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BEGIN:VEVENT
DTSTART;VALUE=DATE:20201122
DTEND;VALUE=DATE:20201123
DTSTAMP:20260425T124709
CREATED:20200811T034423Z
LAST-MODIFIED:20201123T223805Z
UID:4407-1606003200-1606089599@cathedralartsdallas.org
SUMMARY:WOMEN’S VOICES II: A Video Project in Music\, Words and Images
DESCRIPTION:WITH \nCOURTNEY STANCIL • SOPRANO\nCHRISTOPHER LEACH • TENOR\nMARY DIBBERN • PIANO\nRYAN LESCALLEET • STAGING DIRECTOR\nJORDAN HAMMONS • VIDEOGRAPHER \nFeaturing the music of Amy Beach\, Louise Bertin\, Madeleine Dring and Liza Lehmann \nFILMED IN THE GREAT HALL OF\nST. MATTHEW’S EPISCOPAL CATHEDRAL\nYOUTUBE PREMIERE NOVEMBER 22\, 2020 \nWATCH THE YOUTUBE VIDEO HERE \nPRINTED PROGRAM HERE.
URL:https://cathedralartsdallas.org/event/womens-voices-ii-a-video-project-in-music-words-and-images/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Music,Recital
ATTACH;FMTTYPE=image/png:https://cathedralartsdallas.org/wp-content/uploads/2019/08/InFullLight@3x-e1567376560560.png
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20200329T150000
DTEND;TZID=UTC:20200329T150000
DTSTAMP:20260425T124709
CREATED:20200111T053252Z
LAST-MODIFIED:20200323T224210Z
UID:4055-1585494000-1585494000@cathedralartsdallas.org
SUMMARY:Women's Voices II: Poetry and Music of Extraordinary Women Composers CANCELLED
DESCRIPTION:SUNDAY\, MARCH 29 AT 3:00PM\nCONVERSATION WITH THE ARTISTS AT 2:30 \nGreat Hall\nFree parking and admission \nWITH \nCOURTNEY STANCIL • SOPRANO\nCHRISTOPHER LEACH • TENOR\nMARY DIBBERN • PIANO\nRYAN LESCALLEET • STAGING DIRECTOR \nMusic of Amy Beach\, Louise Bertin\, Madeleine Dring and Liza Lehmann \n  \nReception with the artists follows immediately in the Justus Sundermann Gallery. \nEvent flyer HERE. \n\n\nThis event is part of the 2020 French Cultures Festival coordinated by the Cultural Service of the French Embassy in Houston.
URL:https://cathedralartsdallas.org/event/womens-voices-ii-3-29-20/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Music,Recital
ATTACH;FMTTYPE=image/png:https://cathedralartsdallas.org/wp-content/uploads/2019/08/InFullLight@3x-e1567376560560.png
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20200207T193000
DTEND;TZID=UTC:20200207T193000
DTSTAMP:20260425T124709
CREATED:20200110T014210Z
LAST-MODIFIED:20200116T090908Z
UID:3995-1581103800-1581103800@cathedralartsdallas.org
SUMMARY:2020 Distinguished Artist: Sandra Mogensen in Recital
DESCRIPTION:En Pleine Lumière (In Full Light)\nPiano Music by Women of the 19th Century\n\nConversation with the artist at 7:00\nGreat Hall\nFree parking and admission \nReception with the artist follows immediately \nmusic of\nClara Schumann\, Cécile Chaminade\, Agathe Backer Grøndahl\, \nHelen Hopekirk\, Sofie Menter\, Luise Adolpha Le Beau\,\nMélanie Bonis\, Germaine Tailleferre\, Lili Boulanger\,\nRosy Wertheim\, Amy Beach\, Marion Bauer and Marguerite Canal \nmade possible with special funding from\nSwiss Avenue Historic District\, Dallas\, Texas\n \n  \n  \nAn upcoming project of Copenhagen-based pianist Sandra Mogensen is to perform and record the piano works of 19th-century women composers. Starting with concerts in southern Ontario\, the project will culminate in a recording session at the Immanuelskirche in Wuppertal this coming June. \nShe writes:\nI barely remember how the idea came to me to do a recording of piano music by women of the 19th century. It has been full-on researching and practicing ever since\, and I am smitten by each and every composer that comprises this program! The time has come for this music to be heard far and wide\, and I aim to do my part to shine some light on these undeservedly overlooked gorgeous gems. That’s where the project’s title comes from: “en pleine lumière” (in full light). \nThe idea to do a recording has actually been steadily evolving\, such that the scope of the project will turn into more of a life’s mission. The focus on solo piano repertoire will expand into song repertoire and chamber music involving the piano\, beginning with the 19th century and progressing through to the present day. My vision is that through recordings\, live performances\, video projects and podcasts\, I can help to bring these deserving artists to a wider audience.  \nOn Saturday\, February 8 at 10:00 am\, Ms. Mogensen will return to the Great Hall to conduct a master class with outstanding young artists from Texas Woman’s University\, Texas Christian University\, Southern Methodist University and the University of North Texas. Admission is free to the public. Donations are welcomed. \nAbout the Artist:\nCopenhagen-based pianist Sandra Mogensen is equally at home in two worlds: performing as a solo pianist and co-performing with singers in recital. She has played in concert in both capacities in Canada\, the United States\, Denmark\, Latvia\, Iceland\, Norway\, Sweden\, the Netherlands\, and Austria. Sandra is also well-known as a vocal coach and piano pedagogue. \nSandra’s first CD recording (2001) was of Schubert’s cycle of 24 songs\, Winterreise\, with Germany-based Canadian bass Paul Sketris. The two artists have been friends since childhood\, when their first musical collaborations included playing piano duets\, singing the Latvian folk songs of their common heritage\, and playing in the same high school jazz band. The Winterreise recording was produced by Anton Kwiatkowski and was recorded at the Glenn Gould Studio in Toronto. \nSandra returned to the Glenn Gould Studio to record her first solo album in December 2006 for a 2007 release in conjunction with the Edvard Grieg centenary. SANDRA MOGENSEN: Piano Music of Edvard Grieg\, produced by Earl McCluskie\, was warmly received and praised. A second disc of Grieg’s piano music (SANDRA MOGENSEN: Piano Music of Edvard Grieg Volume 2) followed in 2009\, and SANDRA MOGENSEN: Piano Music of Edvard Grieg Volume 3\, again produced by Earl McCluskie\, was released in 2012. A fourth disc of Grieg’s 12 Songs\, Op.33 with American soprano\, Laura Loge\, and 19 Norwegian Folk Tunes\, Op.66\, was released in 2017. \nSandra Mogensen did her early musical studies with her mother\, Edite Mogensen\, in Sarnia\, Ontario. Sandra’s further training as a pianist has taken her to study with Damjana Bratuz at the University of Western Ontario\, the Orff-Instiut Abteilung of the Mozarteum in Salzburg\, the Royal Danish Conservatory of Music in Copenhagen where she studied with Friedrich Gürtler\, and to Westminster Choir College in Princeton\, New Jersey\, where she received the Master’s of Music in Vocal Coaching and Accompanying\, studying with J.J. Penna and Dalton Baldwin. \nSandra Mogensen was a founding member of Canada’s National Piano Trio. A versatile musician\, Sandra has extensive experience with chamber music\, musical theater and choral repertoire\, as well as music in liturgy. Well-versed in English\, French\, German\, Italian\, Danish and Latvian\, Ms. Mogensen is well known for her language and diction coaching. Ms. Mogensen has had an extensive teaching career and enjoys mentoring musicians in their processes of self-discovery and artistic development. \nSandra is drawn to the music of recent and living composers\, as well as jazz and the art of improvisation. As a curator of musical experiences\, Sandra seeks to reinvent and reinvigorate the recital format and heighten the listener’s experience of connection\, relevance and meaning. Exploring the use of visual elements and improvisation\, reorganizing the typical recital structure and reexamining conventional recital practices form the basis of her evolving work. \nRead more about the artist here. \nEvent flyer here.
URL:https://cathedralartsdallas.org/event/2020-distinguished-artist-recital-sandra-mogensen-2-7-20/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Music,Recital
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2020/01/Sandra-Mogensen-combined-image.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20200112T150000
DTEND;TZID=UTC:20200112T150000
DTSTAMP:20260425T124709
CREATED:20191122T184945Z
LAST-MODIFIED:20191229T172011Z
UID:3893-1578841200-1578841200@cathedralartsdallas.org
SUMMARY:Women's Voices: Featuring the Poetry and Music of Extraordinary Women Composers
DESCRIPTION:with\nGABRIELLE GILLIAM • SOPRANO\nKAYLA NANTO • MEZZO-SOPRANO\nMARY DIBBERN • PIANO\nRYAN LESCALLEET • STAGE DIRECTOR\nShedding light on the greatness of women in music (and a couple of men!)\, including texts in English by prominent women poets. Join us to hear some of our many discoveries\, featuring settings of Emily Dickinson’s poems by Lori Laitman (USA\, b.1955)\, the mysterious charm of songs by Liza Lehmann (UK\, 1862-1818) and the sly humor of Madeleine Dring (UK\, 1923-77).\nMusic of\nAmy Beach\, Aaron Copland\, Madeleine Dring\,\nJake Heggie\, Mary Howe\, Lori Laitman\,\nLiza Lehmann\, Igor Stravinsky and Eric Thiman\nNEW! Conversation with the artists at 2:30\nEvent flyer here.\nFree parking and admission.
URL:https://cathedralartsdallas.org/event/womens-voices-1-12-2020/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Music,Recital
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2019/12/Womens-Voices-1-12-20-Flyer-PRINT-e1577618208157.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191124T160000
DTEND;TZID=UTC:20191124T160000
DTSTAMP:20260425T124709
CREATED:20191016T225730Z
LAST-MODIFIED:20191118T181026Z
UID:3761-1574611200-1574611200@cathedralartsdallas.org
SUMMARY:Pianist Darío Llanos Javierre in Recital
DESCRIPTION:Keyboard music of\nJohann Sebastian Bach\nJoaquín Turina\nFranz Liszt\nPraised for “demonstrating exactly how a real musician can possess a limitless reserve of technical strength\, (…) always placed in subservience to the uncompromising musical demands of the score” (Musical Opinion) and for his “clarity and exceptional tonal control” (Musical Opinion)\, Darío Llanos Javierre has been hailed as having an “intellectually probing pianism of forensic intensity\, but delivered without fuss or excessive gesture” (The Liszt Society Newsletter). He is currently based between Madrid\, his home town\, and Dallas\, where he held a teaching fellowship in the College of Music at the University of North Texas for his Graduate Artist Certificate in Music Performance with Maestro Joseph Banowetz. He was nominated for the 2019 Outstanding Teaching Fellow award. \nHe combines a passion for teaching with his performance career\, both as a soloist and as a chamber musician. In spite of his specialization in the Romantic repertoire\, he has given world premiere performances of numerous living composers\, such as Alexander Tchaikovsky\, José Buenagu and Miguel del Barco. In 2020 Darío will release a recording of Miguel del Barco’s complete works for piano on Toccata Classics\, distributed internationally by Naxos\, the biggest recording label in the world. In 2014 he was awarded the first prize in the International Piano Prize organized by The Liszt Society in London for his interpretation of the Troisième Année of Liszt’s Années de Pèlerinage. Since then\, he is regularly invited by The Liszt Society\, The Keyboard Charitable Trust and Master Musicians International to give series of recitals across England. His outstanding acquaintance of Franz Liszt’s work was acknowledged again in 2016\, being a prizewinner in the Los Angeles Franz Liszt International Piano Competition. During the Summer of 2018 he recorded the chamber music works for double reed instruments and piano by Roger Boutry as part of The Boutry Ensemble and members of the Dallas Opera Orchestra and Dallas Winds in Paris for the label UTA Records. In the works are the publication of a research project titled “The critical spirit of the performer” for the International University of La Rioja\, in Spain\, and a critical edition of the works for piano of Spanish composer Miguel del Barco. \nDarío is currently active in several concert circuits at both sides of the Atlantic. In the last two years he has given over 150 recitals in concert halls in the United States\, Spain\, Germany\, France and the United Kingdom. For the 20th anniversary of the passing of Spanish pianist Esteban Sánchez\, he was invited to perform Jose Buenagu’s Rhapsody-Tribute (on pianistic themes by Esteban Sánchez)\, followed by Franz Liszt’s Concerto No. 2 in A major\, S125\, one of Sánchez’s favorites\, in Badajoz (Spain) with the Orquesta de Extremadura. Darío’s remarkable repertoire includes over 100 works for piano solo and many concertos for piano and orchestra\, in addition to a wide range of works for different chamber music ensembles. \nHis musical career began during his formative stage at Kensington School in Pozuelo\, Madrid. He studied with Maestro Jacobo Ponce at the Real Conservatorio Superior de Música de Madrid. He specialized in contemporary piano repertoire with renowned pianist Sebastián Mariné\, and deepened his study of harmony and improvisation with Emilio Molina. In 2010\, he graduated achieving the highest possible mark: Matrícula de Honor. Since then\, he has continued developing his understanding of music and its approach through the piano\, attending courses with Leslie Howard\, Roy Howat\, Daniel Pollack\, Peter Frankl\, Murray McLachlan\, Steven Osborne\, Carlo Grante\, Steven Vanhauwaert\, Arpad Bodó\, Pascal Devoyon and Rikako Murata. Along with his performing career\, Darío has been deeply committed to pedagogy\, graduating in 2013 at the Real Conservatorio Superior de Música de Madrid in Piano Pedagogy as a second degree\, obtaining the highest marks. He has also been a member of the Piano and Harp department at the Escuela de Música Creativa. \nEvent flyer here. \nVisit Darío Llanos Javierre online here. \nFree parking and admission.
URL:https://cathedralartsdallas.org/event/dario-llanos-javierre-in-recital-11-24-19/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Music,Recital
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2019/10/Dario-Llanos-Javierre-e1571248911827.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190926T190000
DTEND;TZID=UTC:20190926T190000
DTSTAMP:20260425T124709
CREATED:20190901T191920Z
LAST-MODIFIED:20190918T033200Z
UID:3634-1569524400-1569524400@cathedralartsdallas.org
SUMMARY:The Tree of Life: A Musical Journey
DESCRIPTION:Including works by Jacques Offenbach\, Lili Boulanger\,\nLori Laitman\, William Bolcom\, Tom Cipullo\, Sara Bareilles\,\nOlivier Messiaen\, Johannes Brahms\, Peter Tchaikovsky\,\nMarvin Hamlisch\, Chris Brunt and Irving Berlin. \nHEIDI KLEIN\, SOPRANO\nKATRINA BURGGRAF\, MEZZO-SOPRANO\nJONATHAN GREER\, BARITONE/NARRATOR\nJORDYN KLEDAS\, DANCER\nCHRIS BRUNT\, PIANO \nFree parking and admission.\nEvent flyer here.
URL:https://cathedralartsdallas.org/event/tree-of-life-9-26-19/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Music,Recital
ATTACH;FMTTYPE=image/png:https://cathedralartsdallas.org/wp-content/uploads/2019/09/tree-of-life-vector-file.png
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190510T193000
DTEND;TZID=UTC:20190510T193000
DTSTAMP:20260425T124709
CREATED:20190218T061323Z
LAST-MODIFIED:20190423T210758Z
UID:3105-1557516600-1557516600@cathedralartsdallas.org
SUMMARY:Pianist Jonathan Tsay and the Cézanne String Quartet in Recital
DESCRIPTION:Concerti a Quattro: An Exploration into the Art of Collaboration\nProgram: \nJ. S. Bach: Keyboard Concerto in F minor\, BWV 1056\nMozart: Piano Concerto No.14 in E-flat major\, K.449\nChopin: Grande polonaise brillante\, Op.22\nGershwin: Rhapsody in Blue \nFree parking and admission.\nA reception with the artists follows the performance. \nJonathan Tsay presents a multimedia recital discussing the evolution of the keyboard concerto from the Baroque era to the early 20th century\, accompanied by the Cézanne String Quartet. \nSoloist\, collaborative pianist\, chamber musician\, producer\, and arts administrator Jonathan Tsay maintains an artistic career as diverse as his interests. A recent multi-city tour of Taiwan included solo recital stops at the National Recital Hall in Taipei\, Kaohsiung Music Hall\, and the Pingtung Arts Center. Other recent solo engagements include performances for The Cliburn\, Music at Southminster in Ottawa\, Blanco Performing Arts\, and Fine Arts Chamber Players. \nA sought-after collaborator\, Dr. Tsay has performed alongside some of the world’s premier musicians\, including Chee-Yun\, David Cooper (Principal Horn\, Dallas Symphony)\, Jing Wang (Concertmaster\, Hong Kong Philharmonic)\, dramatic soprano Alessandra Marc\, Chloé Trevor (“musical ambassador to Generation Z”)\, the Cézanne Quartet\, and Nathan Olson (Concertmaster\, Dallas Symphony Orchestra). Jonathan performs regularly as Principal Keyboard of the Las Colinas Symphony and serves as Artistic Director of Ensemble75\, a chamber music series based in Dallas. \nVisit Jonathan Tsay online here. \nEvent flyer here.
URL:https://cathedralartsdallas.org/event/jonathan-tsay-5-10-2019/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Education,Music,Recital
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ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
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BEGIN:VEVENT
DTSTART;TZID=UTC:20190303T150000
DTEND;TZID=UTC:20190303T150000
DTSTAMP:20260425T124709
CREATED:20190126T053001Z
LAST-MODIFIED:20190221T213127Z
UID:3024-1551625200-1551625200@cathedralartsdallas.org
SUMMARY:Opera Scenes and Arias with Mary Dibbern and Friends
DESCRIPTION:Sunday\, March 3 at 3:00 pm\nGreat Hall\nFree parking and admission \nCourtney Stancil\, soprano\nChristopher Leach\, tenor\nMary Dibbern\, piano\nRyan Lescalleet\, stage director \nWith scenes and arias from:\nGaetano Donizetti: The Elixir of Love \nGiuseppe Verdi: La traviata\nJules Massenet: Manon\nLeonard Bernstein: West Side Story and Candide \nClaude-Michel Schönberg: Les Misérables \nReception with the artists follows immediately in the Justus Sundermann Gallery. \n\n\nThis event is part of the 2019 French Cultures Festival coordinated by the Cultural Service of the French Embassy in Houston.
URL:https://cathedralartsdallas.org/event/mary-dibbern-and-friends-3-3-2019/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Music,Recital
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2019/02/Mary-Dibbern-and-Friends-1-cropped.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190208T193000
DTEND;TZID=UTC:20190208T213000
DTSTAMP:20260425T124709
CREATED:20181108T214238Z
LAST-MODIFIED:20190130T001753Z
UID:2906-1549654200-1549661400@cathedralartsdallas.org
SUMMARY:2018-19 Distinguished Artist Recital: Émile Naoumoff
DESCRIPTION:Friday\, February 8 at 7:30 pm\nGreat Hall\nFree parking and admission \nReception with the artist follows immediately \nProgram:\nJ.S. Bach: Passacaglia in C minor\, BWV 582\nGabriel Fauré:  Nocturnes Nos. 6\, 7 and 13\nMaurice Ravel:  Valses nobles et sentimentales\nLili Boulanger:  Thème et variations\nNadia Boulanger: Vers la vie nouvelle\nÉmile Naoumoff: Las Brisas \nOn Saturday\, February 9 at 9:30 am\, Mr. Naoumoff will return to St. Matthew’s to conduct a master class with select young pianists and a chamber music ensemble from Southern Methodist University’s Meadows School of the Arts. Admission is free to the public. Donations are welcomed. \nAbout the Artist:\nÉmile Naoumoff has been likened to both Vladimir Horowitz and Arthur Rubinstein as a pianist\, displaying — as one critic remarked — the fire of the former and the poetry of the latter. Émile revealed himself as a musical prodigy at age five\, taking up the piano and adding composition to his studies a year later. At the age of seven\, after a fateful meeting in Paris\, he became the last disciple of the legendary Nadia Boulanger\, who referred to him as “The gift of my old age.” He studied with her until her death in late 1979. During this auspicious apprenticeship\, Mlle. Boulanger gave him the opportunity to work with Clifford Curzon\, Igor Markevitch\, Robert and Gaby Casadesus\, Nikita Magaloff\, Jean Francaix\, Leonard Bernstein\, Soulima Stravinsky\, Aram Khachaturian and Yehudi Menuhin. Lord Menuhin conducted the premiere of Émile’s first piano concerto\, with the composer as a soloist\, when he was ten years old. At the same time\, he pursued music courses at the Paris Conservatory with Lelia Gousseau\, Pierre Sancan and Genevieve Joy-Dutilleux\, and studied conducting at the École Normale de Musique de Paris with Pierre Dervaux. \nÉmile regularly appears with the world’s premier orchestras: the Los Angeles Philharmonic\, the Berlin Symphony\, the Vienna Symphony\, the San Francisco Symphony\, National Symphony in Washington\, Moscow Symphony\, NHK Symphony\, the Residentie Orkest of the Hague\, Orchestre Philharmonique de Radio-France\, Camerata Bern\, and has worked closely with conductors such as Leonard Bernstein\, Igor Markevitch\, Leonard Slatkin\, Mstislav Rostropovich and Eliahu Inbal. His musical collaborations include Jean-Pierre Rampal\, Gerard Souzay\, Yo-Yo Ma\, Gary Hoffman\, Olivier Charlier\, Patrice Fontanarosa\, Regis Pasquier\, Philippe Graffin\, Philippe Bernold\, Gerard Caussé\, Jean Ferrandis\, Dominique de Williencourt and the Fine Arts Quartet. \nHighlights of his career include a performance of the Grieg Piano Concerto with the Los Angeles Philharmonic at the Hollywood Bowl\, and his own piano concerto version of Moussorgsky’s Pictures at an Exhibition with the National Symphony Orchestra at the Kennedy Center in Washington\, D.C. under the baton of Mstislav Rostropovich. In recent years Émile has been invited to numerous music festivals\, including the San Francisco Friends of Chamber Music’s Menuhin Seminars\, Santander Summer Masterclasses\, Verbier Academy Festival\, the Banff Center\, and residencies at Conservatory of Barcelona (ESMUC). In 1996\, he opened his own summer academy at the Château de Rangiport in Gargenville\, France\, in the spirit of Nadia Boulanger. Émile has been a professor at Indiana University’s Jacobs School of Music since 1998. He is an avid composer of French mélodies\, and is known for his mastery in transcribing music for the piano. Émile maintains a video journal of daily improvisations on his YouTube channel. \nRead more about the artist here.
URL:https://cathedralartsdallas.org/event/emile-naoumoff-distinguished-artist-recital/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Music,Recital
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/11/20171108_160810_942141_emile_naoumoff_mez.jpeg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190113T150000
DTEND;TZID=UTC:20190113T170000
DTSTAMP:20260425T124709
CREATED:20181103T234251Z
LAST-MODIFIED:20190107T014733Z
UID:2896-1547391600-1547398800@cathedralartsdallas.org
SUMMARY:Offstage: Opera Composers in Song with Jay Gardner\, Tenor
DESCRIPTION:Sunday\, January 13 at 3:00 pm\nGreat Hall\nFree parking and admission \nReception with the artist follows immediately \nThe program includes songs by Henry Purcell\, Benjamin Britten\, W. A. Mozart\, Richard Strauss\, Georges Bizet\, Jules Massenet\, Camille Saint-Saëns\, Giuseppe Verdi\, Giacomo Puccini\, Leonard Bernstein\, Marc Blitzstein and George Gershwin. \nAbout the Artist: \nCritics have described Jay Gardner as giving “a truly standout performance (Opera News)\, having a “bright\, bold lyric tenor” (Dallas Morning News)\, possessing “a clarion tenor deployed with rare taste” (Dallas Morning News) and “displaying great comic timing with one of the best voices on the stage.” (Theaterjones).  \nJay has earned a reputation as a versatile singing actor\, equally at home in opera\, musical theater and cabaret. \nFavorite roles include Judge Danforth in The Crucible with Rimrock Opera\, Canio in Pagliacci with Kansas Concert Opera\, The Beadle Bamford in Sweeney Todd with St. Petersburg Opera and Sam Polk in Susannah and Romeo in Romeo et Juliette\, both with the Marjorie Lawrence Opera Theatre. Jay’s work with The Dallas Opera includes the Second Jew in Salome\, Parpignol in La bohème and the Prince of Persia in Turandot. \nOn the concert stage\, Jay has performed as a soloist in the Carnegie Hall premiere of Sing For The Cure commissioned by the Susan G. Komen Breast Cancer Foundation and appeared as a soloist in Mahler’s Das Lied Von Der Erde with the University of North Texas Chamber Orchestra. In addition\, he has been heard as a soloist in Haydn’s Paukenmesse with the Schola Cantorum of Texas and in Mozart’s Requiem with the Turtle Creek Chorale in performance at the Meyerson Symphony Center in Dallas. \nMusical theater roles include Charlie Dalrymple in Brigadoon\, the Adult Authority Figure in Spring Awakening\, Herr Schultz in Cabaret and the voice of Audrey II in Little Shop of Horrors. Jay also appeared at the Crested Butte Music Festival as a featured artist in The Best of Broadway and Bernstein On Broadway. \nAn accomplished cabaret artist\, Jay has performed Coward and Cole in Words and Music at the Sammons Cabaret. In 2014 he was a Cabaret Fellow at the prestigious Eugene O’Neill Theater Center’s Cabaret and Performance Conference in Waterford\, Connecticut and regularly attends the St. Louis Cabaret Conference. As Artistic Director of Front Line Cabaret\, Jay brings the intimate art of cabaret to small venues throughout North Texas. \nRead more about the artist here.
URL:https://cathedralartsdallas.org/event/jay-gardner-in-recital/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Music,Recital
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/11/Jay-Gardner.jpeg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20181104T150000
DTEND;TZID=UTC:20181104T170000
DTSTAMP:20260425T124709
CREATED:20181001T230452Z
LAST-MODIFIED:20181005T231455Z
UID:2766-1541343600-1541350800@cathedralartsdallas.org
SUMMARY:Alessandro Mazzamuto in Recital
DESCRIPTION:Sunday\, November 4 at 3:00 pm\nGreat Hall\nFree parking and admission \nReception with the artist follows immediately \nProgram:\nFranz Schubert: Sonata in B-flat\, D.960\nFranz Liszt: Sonata in B minor  \nAbout the Artist:\nPianist Alessandro Mazzamuto is “one of the most inspiring\, extraordinary pianists that I have had the joy to hear” – writes Martha Argerich – and when she was recently asked by the French newspaper L’Expresso to name her ten favorite young pianists\, she included Alessandro in the company of artists such as Danil Trifonov\, Beatrice Rana\, Yuja Wang\, Sergio Tiempo\, Katia Buniatishvili. He is “no virtuoso of show\, no ruthless technician\, but a pianist absorbed in the music who plays with as much spontaneity as poetry\,” claims Pizzicato Magazine (Germany). Winner of International Classical Music Awards’ 2013 Young Instrumental Artist of the Year\, the 28-year-old Sicilian pianist has won more than 60 national and international competitions in piano and chamber music. \nRead more about the artist here.
URL:https://cathedralartsdallas.org/event/alessandro-mazzamuto-in-recital/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Music,Recital
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/10/Mazzamuto2-e1538416780409.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180928T193000
DTEND;TZID=UTC:20180928T193000
DTSTAMP:20260425T124709
CREATED:20180816T001556Z
LAST-MODIFIED:20180827T193910Z
UID:2668-1538163000-1538163000@cathedralartsdallas.org
SUMMARY:Lucy and Friends in Concert: An Evening of Love and Laughter
DESCRIPTION:LIEBESLIEDER WALTZES\, OP. 52 (JOHANNES BRAHMS)\nLIEBESLIEDER POLKAS (P.D.Q. BACH)\nFRIDAY\, SEPTEMBER 28\n7:30 PM\nGREAT HALL \nFREE ADMISSION\nPOST-CONCERT RECEPTION \nLUCY CREECH\, SOPRANO\nNATALIE ARDUINO\, ALTO\nROBERT WILSON\, TENOR\nDAVID GROGAN\, BASS \nH. MICHIE AKIN & BRIAN BENTLEY\, PIANO FOUR HANDS \nAbout the music (adapted from Wikipedia articles): \nJohannes Brahms’ Liebeslieder Waltzes\, Op. 52 is a collection of love songs in Ländler style for voices and piano four hands. The lyrics for the Liebeslieder come from Georg Friedrich Daumer’s Polydora\, a collection of folk songs and love poems. While there is no record indicating the inspiration for the Waltzes\, there is speculation that Brahms’ motivation for the songs was his frustrated love for pianist Clara Schumann\, composer Robert Schumann’s wife. \nThe Liebeslieder Waltzes were completed in 1869 and were first performed January 5\, 1870. One aspect of the Liebeslieder Waltzes that possibly contributed to the work’s positive reception was that Brahms composed them with reference to Johann Strauss\, who was considered the “Waltz King.” With such another well-known composer attached to the work\, the audience would have enjoyed the tribute. To some\, Brahms revived chamber music. \nThe Liebeslieder Waltzes are written in a popular style\, but do not lose Brahms’ signature compositional complexity. Scored for piano four hands and voices ad libitum\, the piece can easily accommodate many different-sized ensembles. Although today they are part of the standard choral repertoire\, Brahms more likely intended them to be played in parlors or informal home gatherings rather than in concert halls. Immediately successful\, these waltzes were responsible for much of his personal wealth\, and solidified his reputation with the general music-buying public in Vienna and Europe. \n \nLiebeslieder Polkas for Mixed Chorus and Piano Five Hands\, S. 2/4\, is actually the music of American composer Peter Schickele (b. 1935)\, written under the comic pseudonym of P. D. Q. Bach. He describes this work as “the first opus of P.D.Q. Bach to be discovered in which he inflicted his music on the work of well-known poets\, or even known poets\, for that matter.” \nSchickele gives a humorous fictional biography of the composer\, according to which P. D. Q. Bach was born in Leipzig on April 1\, 1742\, the son of Johann Sebastian Bach and Anna Magdalena Bach; the twenty-first of Johann’s twenty children. He is also referred to as “the youngest and oddest of Johann Sebastian’s 20-odd children.” According to Schickele\, P. D. Q. “possessed the originality of Johann Christian\, the arrogance of Carl Philipp Emanuel\, and the obscurity of Johann Christoph Friedrich . . . His musical life has been divided into three creative periods: the Initial Plunge\, the Soused Period\, and Contrition. The middle period was by far the longest of the three\, and was characterized by a multiplicity of contrapuntal lines and a greater richness of harmony due to almost constant double vision. It was during this period that he emulated (i.e.\, stole from) the music of Haydn and Mozart\, but his pathetic attempts to be au courant were no more successful than his pathetic attempts to be passé had been during the Initial Plunge; having to cope with the problems that accompany immense popularity was something P.D.Q. Bach managed to avoid. It has been said that the only original places in his music are those places where he forgot what he was stealing.” \nSchickele’s works attributed to P. D. Q. Bach often incorporate comical rearrangements of well-known works of other composers. There is often a startling juxtaposition of styles within a single P. D. Q. Bach piece. The humor in P. D. Q. Bach music often derives from a violation of audience expectations\, such as repeating a tune more than the usual number of times\, resolving a musical chord later than usual (or not at all)\, unusual key changes\, excessive dissonance\, or sudden switches from high art to low art. \nThe titles in this collection also reveal Schickele’s wicked sense of literary humor: \nTo His Coy Mistress (Andrew Marvell)\nTo the Virgins\, to Make Much of Time (Robert Herrick)\nThe Passionate Shepherd to His Love (Christopher Marlowe)\nWhy So Pale and Wan\, Fond Lover? (Sir John Suckling)\nIt Was a Lover and His Lass (William Shakespeare)\nThe Constant Lover (Sir John Suckling)\nSong to Celia (Ben Johnson\, adapted by P.D.Q. Bach)\nFarewell\, Ungrateful Traitor (John Dryden)\nWho is Sylvia? (William Shakespeare) \nA recording of the work was released on Vanguard Records in 1980\, with a cover image of Schickele mimicking the famous image of Johannes Brahms at the piano. \n 
URL:https://cathedralartsdallas.org/event/lucy-and-friends-in-concert-9-28-2018/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Music,Recital
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/08/Brahms-Liebeslieder-8.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20180304T150000
DTEND;TZID=UTC:20180304T150000
DTSTAMP:20260425T124709
CREATED:20180209T061143Z
LAST-MODIFIED:20180209T061557Z
UID:1876-1520175600-1520175600@cathedralartsdallas.org
SUMMARY:Pianist Eldred Marshall in Recital
DESCRIPTION:Presenting Eldred Marshall\, Piano\nSunday\, March 4 at 3:00 pm\nGreat Hall\nFree parking and admission\n\nAbout the Artist:\nThe Press-Enterprise (Riverside\, CA) hailed his “dazzling technique” and his “clean\, tidy approach.” Music critic Laurence Vittes described him as an “illumination in music\,” and said of his all-Beethoven recital: “Marshall presented a recital so full of musical thrills and beauties\, and so in identification with the composer’s own persona\, that\, for a few hours\, it was as if he were communing across the centuries to conjure up a rare and magical musical spectrum.” The Telegraf Online Constanta (Romania) reported that Marshall “captivated the audience” in Mozart’s Piano Concerto no. 20\, which he conducted from the piano. \nEldred Marshall began studying the piano at age six and played in public at age seven. His prodigious and inquisitive mind allowed him to master large swaths of the piano repertoire quickly as well as consistently win top prizes at the competitions he entered as a child. By 16\, he debuted with orchestra\, playing Brahms’s Second Piano Concerto with the Victor Valley Symphony Orchestra. Before entering Yale University\, where he graduated with honors with a B.A. in Political Science\, he had already performed all over the United States. \nThe critically-acclaimed pianist has performed internationally: Spain\, Italy\, the Republic of San Marino\, Belgium\, Germany Romania\, Bulgaria\, and Ukraine. He has twice performed the entire 32 Piano Sonatas of Beethoven in public\, from memory\, as a concentrated series: once in Portland in 2007 and again in San Francisco in 2008. He followed that project with a full West Coast tour of Bach’s Goldberg Variations in 2008 and 2009. In the 2015-2016 Season\, he toured extensively through Texas with two all-Bach piano recital programs\, one of which included the Goldberg Variations. In 2016\, he was named a semi-finalist in the Ninth J. S. Bach International Piano Competition in Würzburg\, Germany. He has appeared in piano festivals in Italy as well as the United States and has collaborated orchestrally with conductors K. C. Manji\, Carlo Ponti\, Beau Benson\, Greg Grabowski\, Michelle Merrill\, Jonathan Moore and Jessica Morel. \nAs an orchestral conductor\, Marshall has led several international ensembles: the Ukrainian State Academic Orchestra (Kiev\, Ukraine)\, the Kharkov Youth Symphony (Kharkov\, Ukraine)\, the Pleven Philharmonic Orchestra (Pleven\, Bulgaria)\, the Vidin Philharmonic Orchestra (Vidin\, Bulgaria)\, the Filharmonica Oltenia di Craiova (Craiova\, Romania)\, and the Constanta “Black Sea” Philharmonic Orchestra (Constanta\, Romania). In the United States\, he has worked as conductor for the Riverside (CA) Opera Institute’s Children’s Opera Division\, as assistant conductor of the Meadows Symphony Orchestra at Southern Methodist University\, and has collaborated with the University of North Texas Symphony Orchestra. \nMr. Marshall has earned three M.M. degrees from SMU: piano (2011)\, organ (2012) and orchestral conducting (2013). Currently\, he is finishing his D.M.A. in Piano Performance at UNT\, where he studies with Pamela Mia Paul. Additionally\, he was awarded a Teaching Fellowship at UNT and is an adjunct lecturer at SMU. His doctoral dissertation topic is on the art of conducting piano concerti from the piano – performance practice\, discipline and whether or not it is “real conducting.”
URL:https://cathedralartsdallas.org/event/pianist-eldred-marshall-in-recital/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Music,Recital
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/02/Eldred_Marshall.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
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BEGIN:VEVENT
DTSTART;TZID=UTC:20180206T193000
DTEND;TZID=UTC:20180206T213000
DTSTAMP:20260425T124709
CREATED:20150917T003351Z
LAST-MODIFIED:20180209T061420Z
UID:443-1517945400-1517952600@cathedralartsdallas.org
SUMMARY:Pianist Jonathan Tsay in Recital
DESCRIPTION:Jonathan Tsay will be exploring one of Beethoven’s greatest piano sonatas\, written at the threshold between the Classical and Romantic eras\, tracing its roots in history and its influence on works by Brahms\, Liszt\, and others in a multimedia “informance” that will include personal thoughts from the bench as well as historical source material from the composers. \nProgram: \nBeethoven: Piano Sonata No. 28 in A major\, op. 101\nI. Etwas lebhaft und mit der innigsten Empfindung \nHaydn: Piano Sonata in B Minor\, Hob. XVI:32\nAllegro moderato\nMenuet\nPresto\n\nBrahms: Ballade op. 10 no.1 in D Minor “Edward”\nBrahms: Intermezzo in B Minor\, op. 119\, no. 1 \nBeethoven: Piano Sonata No. 28 in A major\, op. 101\nII. Lebhaft. Marschmäßig \nWagner/Liszt: “Isoldens Liebestod” from Tristan und Isolde\nLiszt: La Lugubre Gondola\, S. 200 \nBeethoven: Piano Sonata No. 28 in A major\, op. 101\nIII. Langsam und sehnsuchtsvoll\nIV. Geschwind\, doch nicht zu sehr und mit Entschlossenheit
URL:https://cathedralartsdallas.org/event/jonathan-tsay/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Music,Recital
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2015/09/4cf66cb4-a456-47cc-ac79-bb50d6f5f42c.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
END:VCALENDAR