble75\, a chamber music series based in Dallas. \nVisit Jonathan Tsay online here.
URL:https://cathedralartsdallas.org/event/2021-distinguished-artist-recital-3-21-21/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Education,Music,Recital
ATTACH;FMTTYPE=image/png:https://cathedralartsdallas.org/wp-content/uploads/2020/01/Jonathan-Tsay-and-Chloe-Trevor.png
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210124T150000
DTEND;TZID=UTC:20210124T150000
DTSTAMP:20260425T111912
CREATED:20201010T032541Z
LAST-MODIFIED:20210123T050920Z
UID:4512-1611500400-1611500400@cathedralartsdallas.org
SUMMARY:Pianist Mikhail Berestnev in Recital
DESCRIPTION:music of\nCésar Franck\nMaurice Ravel\nNikolai Medtner\nSergei Rachmaninoff\nWITH ARTWORKS BY MARGO LEE MILLER \nFILMED IN THE GREAT HALL OF\nST. MATTHEW’S EPISCOPAL CATHEDRAL\nDALLAS\, TEXAS\nYOUTUBE PREMIERE JANUARY 24\, 2021 \nEVENT FLYER HERE \nWATCH THE YOUTUBE VIDEO HERE \nPRINTED PROGRAM HERE \nPianist Mikhail Berestnev has been described as having “…flawless technique and constant inspiration…superb sonority…” (Belgian La Libre Magazine) and “… an astonishingly gifted pianist…equally at home as a soloist and collaborative pianist…” (Theater Jones\, U.S.). \nMikhail has been featured as a soloist with the Sydney Symphony\, Brazilian Symphony\, the Royal Chamber Orchestra of Wallonia\, Fort Worth Symphony\, San Angelo Symphony\, Meadows Symphony and the Greater North Texas Youth Orchestra\, among others. He has performed with orchestras and as a recitalist at the Grand Hall of the Tchaikovsky Conservatory and International Music House in Moscow\, the National Concert Hall in Dublin\, Flagey Theater in Brussels\, the Sydney Opera House\, Palau de la Música Recital Hall in Barcelona\, English Hall at the Saint Petersburg Music House and The Eisemann Center for Performing Arts and Moody Performance Hall in Dallas. \nMikhail’s recent collaborations include work with Grammy Award-winning violinist Matt Albert\, Avery Fisher Grant recipient violinist Aaron Boyd\, Meadows School of Arts Distinguished Artist in Residence violinist Emanuel Borok\, concert pianist Andrei Ponochevny\, Dallas Symphony violinist Eunice Keem\, French hornist David Alan Cooper\, concert violinist Hubert Pralitz\, the Seraphim Piano Trio (Melbourne\, Australia)\, Sao Paulo City String Quartet (Brazil) and the Julius String Quartet (U.S.). In July of 2019 he made his debut at the Basically Beethoven Music Festival in Dallas\, playing together with violinist Grace Kang and clarinetist Danny Goldman\, where the group was described by the Dallas Morning News as “The ensemble’s style fit the character of the music like a tailored suit.” In September of 2019 the group began their debut concert season with concerts around the Dallas-Fort Worth Metroplex. \nHis list of awards include prizes at some of the most prestigious international piano competitions such as Sydney International Piano Competition of Australia (Fourth Prize and Special Prize)\, BNDES International Piano Competition in Rio de Janeiro (Silver Medal and Special Prize)\, National MTNA Competition in New York (Third Prize)\, Eric Sorantin Young Artist Award\, Judith Solomon Piano Award in Chamber Music\, Harold von Mickwitz Piano Award\, Dmitri Shostakovich National Junior Competition\, Voronezh Central Music School National Competition\, Stanislav Neuhaus International Piano Competition\, and The International Delphic Games Competition (Gold Medal). \nHe holds degrees from The Gnessin Russian Academy of Music\, where he studied with Irina Grebenkina\, Andrei Khitruk\, Alexei Skavronsky and Vladimir Tropp\, from Texas Christian University with Dr. Tamas Ungar and from Southern Methodist University with Joaquin Achucarro. \nMikhail Berestnev has begun his second season as a guest artist with the Musica Nova Ensemble at the University of Texas at Dallas\, as a soloist and collaborative pianist under the direction of renowned American composer Robert Xavier Rodriguez. \nHe is also a collaborative pianist for the DFW-based ballet company and school Texas Ballet Theater\, with CEO Ben Stevenson. \nVisit Mikhail Berestnev online here. \nFree parking and admission.
URL:https://cathedralartsdallas.org/event/pianist-mikhail-berestnev-in-recital/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Music,Recital
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2020/10/Mikhail-Berestnev-1-e1619366616719.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20201122
DTEND;VALUE=DATE:20201123
DTSTAMP:20260425T111912
CREATED:20200811T034423Z
LAST-MODIFIED:20201123T223805Z
UID:4407-1606003200-1606089599@cathedralartsdallas.org
SUMMARY:WOMEN’S VOICES II: A Video Project in Music\, Words and Images
DESCRIPTION:WITH \nCOURTNEY STANCIL • SOPRANO\nCHRISTOPHER LEACH • TENOR\nMARY DIBBERN • PIANO\nRYAN LESCALLEET • STAGING DIRECTOR\nJORDAN HAMMONS • VIDEOGRAPHER \nFeaturing the music of Amy Beach\, Louise Bertin\, Madeleine Dring and Liza Lehmann \nFILMED IN THE GREAT HALL OF\nST. MATTHEW’S EPISCOPAL CATHEDRAL\nYOUTUBE PREMIERE NOVEMBER 22\, 2020 \nWATCH THE YOUTUBE VIDEO HERE \nPRINTED PROGRAM HERE.
URL:https://cathedralartsdallas.org/event/womens-voices-ii-a-video-project-in-music-words-and-images/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Music,Recital
ATTACH;FMTTYPE=image/png:https://cathedralartsdallas.org/wp-content/uploads/2019/08/InFullLight@3x-e1567376560560.png
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20200329T150000
DTEND;TZID=UTC:20200329T150000
DTSTAMP:20260425T111912
CREATED:20200111T053252Z
LAST-MODIFIED:20200323T224210Z
UID:4055-1585494000-1585494000@cathedralartsdallas.org
SUMMARY:Women's Voices II: Poetry and Music of Extraordinary Women Composers CANCELLED
DESCRIPTION:SUNDAY\, MARCH 29 AT 3:00PM\nCONVERSATION WITH THE ARTISTS AT 2:30 \nGreat Hall\nFree parking and admission \nWITH \nCOURTNEY STANCIL • SOPRANO\nCHRISTOPHER LEACH • TENOR\nMARY DIBBERN • PIANO\nRYAN LESCALLEET • STAGING DIRECTOR \nMusic of Amy Beach\, Louise Bertin\, Madeleine Dring and Liza Lehmann \n  \nReception with the artists follows immediately in the Justus Sundermann Gallery. \nEvent flyer HERE. \n\n\nThis event is part of the 2020 French Cultures Festival coordinated by the Cultural Service of the French Embassy in Houston.
URL:https://cathedralartsdallas.org/event/womens-voices-ii-3-29-20/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Music,Recital
ATTACH;FMTTYPE=image/png:https://cathedralartsdallas.org/wp-content/uploads/2019/08/InFullLight@3x-e1567376560560.png
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20200207T193000
DTEND;TZID=UTC:20200207T193000
DTSTAMP:20260425T111912
CREATED:20200110T014210Z
LAST-MODIFIED:20200116T090908Z
UID:3995-1581103800-1581103800@cathedralartsdallas.org
SUMMARY:2020 Distinguished Artist: Sandra Mogensen in Recital
DESCRIPTION:En Pleine Lumière (In Full Light)\nPiano Music by Women of the 19th Century\n\nConversation with the artist at 7:00\nGreat Hall\nFree parking and admission \nReception with the artist follows immediately \nmusic of\nClara Schumann\, Cécile Chaminade\, Agathe Backer Grøndahl\, \nHelen Hopekirk\, Sofie Menter\, Luise Adolpha Le Beau\,\nMélanie Bonis\, Germaine Tailleferre\, Lili Boulanger\,\nRosy Wertheim\, Amy Beach\, Marion Bauer and Marguerite Canal \nmade possible with special funding from\nSwiss Avenue Historic District\, Dallas\, Texas\n \n  \n  \nAn upcoming project of Copenhagen-based pianist Sandra Mogensen is to perform and record the piano works of 19th-century women composers. Starting with concerts in southern Ontario\, the project will culminate in a recording session at the Immanuelskirche in Wuppertal this coming June. \nShe writes:\nI barely remember how the idea came to me to do a recording of piano music by women of the 19th century. It has been full-on researching and practicing ever since\, and I am smitten by each and every composer that comprises this program! The time has come for this music to be heard far and wide\, and I aim to do my part to shine some light on these undeservedly overlooked gorgeous gems. That’s where the project’s title comes from: “en pleine lumière” (in full light). \nThe idea to do a recording has actually been steadily evolving\, such that the scope of the project will turn into more of a life’s mission. The focus on solo piano repertoire will expand into song repertoire and chamber music involving the piano\, beginning with the 19th century and progressing through to the present day. My vision is that through recordings\, live performances\, video projects and podcasts\, I can help to bring these deserving artists to a wider audience.  \nOn Saturday\, February 8 at 10:00 am\, Ms. Mogensen will return to the Great Hall to conduct a master class with outstanding young artists from Texas Woman’s University\, Texas Christian University\, Southern Methodist University and the University of North Texas. Admission is free to the public. Donations are welcomed. \nAbout the Artist:\nCopenhagen-based pianist Sandra Mogensen is equally at home in two worlds: performing as a solo pianist and co-performing with singers in recital. She has played in concert in both capacities in Canada\, the United States\, Denmark\, Latvia\, Iceland\, Norway\, Sweden\, the Netherlands\, and Austria. Sandra is also well-known as a vocal coach and piano pedagogue. \nSandra’s first CD recording (2001) was of Schubert’s cycle of 24 songs\, Winterreise\, with Germany-based Canadian bass Paul Sketris. The two artists have been friends since childhood\, when their first musical collaborations included playing piano duets\, singing the Latvian folk songs of their common heritage\, and playing in the same high school jazz band. The Winterreise recording was produced by Anton Kwiatkowski and was recorded at the Glenn Gould Studio in Toronto. \nSandra returned to the Glenn Gould Studio to record her first solo album in December 2006 for a 2007 release in conjunction with the Edvard Grieg centenary. SANDRA MOGENSEN: Piano Music of Edvard Grieg\, produced by Earl McCluskie\, was warmly received and praised. A second disc of Grieg’s piano music (SANDRA MOGENSEN: Piano Music of Edvard Grieg Volume 2) followed in 2009\, and SANDRA MOGENSEN: Piano Music of Edvard Grieg Volume 3\, again produced by Earl McCluskie\, was released in 2012. A fourth disc of Grieg’s 12 Songs\, Op.33 with American soprano\, Laura Loge\, and 19 Norwegian Folk Tunes\, Op.66\, was released in 2017. \nSandra Mogensen did her early musical studies with her mother\, Edite Mogensen\, in Sarnia\, Ontario. Sandra’s further training as a pianist has taken her to study with Damjana Bratuz at the University of Western Ontario\, the Orff-Instiut Abteilung of the Mozarteum in Salzburg\, the Royal Danish Conservatory of Music in Copenhagen where she studied with Friedrich Gürtler\, and to Westminster Choir College in Princeton\, New Jersey\, where she received the Master’s of Music in Vocal Coaching and Accompanying\, studying with J.J. Penna and Dalton Baldwin. \nSandra Mogensen was a founding member of Canada’s National Piano Trio. A versatile musician\, Sandra has extensive experience with chamber music\, musical theater and choral repertoire\, as well as music in liturgy. Well-versed in English\, French\, German\, Italian\, Danish and Latvian\, Ms. Mogensen is well known for her language and diction coaching. Ms. Mogensen has had an extensive teaching career and enjoys mentoring musicians in their processes of self-discovery and artistic development. \nSandra is drawn to the music of recent and living composers\, as well as jazz and the art of improvisation. As a curator of musical experiences\, Sandra seeks to reinvent and reinvigorate the recital format and heighten the listener’s experience of connection\, relevance and meaning. Exploring the use of visual elements and improvisation\, reorganizing the typical recital structure and reexamining conventional recital practices form the basis of her evolving work. \nRead more about the artist here. \nEvent flyer here.
URL:https://cathedralartsdallas.org/event/2020-distinguished-artist-recital-sandra-mogensen-2-7-20/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Music,Recital
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2020/01/Sandra-Mogensen-combined-image.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20200112T150000
DTEND;TZID=UTC:20200112T150000
DTSTAMP:20260425T111912
CREATED:20191122T184945Z
LAST-MODIFIED:20191229T172011Z
UID:3893-1578841200-1578841200@cathedralartsdallas.org
SUMMARY:Women's Voices: Featuring the Poetry and Music of Extraordinary Women Composers
DESCRIPTION:with\nGABRIELLE GILLIAM • SOPRANO\nKAYLA NANTO • MEZZO-SOPRANO\nMARY DIBBERN • PIANO\nRYAN LESCALLEET • STAGE DIRECTOR\nShedding light on the greatness of women in music (and a couple of men!)\, including texts in English by prominent women poets. Join us to hear some of our many discoveries\, featuring settings of Emily Dickinson’s poems by Lori Laitman (USA\, b.1955)\, the mysterious charm of songs by Liza Lehmann (UK\, 1862-1818) and the sly humor of Madeleine Dring (UK\, 1923-77).\nMusic of\nAmy Beach\, Aaron Copland\, Madeleine Dring\,\nJake Heggie\, Mary Howe\, Lori Laitman\,\nLiza Lehmann\, Igor Stravinsky and Eric Thiman\nNEW! Conversation with the artists at 2:30\nEvent flyer here.\nFree parking and admission.
URL:https://cathedralartsdallas.org/event/womens-voices-1-12-2020/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Music,Recital
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2019/12/Womens-Voices-1-12-20-Flyer-PRINT-e1577618208157.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191124T160000
DTEND;TZID=UTC:20191124T160000
DTSTAMP:20260425T111912
CREATED:20191016T225730Z
LAST-MODIFIED:20191118T181026Z
UID:3761-1574611200-1574611200@cathedralartsdallas.org
SUMMARY:Pianist Darío Llanos Javierre in Recital
DESCRIPTION:Keyboard music of\nJohann Sebastian Bach\nJoaquín Turina\nFranz Liszt\nPraised for “demonstrating exactly how a real musician can possess a limitless reserve of technical strength\, (…) always placed in subservience to the uncompromising musical demands of the score” (Musical Opinion) and for his “clarity and exceptional tonal control” (Musical Opinion)\, Darío Llanos Javierre has been hailed as having an “intellectually probing pianism of forensic intensity\, but delivered without fuss or excessive gesture” (The Liszt Society Newsletter). He is currently based between Madrid\, his home town\, and Dallas\, where he held a teaching fellowship in the College of Music at the University of North Texas for his Graduate Artist Certificate in Music Performance with Maestro Joseph Banowetz. He was nominated for the 2019 Outstanding Teaching Fellow award. \nHe combines a passion for teaching with his performance career\, both as a soloist and as a chamber musician. In spite of his specialization in the Romantic repertoire\, he has given world premiere performances of numerous living composers\, such as Alexander Tchaikovsky\, José Buenagu and Miguel del Barco. In 2020 Darío will release a recording of Miguel del Barco’s complete works for piano on Toccata Classics\, distributed internationally by Naxos\, the biggest recording label in the world. In 2014 he was awarded the first prize in the International Piano Prize organized by The Liszt Society in London for his interpretation of the Troisième Année of Liszt’s Années de Pèlerinage. Since then\, he is regularly invited by The Liszt Society\, The Keyboard Charitable Trust and Master Musicians International to give series of recitals across England. His outstanding acquaintance of Franz Liszt’s work was acknowledged again in 2016\, being a prizewinner in the Los Angeles Franz Liszt International Piano Competition. During the Summer of 2018 he recorded the chamber music works for double reed instruments and piano by Roger Boutry as part of The Boutry Ensemble and members of the Dallas Opera Orchestra and Dallas Winds in Paris for the label UTA Records. In the works are the publication of a research project titled “The critical spirit of the performer” for the International University of La Rioja\, in Spain\, and a critical edition of the works for piano of Spanish composer Miguel del Barco. \nDarío is currently active in several concert circuits at both sides of the Atlantic. In the last two years he has given over 150 recitals in concert halls in the United States\, Spain\, Germany\, France and the United Kingdom. For the 20th anniversary of the passing of Spanish pianist Esteban Sánchez\, he was invited to perform Jose Buenagu’s Rhapsody-Tribute (on pianistic themes by Esteban Sánchez)\, followed by Franz Liszt’s Concerto No. 2 in A major\, S125\, one of Sánchez’s favorites\, in Badajoz (Spain) with the Orquesta de Extremadura. Darío’s remarkable repertoire includes over 100 works for piano solo and many concertos for piano and orchestra\, in addition to a wide range of works for different chamber music ensembles. \nHis musical career began during his formative stage at Kensington School in Pozuelo\, Madrid. He studied with Maestro Jacobo Ponce at the Real Conservatorio Superior de Música de Madrid. He specialized in contemporary piano repertoire with renowned pianist Sebastián Mariné\, and deepened his study of harmony and improvisation with Emilio Molina. In 2010\, he graduated achieving the highest possible mark: Matrícula de Honor. Since then\, he has continued developing his understanding of music and its approach through the piano\, attending courses with Leslie Howard\, Roy Howat\, Daniel Pollack\, Peter Frankl\, Murray McLachlan\, Steven Osborne\, Carlo Grante\, Steven Vanhauwaert\, Arpad Bodó\, Pascal Devoyon and Rikako Murata. Along with his performing career\, Darío has been deeply committed to pedagogy\, graduating in 2013 at the Real Conservatorio Superior de Música de Madrid in Piano Pedagogy as a second degree\, obtaining the highest marks. He has also been a member of the Piano and Harp department at the Escuela de Música Creativa. \nEvent flyer here. \nVisit Darío Llanos Javierre online here. \nFree parking and admission.
URL:https://cathedralartsdallas.org/event/dario-llanos-javierre-in-recital-11-24-19/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Music,Recital
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2019/10/Dario-Llanos-Javierre-e1571248911827.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190926T190000
DTEND;TZID=UTC:20190926T190000
DTSTAMP:20260425T111912
CREATED:20190901T191920Z
LAST-MODIFIED:20190918T033200Z
UID:3634-1569524400-1569524400@cathedralartsdallas.org
SUMMARY:The Tree of Life: A Musical Journey
DESCRIPTION:Including works by Jacques Offenbach\, Lili Boulanger\,\nLori Laitman\, William Bolcom\, Tom Cipullo\, Sara Bareilles\,\nOlivier Messiaen\, Johannes Brahms\, Peter Tchaikovsky\,\nMarvin Hamlisch\, Chris Brunt and Irving Berlin. \nHEIDI KLEIN\, SOPRANO\nKATRINA BURGGRAF\, MEZZO-SOPRANO\nJONATHAN GREER\, BARITONE/NARRATOR\nJORDYN KLEDAS\, DANCER\nCHRIS BRUNT\, PIANO \nFree parking and admission.\nEvent flyer here.
URL:https://cathedralartsdallas.org/event/tree-of-life-9-26-19/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Music,Recital
ATTACH;FMTTYPE=image/png:https://cathedralartsdallas.org/wp-content/uploads/2019/09/tree-of-life-vector-file.png
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190510T193000
DTEND;TZID=UTC:20190510T193000
DTSTAMP:20260425T111912
CREATED:20190218T061323Z
LAST-MODIFIED:20190423T210758Z
UID:3105-1557516600-1557516600@cathedralartsdallas.org
SUMMARY:Pianist Jonathan Tsay and the Cézanne String Quartet in Recital
DESCRIPTION:Concerti a Quattro: An Exploration into the Art of Collaboration\nProgram: \nJ. S. Bach: Keyboard Concerto in F minor\, BWV 1056\nMozart: Piano Concerto No.14 in E-flat major\, K.449\nChopin: Grande polonaise brillante\, Op.22\nGershwin: Rhapsody in Blue \nFree parking and admission.\nA reception with the artists follows the performance. \nJonathan Tsay presents a multimedia recital discussing the evolution of the keyboard concerto from the Baroque era to the early 20th century\, accompanied by the Cézanne String Quartet. \nSoloist\, collaborative pianist\, chamber musician\, producer\, and arts administrator Jonathan Tsay maintains an artistic career as diverse as his interests. A recent multi-city tour of Taiwan included solo recital stops at the National Recital Hall in Taipei\, Kaohsiung Music Hall\, and the Pingtung Arts Center. Other recent solo engagements include performances for The Cliburn\, Music at Southminster in Ottawa\, Blanco Performing Arts\, and Fine Arts Chamber Players. \nA sought-after collaborator\, Dr. Tsay has performed alongside some of the world’s premier musicians\, including Chee-Yun\, David Cooper (Principal Horn\, Dallas Symphony)\, Jing Wang (Concertmaster\, Hong Kong Philharmonic)\, dramatic soprano Alessandra Marc\, Chloé Trevor (“musical ambassador to Generation Z”)\, the Cézanne Quartet\, and Nathan Olson (Concertmaster\, Dallas Symphony Orchestra). Jonathan performs regularly as Principal Keyboard of the Las Colinas Symphony and serves as Artistic Director of Ensemble75\, a chamber music series based in Dallas. \nVisit Jonathan Tsay online here. \nEvent flyer here.
URL:https://cathedralartsdallas.org/event/jonathan-tsay-5-10-2019/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Education,Music,Recital
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2015/09/4cf66cb4-a456-47cc-ac79-bb50d6f5f42c.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190303T150000
DTEND;TZID=UTC:20190303T150000
DTSTAMP:20260425T111912
CREATED:20190126T053001Z
LAST-MODIFIED:20190221T213127Z
UID:3024-1551625200-1551625200@cathedralartsdallas.org
SUMMARY:Opera Scenes and Arias with Mary Dibbern and Friends
DESCRIPTION:Sunday\, March 3 at 3:00 pm\nGreat Hall\nFree parking and admission \nCourtney Stancil\, soprano\nChristopher Leach\, tenor\nMary Dibbern\, piano\nRyan Lescalleet\, stage director \nWith scenes and arias from:\nGaetano Donizetti: The Elixir of Love \nGiuseppe Verdi: La traviata\nJules Massenet: Manon\nLeonard Bernstein: West Side Story and Candide \nClaude-Michel Schönberg: Les Misérables \nReception with the artists follows immediately in the Justus Sundermann Gallery. \n\n\nThis event is part of the 2019 French Cultures Festival coordinated by the Cultural Service of the French Embassy in Houston.
URL:https://cathedralartsdallas.org/event/mary-dibbern-and-friends-3-3-2019/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Music,Recital
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2019/02/Mary-Dibbern-and-Friends-1-cropped.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190208T193000
DTEND;TZID=UTC:20190208T213000
DTSTAMP:20260425T111912
CREATED:20181108T214238Z
LAST-MODIFIED:20190130T001753Z
UID:2906-1549654200-1549661400@cathedralartsdallas.org
SUMMARY:2018-19 Distinguished Artist Recital: Émile Naoumoff
DESCRIPTION:Friday\, February 8 at 7:30 pm\nGreat Hall\nFree parking and admission \nReception with the artist follows immediately \nProgram:\nJ.S. Bach: Passacaglia in C minor\, BWV 582\nGabriel Fauré:  Nocturnes Nos. 6\, 7 and 13\nMaurice Ravel:  Valses nobles et sentimentales\nLili Boulanger:  Thème et variations\nNadia Boulanger: Vers la vie nouvelle\nÉmile Naoumoff: Las Brisas \nOn Saturday\, February 9 at 9:30 am\, Mr. Naoumoff will return to St. Matthew’s to conduct a master class with select young pianists and a chamber music ensemble from Southern Methodist University’s Meadows School of the Arts. Admission is free to the public. Donations are welcomed. \nAbout the Artist:\nÉmile Naoumoff has been likened to both Vladimir Horowitz and Arthur Rubinstein as a pianist\, displaying — as one critic remarked — the fire of the former and the poetry of the latter. Émile revealed himself as a musical prodigy at age five\, taking up the piano and adding composition to his studies a year later. At the age of seven\, after a fateful meeting in Paris\, he became the last disciple of the legendary Nadia Boulanger\, who referred to him as “The gift of my old age.” He studied with her until her death in late 1979. During this auspicious apprenticeship\, Mlle. Boulanger gave him the opportunity to work with Clifford Curzon\, Igor Markevitch\, Robert and Gaby Casadesus\, Nikita Magaloff\, Jean Francaix\, Leonard Bernstein\, Soulima Stravinsky\, Aram Khachaturian and Yehudi Menuhin. Lord Menuhin conducted the premiere of Émile’s first piano concerto\, with the composer as a soloist\, when he was ten years old. At the same time\, he pursued music courses at the Paris Conservatory with Lelia Gousseau\, Pierre Sancan and Genevieve Joy-Dutilleux\, and studied conducting at the École Normale de Musique de Paris with Pierre Dervaux. \nÉmile regularly appears with the world’s premier orchestras: the Los Angeles Philharmonic\, the Berlin Symphony\, the Vienna Symphony\, the San Francisco Symphony\, National Symphony in Washington\, Moscow Symphony\, NHK Symphony\, the Residentie Orkest of the Hague\, Orchestre Philharmonique de Radio-France\, Camerata Bern\, and has worked closely with conductors such as Leonard Bernstein\, Igor Markevitch\, Leonard Slatkin\, Mstislav Rostropovich and Eliahu Inbal. His musical collaborations include Jean-Pierre Rampal\, Gerard Souzay\, Yo-Yo Ma\, Gary Hoffman\, Olivier Charlier\, Patrice Fontanarosa\, Regis Pasquier\, Philippe Graffin\, Philippe Bernold\, Gerard Caussé\, Jean Ferrandis\, Dominique de Williencourt and the Fine Arts Quartet. \nHighlights of his career include a performance of the Grieg Piano Concerto with the Los Angeles Philharmonic at the Hollywood Bowl\, and his own piano concerto version of Moussorgsky’s Pictures at an Exhibition with the National Symphony Orchestra at the Kennedy Center in Washington\, D.C. under the baton of Mstislav Rostropovich. In recent years Émile has been invited to numerous music festivals\, including the San Francisco Friends of Chamber Music’s Menuhin Seminars\, Santander Summer Masterclasses\, Verbier Academy Festival\, the Banff Center\, and residencies at Conservatory of Barcelona (ESMUC). In 1996\, he opened his own summer academy at the Château de Rangiport in Gargenville\, France\, in the spirit of Nadia Boulanger. Émile has been a professor at Indiana University’s Jacobs School of Music since 1998. He is an avid composer of French mélodies\, and is known for his mastery in transcribing music for the piano. Émile maintains a video journal of daily improvisations on his YouTube channel. \nRead more about the artist here.
URL:https://cathedralartsdallas.org/event/emile-naoumoff-distinguished-artist-recital/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Music,Recital
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/11/20171108_160810_942141_emile_naoumoff_mez.jpeg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190113T150000
DTEND;TZID=UTC:20190113T170000
DTSTAMP:20260425T111912
CREATED:20181103T234251Z
LAST-MODIFIED:20190107T014733Z
UID:2896-1547391600-1547398800@cathedralartsdallas.org
SUMMARY:Offstage: Opera Composers in Song with Jay Gardner\, Tenor
DESCRIPTION:Sunday\, January 13 at 3:00 pm\nGreat Hall\nFree parking and admission \nReception with the artist follows immediately \nThe program includes songs by Henry Purcell\, Benjamin Britten\, W. A. Mozart\, Richard Strauss\, Georges Bizet\, Jules Massenet\, Camille Saint-Saëns\, Giuseppe Verdi\, Giacomo Puccini\, Leonard Bernstein\, Marc Blitzstein and George Gershwin. \nAbout the Artist: \nCritics have described Jay Gardner as giving “a truly standout performance (Opera News)\, having a “bright\, bold lyric tenor” (Dallas Morning News)\, possessing “a clarion tenor deployed with rare taste” (Dallas Morning News) and “displaying great comic timing with one of the best voices on the stage.” (Theaterjones).  \nJay has earned a reputation as a versatile singing actor\, equally at home in opera\, musical theater and cabaret. \nFavorite roles include Judge Danforth in The Crucible with Rimrock Opera\, Canio in Pagliacci with Kansas Concert Opera\, The Beadle Bamford in Sweeney Todd with St. Petersburg Opera and Sam Polk in Susannah and Romeo in Romeo et Juliette\, both with the Marjorie Lawrence Opera Theatre. Jay’s work with The Dallas Opera includes the Second Jew in Salome\, Parpignol in La bohème and the Prince of Persia in Turandot. \nOn the concert stage\, Jay has performed as a soloist in the Carnegie Hall premiere of Sing For The Cure commissioned by the Susan G. Komen Breast Cancer Foundation and appeared as a soloist in Mahler’s Das Lied Von Der Erde with the University of North Texas Chamber Orchestra. In addition\, he has been heard as a soloist in Haydn’s Paukenmesse with the Schola Cantorum of Texas and in Mozart’s Requiem with the Turtle Creek Chorale in performance at the Meyerson Symphony Center in Dallas. \nMusical theater roles include Charlie Dalrymple in Brigadoon\, the Adult Authority Figure in Spring Awakening\, Herr Schultz in Cabaret and the voice of Audrey II in Little Shop of Horrors. Jay also appeared at the Crested Butte Music Festival as a featured artist in The Best of Broadway and Bernstein On Broadway. \nAn accomplished cabaret artist\, Jay has performed Coward and Cole in Words and Music at the Sammons Cabaret. In 2014 he was a Cabaret Fellow at the prestigious Eugene O’Neill Theater Center’s Cabaret and Performance Conference in Waterford\, Connecticut and regularly attends the St. Louis Cabaret Conference. As Artistic Director of Front Line Cabaret\, Jay brings the intimate art of cabaret to small venues throughout North Texas. \nRead more about the artist here.
URL:https://cathedralartsdallas.org/event/jay-gardner-in-recital/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Music,Recital
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/11/Jay-Gardner.jpeg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20181104T150000
DTEND;TZID=UTC:20181104T170000
DTSTAMP:20260425T111912
CREATED:20181001T230452Z
LAST-MODIFIED:20181005T231455Z
UID:2766-1541343600-1541350800@cathedralartsdallas.org
SUMMARY:Alessandro Mazzamuto in Recital
DESCRIPTION:Sunday\, November 4 at 3:00 pm\nGreat Hall\nFree parking and admission \nReception with the artist follows immediately \nProgram:\nFranz Schubert: Sonata in B-flat\, D.960\nFranz Liszt: Sonata in B minor  \nAbout the Artist:\nPianist Alessandro Mazzamuto is “one of the most inspiring\, extraordinary pianists that I have had the joy to hear” – writes Martha Argerich – and when she was recently asked by the French newspaper L’Expresso to name her ten favorite young pianists\, she included Alessandro in the company of artists such as Danil Trifonov\, Beatrice Rana\, Yuja Wang\, Sergio Tiempo\, Katia Buniatishvili. He is “no virtuoso of show\, no ruthless technician\, but a pianist absorbed in the music who plays with as much spontaneity as poetry\,” claims Pizzicato Magazine (Germany). Winner of International Classical Music Awards’ 2013 Young Instrumental Artist of the Year\, the 28-year-old Sicilian pianist has won more than 60 national and international competitions in piano and chamber music. \nRead more about the artist here.
URL:https://cathedralartsdallas.org/event/alessandro-mazzamuto-in-recital/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Music,Recital
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/10/Mazzamuto2-e1538416780409.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180928T193000
DTEND;TZID=UTC:20180928T193000
DTSTAMP:20260425T111912
CREATED:20180816T001556Z
LAST-MODIFIED:20180827T193910Z
UID:2668-1538163000-1538163000@cathedralartsdallas.org
SUMMARY:Lucy and Friends in Concert: An Evening of Love and Laughter
DESCRIPTION:LIEBESLIEDER WALTZES\, OP. 52 (JOHANNES BRAHMS)\nLIEBESLIEDER POLKAS (P.D.Q. BACH)\nFRIDAY\, SEPTEMBER 28\n7:30 PM\nGREAT HALL \nFREE ADMISSION\nPOST-CONCERT RECEPTION \nLUCY CREECH\, SOPRANO\nNATALIE ARDUINO\, ALTO\nROBERT WILSON\, TENOR\nDAVID GROGAN\, BASS \nH. MICHIE AKIN & BRIAN BENTLEY\, PIANO FOUR HANDS \nAbout the music (adapted from Wikipedia articles): \nJohannes Brahms’ Liebeslieder Waltzes\, Op. 52 is a collection of love songs in Ländler style for voices and piano four hands. The lyrics for the Liebeslieder come from Georg Friedrich Daumer’s Polydora\, a collection of folk songs and love poems. While there is no record indicating the inspiration for the Waltzes\, there is speculation that Brahms’ motivation for the songs was his frustrated love for pianist Clara Schumann\, composer Robert Schumann’s wife. \nThe Liebeslieder Waltzes were completed in 1869 and were first performed January 5\, 1870. One aspect of the Liebeslieder Waltzes that possibly contributed to the work’s positive reception was that Brahms composed them with reference to Johann Strauss\, who was considered the “Waltz King.” With such another well-known composer attached to the work\, the audience would have enjoyed the tribute. To some\, Brahms revived chamber music. \nThe Liebeslieder Waltzes are written in a popular style\, but do not lose Brahms’ signature compositional complexity. Scored for piano four hands and voices ad libitum\, the piece can easily accommodate many different-sized ensembles. Although today they are part of the standard choral repertoire\, Brahms more likely intended them to be played in parlors or informal home gatherings rather than in concert halls. Immediately successful\, these waltzes were responsible for much of his personal wealth\, and solidified his reputation with the general music-buying public in Vienna and Europe. \n \nLiebeslieder Polkas for Mixed Chorus and Piano Five Hands\, S. 2/4\, is actually the music of American composer Peter Schickele (b. 1935)\, written under the comic pseudonym of P. D. Q. Bach. He describes this work as “the first opus of P.D.Q. Bach to be discovered in which he inflicted his music on the work of well-known poets\, or even known poets\, for that matter.” \nSchickele gives a humorous fictional biography of the composer\, according to which P. D. Q. Bach was born in Leipzig on April 1\, 1742\, the son of Johann Sebastian Bach and Anna Magdalena Bach; the twenty-first of Johann’s twenty children. He is also referred to as “the youngest and oddest of Johann Sebastian’s 20-odd children.” According to Schickele\, P. D. Q. “possessed the originality of Johann Christian\, the arrogance of Carl Philipp Emanuel\, and the obscurity of Johann Christoph Friedrich . . . His musical life has been divided into three creative periods: the Initial Plunge\, the Soused Period\, and Contrition. The middle period was by far the longest of the three\, and was characterized by a multiplicity of contrapuntal lines and a greater richness of harmony due to almost constant double vision. It was during this period that he emulated (i.e.\, stole from) the music of Haydn and Mozart\, but his pathetic attempts to be au courant were no more successful than his pathetic attempts to be passé had been during the Initial Plunge; having to cope with the problems that accompany immense popularity was something P.D.Q. Bach managed to avoid. It has been said that the only original places in his music are those places where he forgot what he was stealing.” \nSchickele’s works attributed to P. D. Q. Bach often incorporate comical rearrangements of well-known works of other composers. There is often a startling juxtaposition of styles within a single P. D. Q. Bach piece. The humor in P. D. Q. Bach music often derives from a violation of audience expectations\, such as repeating a tune more than the usual number of times\, resolving a musical chord later than usual (or not at all)\, unusual key changes\, excessive dissonance\, or sudden switches from high art to low art. \nThe titles in this collection also reveal Schickele’s wicked sense of literary humor: \nTo His Coy Mistress (Andrew Marvell)\nTo the Virgins\, to Make Much of Time (Robert Herrick)\nThe Passionate Shepherd to His Love (Christopher Marlowe)\nWhy So Pale and Wan\, Fond Lover? (Sir John Suckling)\nIt Was a Lover and His Lass (William Shakespeare)\nThe Constant Lover (Sir John Suckling)\nSong to Celia (Ben Johnson\, adapted by P.D.Q. Bach)\nFarewell\, Ungrateful Traitor (John Dryden)\nWho is Sylvia? (William Shakespeare) \nA recording of the work was released on Vanguard Records in 1980\, with a cover image of Schickele mimicking the famous image of Johannes Brahms at the piano. \n 
URL:https://cathedralartsdallas.org/event/lucy-and-friends-in-concert-9-28-2018/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Music,Recital
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/08/Brahms-Liebeslieder-8.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180304T150000
DTEND;TZID=UTC:20180304T150000
DTSTAMP:20260425T111912
CREATED:20180209T061143Z
LAST-MODIFIED:20180209T061557Z
UID:1876-1520175600-1520175600@cathedralartsdallas.org
SUMMARY:Pianist Eldred Marshall in Recital
DESCRIPTION:Presenting Eldred Marshall\, Piano\nSunday\, March 4 at 3:00 pm\nGreat Hall\nFree parking and admission\n\nAbout the Artist:\nThe Press-Enterprise (Riverside\, CA) hailed his “dazzling technique” and his “clean\, tidy approach.” Music critic Laurence Vittes described him as an “illumination in music\,” and said of his all-Beethoven recital: “Marshall presented a recital so full of musical thrills and beauties\, and so in identification with the composer’s own persona\, that\, for a few hours\, it was as if he were communing across the centuries to conjure up a rare and magical musical spectrum.” The Telegraf Online Constanta (Romania) reported that Marshall “captivated the audience” in Mozart’s Piano Concerto no. 20\, which he conducted from the piano. \nEldred Marshall began studying the piano at age six and played in public at age seven. His prodigious and inquisitive mind allowed him to master large swaths of the piano repertoire quickly as well as consistently win top prizes at the competitions he entered as a child. By 16\, he debuted with orchestra\, playing Brahms’s Second Piano Concerto with the Victor Valley Symphony Orchestra. Before entering Yale University\, where he graduated with honors with a B.A. in Political Science\, he had already performed all over the United States. \nThe critically-acclaimed pianist has performed internationally: Spain\, Italy\, the Republic of San Marino\, Belgium\, Germany Romania\, Bulgaria\, and Ukraine. He has twice performed the entire 32 Piano Sonatas of Beethoven in public\, from memory\, as a concentrated series: once in Portland in 2007 and again in San Francisco in 2008. He followed that project with a full West Coast tour of Bach’s Goldberg Variations in 2008 and 2009. In the 2015-2016 Season\, he toured extensively through Texas with two all-Bach piano recital programs\, one of which included the Goldberg Variations. In 2016\, he was named a semi-finalist in the Ninth J. S. Bach International Piano Competition in Würzburg\, Germany. He has appeared in piano festivals in Italy as well as the United States and has collaborated orchestrally with conductors K. C. Manji\, Carlo Ponti\, Beau Benson\, Greg Grabowski\, Michelle Merrill\, Jonathan Moore and Jessica Morel. \nAs an orchestral conductor\, Marshall has led several international ensembles: the Ukrainian State Academic Orchestra (Kiev\, Ukraine)\, the Kharkov Youth Symphony (Kharkov\, Ukraine)\, the Pleven Philharmonic Orchestra (Pleven\, Bulgaria)\, the Vidin Philharmonic Orchestra (Vidin\, Bulgaria)\, the Filharmonica Oltenia di Craiova (Craiova\, Romania)\, and the Constanta “Black Sea” Philharmonic Orchestra (Constanta\, Romania). In the United States\, he has worked as conductor for the Riverside (CA) Opera Institute’s Children’s Opera Division\, as assistant conductor of the Meadows Symphony Orchestra at Southern Methodist University\, and has collaborated with the University of North Texas Symphony Orchestra. \nMr. Marshall has earned three M.M. degrees from SMU: piano (2011)\, organ (2012) and orchestral conducting (2013). Currently\, he is finishing his D.M.A. in Piano Performance at UNT\, where he studies with Pamela Mia Paul. Additionally\, he was awarded a Teaching Fellowship at UNT and is an adjunct lecturer at SMU. His doctoral dissertation topic is on the art of conducting piano concerti from the piano – performance practice\, discipline and whether or not it is “real conducting.”
URL:https://cathedralartsdallas.org/event/pianist-eldred-marshall-in-recital/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Music,Recital
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/02/Eldred_Marshall.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180206T193000
DTEND;TZID=UTC:20180206T213000
DTSTAMP:20260425T111912
CREATED:20150917T003351Z
LAST-MODIFIED:20180209T061420Z
UID:443-1517945400-1517952600@cathedralartsdallas.org
SUMMARY:Pianist Jonathan Tsay in Recital
DESCRIPTION:Jonathan Tsay will be exploring one of Beethoven’s greatest piano sonatas\, written at the threshold between the Classical and Romantic eras\, tracing its roots in history and its influence on works by Brahms\, Liszt\, and others in a multimedia “informance” that will include personal thoughts from the bench as well as historical source material from the composers. \nProgram: \nBeethoven: Piano Sonata No. 28 in A major\, op. 101\nI. Etwas lebhaft und mit der innigsten Empfindung \nHaydn: Piano Sonata in B Minor\, Hob. XVI:32\nAllegro moderato\nMenuet\nPresto\n\nBrahms: Ballade op. 10 no.1 in D Minor “Edward”\nBrahms: Intermezzo in B Minor\, op. 119\, no. 1 \nBeethoven: Piano Sonata No. 28 in A major\, op. 101\nII. Lebhaft. Marschmäßig \nWagner/Liszt: “Isoldens Liebestod” from Tristan und Isolde\nLiszt: La Lugubre Gondola\, S. 200 \nBeethoven: Piano Sonata No. 28 in A major\, op. 101\nIII. Langsam und sehnsuchtsvoll\nIV. Geschwind\, doch nicht zu sehr und mit Entschlossenheit
URL:https://cathedralartsdallas.org/event/jonathan-tsay/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Music,Recital
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2015/09/4cf66cb4-a456-47cc-ac79-bb50d6f5f42c.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
END:VCALENDAR