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X-WR-CALDESC:Events for St. Matthew's Cathedral Arts
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BEGIN:VEVENT
DTSTART;TZID=UTC:20200116T180000
DTEND;TZID=UTC:20200116T180000
DTSTAMP:20260423T233621
CREATED:20191208T073503Z
LAST-MODIFIED:20200117T060028Z
UID:3943-1579197600-1579197600@cathedralartsdallas.org
SUMMARY:Opening Reception: La Piñata Mexicana
DESCRIPTION:Works by Carlos Cázares\nJustus Sundermann Gallery\nJanuary 16 through March 31\nThe artist writes:\nMuy enfocado en darle continuación a esta visión de la piñata mexicana desde mis propios ojos\, un elemento icónico de la cultura latinoamericana que está siempre en medio de las celebraciones; siempre lo he dicho detras de una celebración hubo una gran batalla\, y si festejamos es por que llego la victoria\, la guerra entre el bien y el mal inicia cada mañana\, tu escoges seguir la verdad y eso nos hace libres a todos. Los espero en la galeria Sundermann Gallery. \n“I’m really focused on developing a personal vision of the Mexican piñata\, an iconic element of Latinoamerican culture that’s always at the center of celebrations. I’ve always said that behind every celebration is a great battle\, and we celebrate because we achieve a victory. The battle between good and evil begins every morning: you choose to seek truth\, and truth sets everyone free. Looking forward to seeing you in the Sundermann Gallery.” \nVisit Carlos Cázares at carloscazares.com. \nEvent flyer here.
URL:https://cathedralartsdallas.org/event/opening-reception-la-pinata-mexicana-1-16-20/
LOCATION:Justus Sundermann Gallery\, St. Matthew’s Cathedral\, 5100 Ross Avenue at North Henderson\, Dallas\, TX\, 75206\, United States
CATEGORIES:Sundermann Gallery
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2019/12/Cazares-La-Pinata-Mexicana.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191114T180000
DTEND;TZID=UTC:20191114T180000
DTSTAMP:20260423T233621
CREATED:20191009T054646Z
LAST-MODIFIED:20191017T212546Z
UID:3737-1573754400-1573754400@cathedralartsdallas.org
SUMMARY:Opening Reception: A Joyful Noise: Music and Musicians in the Painted Ceilings of Michoacán\, México
DESCRIPTION:A Photographic Exhibition by Carolyn Brown\nJustus Sundermann Gallery\nNovember 14 through January 3\nMake a joyful noise to the Lord\, all the earth;\nBreak forth into joyous song and sing praises!\nSing praises to the Lord with the harp\,\nwith the lyre and the sound of melody!\nWith trumpets and the sound of the horn\,\nmake a joyful noise before the King\, the Lord.\nfrom Psalm 98 \n\n \n“One of the more delightful and instructive elements in these religiously-themed ceilings is their portrayal of music and musicians. While the musicians themselves are usually depicted as angels or archangels\, on occasion\, saints or biblical figures with well-known musical connections are also shown as performers. Together with the invariably charming representation of angelic musicians\, these portrayals can also provide us with valuable historical insight\, not only into the period instruments themselves and how they were played\, but also on the larger role played by music and musicians in the religious life and ritual of Purépecha villagers during colonial and post-colonial times. Period instruments portrayed on the ceilings reveal considerable variety and fall into two broad categories: string and wind instruments. Stringed instruments include the violin (viola da brachia) viola (viola da gamba) and bass viol\, as well as the mandolin and harp. Wind instruments on display comprise the shawm (chirimía)\,  horn\, trumpet\, trombone (sackbut) and bassoon. Organs are also shown\, ranging from modest table models to ornate baroque pipe organs. Portrayals of musicians are usually shown in proximity to the raised choirs of the church or chapel\, sometimes above or on adjacent panels but in some cases beneath\, on a painted sotocoro\, or under choir. Although not always so placed\, strings are generally shown on the left\, or north side of the church while the brass and woodwinds appear on the right (south)—locations that no doubt reflect the traditional musical or choral practices of the time. The principal ceiling murals portraying angelic musicians and their instruments are found at Cocucho\, Naranja and Nurio\, with isolated examples at Pomacuarán and Tupátaro.” – from an exhibition essay by Richard Perry \nSee more of Carolyn Brown’s photography at carolynbrownphotographer.com. \nEvent flyer here.
URL:https://cathedralartsdallas.org/event/opening-reception-a-joyful-noise-music-and-musicians-in-the-painted-ceilings-of-michoacan-mexico/
LOCATION:Justus Sundermann Gallery\, St. Matthew’s Cathedral\, 5100 Ross Avenue at North Henderson\, Dallas\, TX\, 75206\, United States
CATEGORIES:Sundermann Gallery
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2019/10/JoyfulNoiseExhibit2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190915T170000
DTEND;TZID=UTC:20190915T170000
DTSTAMP:20260423T233621
CREATED:20190804T151549Z
LAST-MODIFIED:20190914T183218Z
UID:3583-1568566800-1568566800@cathedralartsdallas.org
SUMMARY:Opening Reception: The Supernatural Among Us: Photography by Roger Shackelford
DESCRIPTION:Justus Sundermann Gallery\nSeptember 15 through October 31\n“My focus is creating or reenacting moments that suggest the supernatural among us. Incredible peace and stillness have come over me even in the darkest of hours when I was left a quadriplegic by a rare spinal cord disorder. These images are an attempt to capture those events or relate the state of being that embodies them. Art is a shared experience\, so at some level I hope to relate to the human condition motivated by a sense of need for the transcendent. \nThe majority of my photographs are composed in-camera without Photoshop. They are not photo-composites. I shoot from two to eight exposures on a single frame of 120mm film using either an 80mm lens\, handmade pinhole\, or a combination of both. These combinations are like meditation in that I never see the final image until the film is processed. In the meantime\, I consider color\, shape and form as I overlap exposures. Unlike a regular camera\, you cannot look through the lens of a pinhole because it is a camera without a lens. I sometimes use masks to cover portions of the 80mm lens as I juxtapose images in relation to one another in multiple exposures. The film negative allows me to shoot at different locations on different days as I combine images\, unlike a digital camera. I use this process to facilitate meditative or transcendent images that look familiar but are strange to the known or real world.” – Roger Shackelford \nRead an article about Roger Shackelford at voyagedallas.com. \nEvent flyer here.
URL:https://cathedralartsdallas.org/event/roger-shackelford-the-supernatural-among-us/
LOCATION:Justus Sundermann Gallery\, St. Matthew’s Cathedral\, 5100 Ross Avenue at North Henderson\, Dallas\, TX\, 75206\, United States
CATEGORIES:Sundermann Gallery
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2019/08/Shackelford-image-5-e1595625451895.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190607T190000
DTEND;TZID=UTC:20190607T190000
DTSTAMP:20260423T233621
CREATED:20190218T062043Z
LAST-MODIFIED:20190531T214324Z
UID:3111-1559934000-1559934000@cathedralartsdallas.org
SUMMARY:Cathedral Jazz Night with Damon K. Clark
DESCRIPTION:Friday\, June 7 at 7:00 pm\nGreat Hall and Sundermann Gallery\nWine and hors d’oeuvres \nTickets $15.00 at the door. Major credit cards accepted. \nEvent flyer here. \nMore about Damon K. Clark here.
URL:https://cathedralartsdallas.org/event/cathedral-jazz-night-with-damon-k-clark-6-7-2019/
LOCATION:TX
CATEGORIES:Music,Sundermann Gallery
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/03/22382373_1470001286422726_2098034257964149269_o.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190607T170000
DTEND;TZID=UTC:20190607T170000
DTSTAMP:20260423T233621
CREATED:20190531T200354Z
LAST-MODIFIED:20190531T200543Z
UID:3539-1559926800-1559926800@cathedralartsdallas.org
SUMMARY:Closing Reception: Sundermann Gallery Invitational Multi-Media Exhibition
DESCRIPTION:Cathedral Arts invited prominent Dallas-area visual artists to participate in the first Invitational Multi-Media Exhibition to be held in the Justus Sundermann Gallery. Invited artists had either previously exhibited in the Sundermann Gallery or were recommended to the curatorial committee by Cathedral Arts patrons. Sixteen artists were represented in this major exhibition of painting\, photography and sculpture. The Invitational Exhibition provided outreach to support the work of area artists and promoted the Justus Sundermann Gallery as an outstanding exhibition space\, further recognizing St. Matthew’s Cathedral as a home for the visual and performing arts as well as a welcoming place of worship in Old East Dallas. The public is cordially invited to celebrate the exhibit closing and meet the artists! \nEvent flyer here. \nIllustration from Foliage in Red\, encaustic painting on paper by Joyce McCulloch.\nCopyrighted image used with permission.
URL:https://cathedralartsdallas.org/event/invitational-multi-media-exhibition-closing-6-7-19/
LOCATION:Justus Sundermann Gallery\, St. Matthew’s Cathedral\, 5100 Ross Avenue at North Henderson\, Dallas\, TX\, 75206\, United States
CATEGORIES:Sundermann Gallery
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2019/04/Joyce-McCulloch-3-e1554161804941.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190412T180000
DTEND;TZID=UTC:20190412T180000
DTSTAMP:20260423T233621
CREATED:20190402T050929Z
LAST-MODIFIED:20190518T050008Z
UID:3308-1555092000-1555092000@cathedralartsdallas.org
SUMMARY:Opening Reception: Sundermann Gallery Invitational Multi-Media Exhibition
DESCRIPTION:Cathedral Arts has invited prominent Dallas-area visual artists to participate in the first Invitational Multi-Media Exhibition to be held in the Justus Sundermann Gallery through June 7. Invited artists have either previously exhibited in the Sundermann Gallery or have been recommended to the curatorial committee by Cathedral Arts patrons. Sixteen artists will be represented in this major exhibition of painting\, photography and sculpture. The Invitational Exhibition will provide outreach to support the work of area artists and promote the Justus Sundermann Gallery as an outstanding exhibition space\, further recognizing St. Matthew’s Cathedral as a home for the visual and performing arts as well as a welcoming place of worship in Old East Dallas. The public is cordially invited. \nEvent flyer here. \nIllustration from Foliage in Red\, encaustic painting on paper by Joyce McCulloch.\nCopyrighted image used with permission.
URL:https://cathedralartsdallas.org/event/invitational-multi-media-exhibition-opening-4-12-19/
LOCATION:Justus Sundermann Gallery\, St. Matthew’s Cathedral\, 5100 Ross Avenue at North Henderson\, Dallas\, TX\, 75206\, United States
CATEGORIES:Sundermann Gallery
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2019/04/Joyce-McCulloch-3-e1554161804941.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190315T180000
DTEND;TZID=UTC:20190315T180000
DTSTAMP:20260423T233621
CREATED:20190223T195348Z
LAST-MODIFIED:20190223T195348Z
UID:3116-1552672800-1552672800@cathedralartsdallas.org
SUMMARY:Closing Reception: “Afghan Odyssey - 1967” – Photographs by Richard Boul
DESCRIPTION:Justus Sundermann Gallery\nClosing Reception with the Artist\n“Over fifty years have passed since I took these photographs in Afghanistan. These landscapes and portraits should be viewed simply for what they are\, from a traveler’s viewpoint without any depiction of politics or the presence of a foreign power which have been the lot of this small yet pivotal country since that time. This was a quiet interlude in Afghan history where one could travel freely and without fear in this ancient tribal land. The people here are proud and fiercely independent\, even xenophobic\, but at the same time welcoming beyond one’s expectations. Their history goes back to the end of the 4th millennium BC\, but more recently in 330 BC the area was colonized by Alexander the Great and the Greek language was introduced. By the 3rd century BC the area had already become the crossroads of Asia and to this day one sees the influence of Persian\, Indian and Greek ideas. Afghanistan was on the Silk Route\, stretching 700 miles from China to Greece\, and one sees the Greek influence\, (as shown in several photographs included in the exhibit) especially in the two standing Buddhas in Bamian\, which itself was on the Silk Route. Subsequently\, Bamian was totally destroyed and its entire population put to the sword by Genghis Khan in 1220 AD. So\, turbulence is no newcomer to Afghanistan but in spite of it all\, one is left with an overwhelming sense of history and culture.” – Richard Boul \nVisit Richard Boul online here.
URL:https://cathedralartsdallas.org/event/richard-boul-afghan-odyssey-1967-closing/
LOCATION:Justus Sundermann Gallery\, St. Matthew’s Cathedral\, 5100 Ross Avenue at North Henderson\, Dallas\, TX\, 75206\, United States
CATEGORIES:Sundermann Gallery
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2019/02/100T3152.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190103T180000
DTEND;TZID=UTC:20190103T200000
DTSTAMP:20260423T233621
CREATED:20181127T213959Z
LAST-MODIFIED:20181224T224051Z
UID:2914-1546538400-1546545600@cathedralartsdallas.org
SUMMARY:Opening Reception: “Afghan Odyssey - 1967” – Photographs by Richard Boul
DESCRIPTION:Justus Sundermann Gallery\nOpening January 3\n“Over fifty years have passed since I took these photographs in Afghanistan. These landscapes and portraits should be viewed simply for what they are\, from a traveler’s viewpoint without any depiction of politics or the presence of a foreign power which have been the lot of this small yet pivotal country since that time. This was a quiet interlude in Afghan history where one could travel freely and without fear in this ancient tribal land. The people here are proud and fiercely independent\, even xenophobic\, but at the same time welcoming beyond one’s expectations. Their history goes back to the end of the 4th millennium BC\, but more recently in 330 BC the area was colonized by Alexander the Great and the Greek language was introduced. By the 3rd century BC the area had already become the crossroads of Asia and to this day one sees the influence of Persian\, Indian and Greek ideas. Afghanistan was on the Silk Route\, stretching 700 miles from China to Greece\, and one sees the Greek influence\, (as shown in several photographs included in the exhibit) especially in the two standing Buddhas in Bamian\, which itself was on the Silk Route. Subsequently\, Bamian was totally destroyed and its entire population put to the sword by Genghis Khan in 1220 AD. So\, turbulence is no newcomer to Afghanistan but in spite of it all\, one is left with an overwhelming sense of history and culture.” – Richard Boul \nVisit Richard Boul online here.
URL:https://cathedralartsdallas.org/event/richard-boul-afghan-odyssey-1967/
LOCATION:Justus Sundermann Gallery\, St. Matthew’s Cathedral\, 5100 Ross Avenue at North Henderson\, Dallas\, TX\, 75206\, United States
CATEGORIES:Sundermann Gallery
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/11/Richard-Boul-image-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20181216T173000
DTEND;TZID=UTC:20181216T193000
DTSTAMP:20260423T233621
CREATED:20181130T013943Z
LAST-MODIFIED:20181130T014341Z
UID:2921-1544981400-1544988600@cathedralartsdallas.org
SUMMARY:Closing Reception: “Sacred Space - Visual Voice” – Works by Annie Ehrenreich
DESCRIPTION:Justus Sundermann Gallery\nThrough December 16\nAnnie Ehrenreich found herself fascinated by colorful Christian Medieval artwork\, causing her to experiment with the creation of updated devotional mosaics of faith. Utilizing paper tiles of Medieval and Renaissance works from the public domain\, her process has been self-taught. A growing number of secular art mosaics from the same periods has expanded her saturated art line. She finds “the physical action of hand-piecing these works to be spiritually centering and meditative.” This passion was sparked during an Art History of the Middle Ages course taken as a returning college student and was further inflamed while touring museums and cathedrals in Prague and Vienna. \n“As a kindergartener\, I crayoned all over my paper in different colors\, covered it all with solid black\, and then scraped it away to reveal multi-colored designs. As a teenager\, I obsessed about the collage posters on my wall being placed exactly level. As a returning adult college student\, I fell in love with Medieval Christian art when I took my first (and only) Art History course. The Holy Image collaborations were first and then came the Secular line. I love how the group massed together seems to highlight the individual artwork. I hope others will feel as I do and enjoy these art mosaics with a depth of appreciation for each individual work of art as well as for the impact of the whole.” – Annie Ehrenreich \nMore about the artist here.
URL:https://cathedralartsdallas.org/event/annie-ehrenreich-sacred-space-visual-voice-closing-reception/
LOCATION:Justus Sundermann Gallery\, St. Matthew’s Cathedral\, 5100 Ross Avenue at North Henderson\, Dallas\, TX\, 75206\, United States
CATEGORIES:Sundermann Gallery
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/09/annie-ehrenreich-artwork.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20181101T180000
DTEND;TZID=UTC:20181101T200000
DTSTAMP:20260423T233622
CREATED:20180910T063549Z
LAST-MODIFIED:20181130T013718Z
UID:2728-1541095200-1541102400@cathedralartsdallas.org
SUMMARY:Opening Reception: “Sacred Space - Visual Voice” – New Works by Annie Ehrenreich
DESCRIPTION:Justus Sundermann Gallery\nNovember 1 through December 16\nAnnie Ehrenreich found herself fascinated by colorful Christian Medieval artwork\, causing her to experiment with the creation of updated devotional mosaics of faith. Utilizing paper tiles of Medieval and Renaissance works from the public domain\, her process has been self-taught. A growing number of secular art mosaics from the same periods has expanded her saturated art line. She finds “the physical action of hand-piecing these works to be spiritually centering and meditative.” This passion was sparked during an Art History of the Middle Ages course taken as a returning college student and was further inflamed while touring museums and cathedrals in Prague and Vienna. \n“As a kindergartener\, I crayoned all over my paper in different colors\, covered it all with solid black\, and then scraped it away to reveal multi-colored designs. As a teenager\, I obsessed about the collage posters on my wall being placed exactly level. As a returning adult college student\, I fell in love with Medieval Christian art when I took my first (and only) Art History course. The Holy Image collaborations were first and then came the Secular line. I love how the group massed together seems to highlight the individual artwork. I hope others will feel as I do and enjoy these art mosaics with a depth of appreciation for each individual work of art as well as for the impact of the whole.” – Annie Ehrenreich \nMore about the artist here.
URL:https://cathedralartsdallas.org/event/annie-ehrenreich-sacred-space-visual-voice/
LOCATION:Justus Sundermann Gallery\, St. Matthew’s Cathedral\, 5100 Ross Avenue at North Henderson\, Dallas\, TX\, 75206\, United States
CATEGORIES:Sundermann Gallery
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/09/annie-ehrenreich-artwork.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180913T180000
DTEND;TZID=UTC:20180913T200000
DTSTAMP:20260423T233622
CREATED:20180802T033315Z
LAST-MODIFIED:20180910T063411Z
UID:2644-1536861600-1536868800@cathedralartsdallas.org
SUMMARY:Opening Reception: “Walking to School” – Artworks of Juliana Crownover
DESCRIPTION:Justus Sundermann Gallery\nSeptember 13 through October 28\nJuliana Crownover is an award-winning pastelist who has been painting in pastels for over 20 years and teaching for 10 years. She has a BA from Austin College in biology\, art\, and environmental studies. A member of the Southwest Pastel Society\, she describes her passion this way: “In my own art\, I use light and color to bring out the beauty in everyday life\, whether that is a trail I have hiked 100 times\, or my son hanging laundry on a line. In that way\, I use my art as a reminder of where to find beauty all around us and to slow down in our daily lives so that we may see it. In my classes\, I strive to create a balance that allows enough freedom so that students can create their own art\, and enough direction to ensure success. Aside from the end-goal of finished art\, I think the process should be enjoyed\, and I work hard to create an environment that allows for that.” \n“Walking to School” is a whimsical\, fun series chronicling my second-grade daughter’s daily walks to school. It includes mixed-media and collages of homework\, tardy slips and bit and pieces we collect on our walks. On a more profound level\, it is about being present: we put away the phone\, compose a rhyme or poem\, talk about the day\, share our hopes and dreams\, plan dinner or our next family celebration. Walking and talking just go together.” \nMore about the artist here.
URL:https://cathedralartsdallas.org/event/juliana-crownover-walking-to-school/
LOCATION:Justus Sundermann Gallery\, St. Matthew’s Cathedral\, 5100 Ross Avenue at North Henderson\, Dallas\, TX\, 75206\, United States
CATEGORIES:Sundermann Gallery
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/08/Juliana-Crownover-exzhibit-LOGO-e1535409447578.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180630T090000
DTEND;TZID=UTC:20180630T160000
DTSTAMP:20260423T233622
CREATED:20180326T222453Z
LAST-MODIFIED:20180525T043435Z
UID:2277-1530349200-1530374400@cathedralartsdallas.org
SUMMARY:Closing Day: David McCullough's  “Quantum Art: The Energy of Color”
DESCRIPTION:David McCullough:  “Quantum Art: The Energy of Color” \nFinal day: June 30\, 2018 \nArtist’s Statement: \nFor the past forty-eight years\, my paintings\, sculpture\, and works on paper have been concerned with describing the phenomenon of light in nature from an audio-visual perspective. \nI have hiked and created art in National Parks throughout the U.S.A.\, especially the Southwest’s ‘Canyon Circle’ parks in the Four Corners area (Arizona\, Utah\, New Mexico and Colorado)\, notating their seasonal color changes and geological formations. I have used these field trips in the National Park system to explore and notate nature’s colorful holistic psyche and geological spirit through the mediums of watercolor\, drawing\, and photography. These notations are the foundation stones of all my abstract studio compositions. I have used these nature insights to instill into my Taoist vision of art a special quality of coloration that best describes her spirit and sacred character.  I have made many comparative studies of the Earth’s holistic psyche and its geological spirit in our ecosystem\, as well as rock painting sites. for example\, the Australian Northern Territory outback\, where I made watercolors\, drawings\, and photographs at sacred Aboriginal sites in Kakadu National Park in the Arnhem land with my field notations from Southwest U.S. national parks in the Four Corners region\, where I recorded the holistic earth energy rhythms at Native American sacred sites. \nMy ethnographic studies of the sacred nature of the Native American and Aboriginal traditions and their stories\, as well as their pictographic rock art depictions\, have informed the imagery and chemistry of my abstractions in many ways. I always paint on the ground at each site directly to music from cultures all over the world\, especially American Jazz. My fellow musicians have assisted me in feeling\, expressing\, and interpreting through the watercolor medium nature’s sacred colorful ordering systems in a sonic lyrical manner. These influential audiovisual insights have infused all my studio artworks with a cosmological significance and special color-filled sonic energy. \nAll my studio artworks reflect the poetic recordings of these sacred locations and their geological and botanical micro/macro spirit world. The poetic nature of these feelings\, aesthetic character of the field artworks\, and musical insights are all woven into the patterns\, geomantic order\, and compositions of all my artworks in every combination of mediums. I have cross-referenced knowledge from mythology\, the earth sciences (mineralogy\, crystallography\, and sacred geometry)\, quantum physics and biophysics with music\, art and poetry sources in order to map out new states of consciousness I can use to process new alchemical color medium systems. These science and nature insights have empowered my artworks with a dynamic visual-sonic presence.   \nMy most recent painting adventure was in Northern India\, Rishikesh and the Northern Himalayan mountain ranges\, where I recorded the Hindu cultural operating system and experienced the ‘Diwali Festival of Light’.   \nMore about the artist here.
URL:https://cathedralartsdallas.org/event/closing-day-david-mcculloughs-quantum-art-the-energy-of-color/
LOCATION:Justus Sundermann Gallery\, St. Matthew’s Cathedral\, 5100 Ross Avenue at North Henderson\, Dallas\, TX\, 75206\, United States
CATEGORIES:Sundermann Gallery
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/03/davidmcculough-e1525802466371.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180608T190000
DTEND;TZID=UTC:20180608T190000
DTSTAMP:20260423T233622
CREATED:20180326T225118Z
LAST-MODIFIED:20180525T042831Z
UID:2282-1528484400-1528484400@cathedralartsdallas.org
SUMMARY:Cathedral Jazz Night with Damon K. Clark
DESCRIPTION:Friday\, June 8 at 7:00 pm\nGreat Hall and Sundermann Gallery \nTickets $15.00 at the door. Major credit cards accepted. \nMore about Damon K. Clark here.
URL:https://cathedralartsdallas.org/event/cathedral-jazz-night-with-damon-k-clark/
LOCATION:TX
CATEGORIES:Music,Sundermann Gallery
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/03/22382373_1470001286422726_2098034257964149269_o.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180517
DTEND;VALUE=DATE:20180518
DTSTAMP:20260423T233622
CREATED:20180326T221945Z
LAST-MODIFIED:20181008T030111Z
UID:2271-1526515200-1526522400@cathedralartsdallas.org
SUMMARY:David McCullough:  “Quantum Art: The Energy of Color”
DESCRIPTION:Artist’s Statement: \nFor the past forty-eight years\, my paintings\, sculpture\, and works on paper have been concerned with describing the phenomenon of light in nature from an audio-visual perspective.  \nI have hiked and created art in National Parks throughout the U.S.A.\, especially the Southwest’s ‘Canyon Circle’ area of the Four Corners area (Arizona\, Utah\, New Mexico and Colorado) parks\, notating their seasonal color changes and geological formations. I have used these field trips in the National Park system to explore and notate nature’s colorful holistic psyche and geological spirit through the mediums of watercolor\, drawing\, and photography. These notations are the foundation stones of all my abstract studio compositions. I have used these nature insights to instill into my Taoist vision of art a special quality of coloration that best describes her spirit and sacred character.  I have made many comparative studies of the Earth’s holistic psyche and its geological spirit in our ecosystem\, as well as rock painting sites. for example\, the Australian Northern Territory outback\, where I made watercolors\, drawings\, and photographs at sacred Aboriginal sites in Kakadu National Park in the Arnhem land with my field notations from Southwest U.S. national parks in the Four Corners region\, where I recorded the holistic earth energy rhythms at Native American sacred sites.  \nMy ethnographic studies of the sacred nature of the Native American and Aboriginal traditions and their stories\, as well as their pictographic rock art depictions\, have informed the imagery and chemistry of my abstractions in many ways. I always paint on the ground at each site directly to music from cultures all over the world\, especially American Jazz. My fellow musicians have assisted me in feeling\, expressing\, and interpreting through the watercolor medium nature’s sacred colorful ordering systems in a sonic lyrical manner. These influential audiovisual insights have infused all my studio artworks with a cosmological significance and special color-filled sonic energy.  \nAll my studio artworks reflect the poetic recordings of these sacred locations and their geological and botanical micro/macro spirit world. The poetic nature of these feelings\, aesthetic character of the field artworks\, and musical insights are all woven into the patterns\, geomantic order\, and compositions of all my artworks in every combination of mediums. I have cross-referenced knowledge from mythology\, the earth sciences (mineralogy\, crystallography\, and sacred geometry)\, quantum physics and biophysics with music\, art and poetry sources in order to map out new states of consciousness I can use to process new alchemical color medium systems. These science and nature insights have empowered my artworks with a dynamic visual-sonic presence.   \nMy most recent painting adventure was in Northern India\, Rishikesh and the Northern Himalayan mountain ranges\, where I recorded the Hindu cultural operating system and experienced the ‘Diwali Festival of Light’.   \nMore about the artist here.
URL:https://cathedralartsdallas.org/event/artist-reception-david-mcculloughs-quantum-art-the-energy-of-color/
LOCATION:Justus Sundermann Gallery\, St. Matthew’s Cathedral\, 5100 Ross Avenue at North Henderson\, Dallas\, TX\, 75206\, United States
CATEGORIES:Sundermann Gallery
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/06/100T7253-e1773789041858.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180426T180000
DTEND;TZID=UTC:20180426T200000
DTSTAMP:20260423T233622
CREATED:20180326T212015Z
LAST-MODIFIED:20180408T035248Z
UID:2252-1524765600-1524772800@cathedralartsdallas.org
SUMMARY:Closing Artist Reception: "Every Day'll Be Sunday": The Photography of Richard Hill
DESCRIPTION:Closing reception with the artist on Thursday\, April 26\, 6:00-8:00 pm. \nCathedral Arts is excited to present the work of Dallas photographer Richard “Dickie” Hill. Titled Every Day’ll Be Sunday\, this collection includes more than 25 works that depict the devotion of the people in his hometown\, particularly within the Episcopal Diocese of Dallas which he calls home. The collection showcases a variety of occasions in the life of faith in Dallas; sometimes pious\, sometimes playful\, and is part of an ongoing project. \nDickie began his photographic work as a street and documentary photographer. His works emphasize gesture\, meaning\, and proximity in both his formal and documentary work. He has been featured in The Living Church Magazine\, Vieworld Photo Magazine\, Inspired Eye\, The Street Photographer Notebook and Dance Magazine. His works have been exhibited in the In-spire Galerie in Dublin\, the Columbus Art Museum as well as the Sundermann Gallery. He was awarded the 2016 Associated Church Press Award of Merit for A Nation Wounded. \nVisit the artist’s website here.
URL:https://cathedralartsdallas.org/event/every-dayll-be-sunday-the-photography-of-richard-hill/
LOCATION:Justus Sundermann Gallery\, St. Matthew’s Cathedral\, 5100 Ross Avenue at North Henderson\, Dallas\, TX\, 75206\, United States
CATEGORIES:Sundermann Gallery
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/03/RichardHillExhibit2018nologo.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180420T193000
DTEND;TZID=UTC:20180420T213000
DTSTAMP:20260423T233622
CREATED:20180326T215947Z
LAST-MODIFIED:20180329T201509Z
UID:2262-1524252600-1524259800@cathedralartsdallas.org
SUMMARY:“La Vie en Rose\,” Damon K. Clark and Co.
DESCRIPTION:Friday\, April 20\, 7:30 pm Sundermann Gallery\n“La Vie en Rose\,” Damon K. Clark and Co. \nWhat two things go better together than wine and French music?\nIf you missed the last show\, La Vie Anterieur\, you won’t want to miss this concert. \nTenor Damon K. Clark and maestro\, concert pianist\, and accompanist Eldred Marshall have curated some of the most delicious French pop songs\, jazz tunes\, art songs\, and operatic arias for your enjoyment. \nWe’ll also have special guests: Victoria Bouton\, Patrick Jones\, Amy Zinger and  J. Arinze. \nAdmission includes wine and hors d’oeuvres in addition to the concert. \nRegular Ticket Price: $40.00\nLimited Time Groupon Promotion Price: $24.00\nCLICK HERE FOR SPECIAL DISCOUNT PRICING\nSpecial Guests\nELDRED MARSHALL \nConductor | Pianist \nEldred Marshall is indeed a tremendous artist! He has performed with numerous orchestras in concert halls all over the United States and Europe\, not only as a pianist but also as a conductor. He has led orchestras in Spain\, Italy\, Belgium\, Romania\, Bulgaria and the Ukraine. \nI love collaborating with Eldred! He’s a very musically precise\, clear\, and wonderfully supportive conductor. On top of that\, his piano playing is warm\, emotionally full\, and reverberates with excitement. \n  \nVICTORIA BOUTON \nSinger Songwriter | Pianist | Violinist \nA voice reminiscent of Karen Carpenter and brilliant writing skills and musicianship of Joni Mitchell\, singer songwriter Victoria Bouton’s voice dances like light through a stained glass window. \n  \n  \n  \n  \nPATRICK JONES \nVocalist | Actor \nWith Hollywood good looks\, Patrick Jones’ lyrical baritone rings out with silvery warmth with a little dose of southern charm. His fine musicianship and stage temperament serves each phrase with delicacy and thoughtfulness.
URL:https://cathedralartsdallas.org/event/damon-clark-la-vie-en-rose/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Music,Sundermann Gallery
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/03/22382373_1470001286422726_2098034257964149269_o.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20180401T090000
DTEND;TZID=UTC:20180401T140000
DTSTAMP:20260423T233622
CREATED:20180326T213051Z
LAST-MODIFIED:20180408T034558Z
UID:2258-1522573200-1522591200@cathedralartsdallas.org
SUMMARY:Ongoing: "Every Day'll Be Sunday": The Photography of Richard Hill
DESCRIPTION:Richard Hill: “Every Day’ll Be Sunday”\nExhibit through April 26\nClosing Reception with the artist on Thursday\, April 26\, 6:00-8:00 pm \nCathedral Arts is excited to present the work of Dallas photographer Richard “Dickie” Hill. Titled Every Day’ll Be Sunday\, this collection includes more than 25 works that depict the devotion of the people in his hometown\, particularly within the Episcopal Diocese of Dallas which he calls home. The collection showcases a variety of occasions in the life of faith in Dallas; sometimes pious\, sometimes playful\, and is part of an ongoing project. \nDickie began his photographic work as a street and documentary photographer. His works emphasize gesture\, meaning\, and proximity in both his formal and documentary work. He has been featured in The Living Church Magazine\, Vieworld Photo Magazine\, Inspired Eye\, The Street Photographer Notebook and Dance Magazine. His works have been exhibited in the In-spire Galerie in Dublin\, the Columbus Art Museum as well as the Sundermann Gallery. He was awarded the 2016 Associated Church Press Award of Merit for A Nation Wounded. \nVisit the artist’s website here.\nSee much more of Richard Hill’s event photography here.
URL:https://cathedralartsdallas.org/event/every-day-sunday-richard-hill/
LOCATION:Justus Sundermann Gallery\, St. Matthew’s Cathedral\, 5100 Ross Avenue at North Henderson\, Dallas\, TX\, 75206\, United States
CATEGORIES:Sundermann Gallery
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/03/RichardHillExhibit2018nologo.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180218T090000
DTEND;TZID=UTC:20180218T140000
DTSTAMP:20260423T233622
CREATED:20180209T041646Z
LAST-MODIFIED:20180214T224138Z
UID:1825-1518944400-1518962400@cathedralartsdallas.org
SUMMARY:The Color of Hope: Abstract Expressions Sundays though March 4
DESCRIPTION:The Color of Hope\nAbstract Expressions in Acrylic and Collage by Margo Lee Miller\nIncluding work inspired by experiences in Nepal \nThrough March 4\, 2018\nFree parking and admission \nFrom the artist:\nI currently work with acrylic and collage\, combining elements like gold foil\, traditional Lokta papers\, painted images\, and ephemera to create movement\, pattern and evoke emotion. The images are built of layers that simultaneously reveal and obscure\, push and pull the viewer in and out of the artwork. You can feel the influence of music and dance in the pulsing rhythms of color and design. My work examines the complexity of our lives and emotions and reminds us that we are not our most obvious expression\, but a complicated compilation of all our past experiences and our future hopes and dreams. I invite the viewer to make their own revelations as they explore the surface and depth of these works. \nThis exhibit includes work inspired by the incredible sense of joy I felt from the people of Nepal when I visited in October as part of a mission trip. I was awed by the happiness and resilience that these people show in the face of poverty. Their country is one of vibrant colors\, an appropriate palette for the beautiful countryside filled with flowers and cities filled with life.\n15% of the proceeds from any sales of these artworks will go to the Episcopal Church of the Incarnation so that they may continue to support the medical mission trip to the Lower Solukhumbu region of Nepal. One painting\, “Marigolds” will be on sale for $1\,500.00. The entire $1\,500.00 will be donated to The Hope Home for Girls\, an orphanage in Kathmandu. This amount of money will feed\, clothe\, and educate one girl for an entire year. \nVisit Margo Lee Miller online HERE.
URL:https://cathedralartsdallas.org/event/the-color-of-hope-abstract-expressions-in-acrylic-and-collage-by-margo-lee-miller/
LOCATION:Justus Sundermann Gallery\, St. Matthew’s Cathedral\, 5100 Ross Avenue at North Henderson\, Dallas\, TX\, 75206\, United States
CATEGORIES:Sundermann Gallery
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/02/SMCA.MargoMiller-32-1-e1518129689467.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
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END:VCALENDAR