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X-WR-CALDESC:Events for St. Matthew's Cathedral Arts
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BEGIN:VEVENT
DTSTART;TZID=UTC:20190510T193000
DTEND;TZID=UTC:20190510T193000
DTSTAMP:20260425T102450
CREATED:20190218T061323Z
LAST-MODIFIED:20190423T210758Z
UID:3105-1557516600-1557516600@cathedralartsdallas.org
SUMMARY:Pianist Jonathan Tsay and the Cézanne String Quartet in Recital
DESCRIPTION:Concerti a Quattro: An Exploration into the Art of Collaboration\nProgram: \nJ. S. Bach: Keyboard Concerto in F minor\, BWV 1056\nMozart: Piano Concerto No.14 in E-flat major\, K.449\nChopin: Grande polonaise brillante\, Op.22\nGershwin: Rhapsody in Blue \nFree parking and admission.\nA reception with the artists follows the performance. \nJonathan Tsay presents a multimedia recital discussing the evolution of the keyboard concerto from the Baroque era to the early 20th century\, accompanied by the Cézanne String Quartet. \nSoloist\, collaborative pianist\, chamber musician\, producer\, and arts administrator Jonathan Tsay maintains an artistic career as diverse as his interests. A recent multi-city tour of Taiwan included solo recital stops at the National Recital Hall in Taipei\, Kaohsiung Music Hall\, and the Pingtung Arts Center. Other recent solo engagements include performances for The Cliburn\, Music at Southminster in Ottawa\, Blanco Performing Arts\, and Fine Arts Chamber Players. \nA sought-after collaborator\, Dr. Tsay has performed alongside some of the world’s premier musicians\, including Chee-Yun\, David Cooper (Principal Horn\, Dallas Symphony)\, Jing Wang (Concertmaster\, Hong Kong Philharmonic)\, dramatic soprano Alessandra Marc\, Chloé Trevor (“musical ambassador to Generation Z”)\, the Cézanne Quartet\, and Nathan Olson (Concertmaster\, Dallas Symphony Orchestra). Jonathan performs regularly as Principal Keyboard of the Las Colinas Symphony and serves as Artistic Director of Ensemble75\, a chamber music series based in Dallas. \nVisit Jonathan Tsay online here. \nEvent flyer here.
URL:https://cathedralartsdallas.org/event/jonathan-tsay-5-10-2019/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Education,Music,Recital
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2015/09/4cf66cb4-a456-47cc-ac79-bb50d6f5f42c.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190414T160000
DTEND;TZID=UTC:20190414T160000
DTSTAMP:20260425T102450
CREATED:20190325T170234Z
LAST-MODIFIED:20190414T224455Z
UID:3303-1555257600-1555257600@cathedralartsdallas.org
SUMMARY:Choral Evensong
DESCRIPTION:Cathedral Arts Choral Artists\nMusic for Men’s Voices\nAbout Evensong:\nDrawn from the 17th century\, participants are invited to enter into a sacred space of quiet reflection through music\, scripture\, and prayers that have shaped Christian lives for hundreds of years.\nBring a friend! All are welcome!\n\nMore about the Evensong tradition at St. Matthew’s Cathedral Arts here.\nWatch a recent Evensong Service here.
URL:https://cathedralartsdallas.org/event/choral-evensong-4-14-2019/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Choral,Choral Evensong,Music
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/03/evensongimage-e1535409344911.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190412T180000
DTEND;TZID=UTC:20190412T180000
DTSTAMP:20260425T102450
CREATED:20190402T050929Z
LAST-MODIFIED:20190518T050008Z
UID:3308-1555092000-1555092000@cathedralartsdallas.org
SUMMARY:Opening Reception: Sundermann Gallery Invitational Multi-Media Exhibition
DESCRIPTION:Cathedral Arts has invited prominent Dallas-area visual artists to participate in the first Invitational Multi-Media Exhibition to be held in the Justus Sundermann Gallery through June 7. Invited artists have either previously exhibited in the Sundermann Gallery or have been recommended to the curatorial committee by Cathedral Arts patrons. Sixteen artists will be represented in this major exhibition of painting\, photography and sculpture. The Invitational Exhibition will provide outreach to support the work of area artists and promote the Justus Sundermann Gallery as an outstanding exhibition space\, further recognizing St. Matthew’s Cathedral as a home for the visual and performing arts as well as a welcoming place of worship in Old East Dallas. The public is cordially invited. \nEvent flyer here. \nIllustration from Foliage in Red\, encaustic painting on paper by Joyce McCulloch.\nCopyrighted image used with permission.
URL:https://cathedralartsdallas.org/event/invitational-multi-media-exhibition-opening-4-12-19/
LOCATION:Justus Sundermann Gallery\, St. Matthew’s Cathedral\, 5100 Ross Avenue at North Henderson\, Dallas\, TX\, 75206\, United States
CATEGORIES:Sundermann Gallery
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2019/04/Joyce-McCulloch-3-e1554161804941.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190324T160000
DTEND;TZID=UTC:20190324T160000
DTSTAMP:20260425T102450
CREATED:20190218T054727Z
LAST-MODIFIED:20190310T060718Z
UID:3103-1553443200-1553443200@cathedralartsdallas.org
SUMMARY:Choral Evensong
DESCRIPTION:Cathedral Arts Choral Artists\nReception follows immediately in the Justus Sundermann Gallery\n\n\n\nAbout Evensong:\nDrawn from the 17th century\, participants are invited to enter into a sacred space of quiet reflection through music\, scripture\, and prayers that have shaped Christian lives for hundreds of years.\nBring a friend! All are welcome!\n\n  \nMore about the Evensong tradition at St. Matthew’s Cathedral Arts here.\nWatch a YouTube video of a recent Evensong Service (September 16\, 2018) here.
URL:https://cathedralartsdallas.org/event/choral-evensong-3-24-2019/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Choral,Choral Evensong,Music
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/03/evensongimage-e1535409344911.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190317T160000
DTEND;TZID=UTC:20190317T160000
DTSTAMP:20260425T102450
CREATED:20190313T042912Z
LAST-MODIFIED:20190313T043521Z
UID:3127-1552838400-1552838400@cathedralartsdallas.org
SUMMARY:Choir of St. Thomas Fifth Avenue at Church of the Incarnation
DESCRIPTION:The Saint Thomas Choir of Men and Boys is considered by many to be the leading ensemble in the Anglican choral tradition in the United States.\nPresented by the Music at Incarnation Classical Concert Series\nTickets $10-$20\n\n\nChurch of the Incarnation\n3966 McKinney Avenue\nDallas\n\n\nInformation and Tickets HERE.
URL:https://cathedralartsdallas.org/event/choir-of-st-thomas-fifth-avenue/
LOCATION:Church of the Incarnation\, 3966 McKinney Avenue\, Dallas\, TX\, 75204\, United States
CATEGORIES:Choral,Music
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2019/03/Choir-of-St-Thomas-Fifth-Avenue.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190315T180000
DTEND;TZID=UTC:20190315T180000
DTSTAMP:20260425T102450
CREATED:20190223T195348Z
LAST-MODIFIED:20190223T195348Z
UID:3116-1552672800-1552672800@cathedralartsdallas.org
SUMMARY:Closing Reception: “Afghan Odyssey - 1967” – Photographs by Richard Boul
DESCRIPTION:Justus Sundermann Gallery\nClosing Reception with the Artist\n“Over fifty years have passed since I took these photographs in Afghanistan. These landscapes and portraits should be viewed simply for what they are\, from a traveler’s viewpoint without any depiction of politics or the presence of a foreign power which have been the lot of this small yet pivotal country since that time. This was a quiet interlude in Afghan history where one could travel freely and without fear in this ancient tribal land. The people here are proud and fiercely independent\, even xenophobic\, but at the same time welcoming beyond one’s expectations. Their history goes back to the end of the 4th millennium BC\, but more recently in 330 BC the area was colonized by Alexander the Great and the Greek language was introduced. By the 3rd century BC the area had already become the crossroads of Asia and to this day one sees the influence of Persian\, Indian and Greek ideas. Afghanistan was on the Silk Route\, stretching 700 miles from China to Greece\, and one sees the Greek influence\, (as shown in several photographs included in the exhibit) especially in the two standing Buddhas in Bamian\, which itself was on the Silk Route. Subsequently\, Bamian was totally destroyed and its entire population put to the sword by Genghis Khan in 1220 AD. So\, turbulence is no newcomer to Afghanistan but in spite of it all\, one is left with an overwhelming sense of history and culture.” – Richard Boul \nVisit Richard Boul online here.
URL:https://cathedralartsdallas.org/event/richard-boul-afghan-odyssey-1967-closing/
LOCATION:Justus Sundermann Gallery\, St. Matthew’s Cathedral\, 5100 Ross Avenue at North Henderson\, Dallas\, TX\, 75206\, United States
CATEGORIES:Sundermann Gallery
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2019/02/100T3152.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190303T150000
DTEND;TZID=UTC:20190303T150000
DTSTAMP:20260425T102450
CREATED:20190126T053001Z
LAST-MODIFIED:20190221T213127Z
UID:3024-1551625200-1551625200@cathedralartsdallas.org
SUMMARY:Opera Scenes and Arias with Mary Dibbern and Friends
DESCRIPTION:Sunday\, March 3 at 3:00 pm\nGreat Hall\nFree parking and admission \nCourtney Stancil\, soprano\nChristopher Leach\, tenor\nMary Dibbern\, piano\nRyan Lescalleet\, stage director \nWith scenes and arias from:\nGaetano Donizetti: The Elixir of Love \nGiuseppe Verdi: La traviata\nJules Massenet: Manon\nLeonard Bernstein: West Side Story and Candide \nClaude-Michel Schönberg: Les Misérables \nReception with the artists follows immediately in the Justus Sundermann Gallery. \n\n\nThis event is part of the 2019 French Cultures Festival coordinated by the Cultural Service of the French Embassy in Houston.
URL:https://cathedralartsdallas.org/event/mary-dibbern-and-friends-3-3-2019/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Music,Recital
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2019/02/Mary-Dibbern-and-Friends-1-cropped.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190217T160000
DTEND;TZID=UTC:20190217T170000
DTSTAMP:20260425T102450
CREATED:20190126T044102Z
LAST-MODIFIED:20190126T044102Z
UID:3020-1550419200-1550422800@cathedralartsdallas.org
SUMMARY:Choral Evensong
DESCRIPTION:Cathedral Arts Choral Artists\nReception follows immediately in the Justus Sundermann Gallery\n\n\n\nAbout Evensong:\nDrawn from the 17th century\, participants are invited to enter into a sacred space of quiet reflection through music\, scripture\, and prayers that have shaped Christian lives for hundreds of years.\nBring a friend! All are welcome!\n\n  \nMore about the Evensong tradition at St. Matthew’s Cathedral Arts here.\nWatch a YouTube video of a recent Evensong Service (September 16\, 2018) here.
URL:https://cathedralartsdallas.org/event/choral-evensong-2-17-2019/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Choral,Choral Evensong,Music
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/03/evensongimage-e1535409344911.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190209T093000
DTEND;TZID=UTC:20190209T140000
DTSTAMP:20260425T102450
CREATED:20190105T231534Z
LAST-MODIFIED:20190126T233913Z
UID:2990-1549704600-1549720800@cathedralartsdallas.org
SUMMARY:Master Class with Émile Naoumoff
DESCRIPTION:Saturday\, February 9 at 9:30 am\nGreat Hall\nFree parking and admission \n2018-19 Distinguished Artist Émile Naoumoff returns to St. Matthew’s to conduct a master class with select young pianists and a chamber music ensemble from Southern Methodist University’s Meadows School of the Arts. \n \nÉmile Naoumoff is Associate Professor of Music in piano at the Indiana University Jacobs School of Music\, where he has been on the faculty since 1998. He has been likened to both Vladimir Horowitz and Arthur Rubinstein as a pianist\, displaying — as one critic remarked — the fire of the former and the poetry of the latter. Émile revealed himself as a musical prodigy at age five\, taking up the piano and adding composition to his studies a year later. At the age of seven\, after a fateful meeting in Paris\, he became the last disciple of the legendary Nadia Boulanger\, who referred to him as “The gift of my old age.” He studied with her until her death in late 1979. During this auspicious apprenticeship\, Mlle. Boulanger gave him the opportunity to work with Clifford Curzon\, Igor Markevitch\, Robert and Gaby Casadesus\, Nikita Magaloff\, Jean Francaix\, Leonard Bernstein\, Soulima Stravinsky\, Aram Khachaturian and Yehudi Menuhin. Lord Menuhin conducted the premiere of Émile’s first piano concerto\, with the composer as a soloist\, when he was ten years old. At the same time\, he pursued music courses at the Paris Conservatory with Lelia Gousseau\, Pierre Sancan\, and Genevieve Joy-Dutilleux\, and studied conducting at the École Normale de Musique de Paris with Pierre Dervaux. \nÉmile regularly appears with the world’s premier orchestras: the Los Angeles Philharmonic\, the Berlin Symphony\, the Vienna Symphony\, the San Francisco Symphony\, National Symphony in Washington\, Moscow Symphony\, NHK Symphony\, the Residentie Orkest of the Hague\, Orchestre Philharmonique de Radio-France\, Camerata Bern\, and has worked closely with conductors such as Leonard Bernstein\, Igor Markevitch\, Leonard Slatkin\, Mstislav Rostropovich and Eliahu Inbal. His musical collaborations include Jean-Pierre Rampal\, Gerard Souzay\, Yo-Yo Ma\, Gary Hoffman\, Olivier Charlier\, Patrice Fontanarosa\, Regis Pasquier\, Philippe Graffin\, Philippe Bernold\, Gerard Caussé\, Jean Ferrandis\, Dominique de Williencourt and the Fine Arts Quartet. \nHighlights of his career include a performance of the Grieg Piano Concerto with the Los Angeles Philharmonic at the Hollywood Bowl\, and his own piano concerto version of Moussorgsky’s Pictures at an Exhibition with the National Symphony Orchestra at the Kennedy Center in Washington\, D.C. under the baton of Mstislav Rostropovich. In recent years Émile has been invited to numerous music festivals\, including the San Francisco Friends of Chamber Music’s Menuhin Seminars\, Santander Summer Masterclasses\, Verbier Academy Festival\, the Banff Center\, and residencies at Conservatory of Barcelona (ESMUC). In 1996\, he opened his own summer academy at the Château de Rangiport in Gargenville\, France\, in the spirit of Nadia Boulanger. He is an avid composer of French mélodies\, and is known for his mastery in transcribing music for the piano. Émile maintains a video journal of daily improvisations on his YouTube channel. \nRead more about the artist here.
URL:https://cathedralartsdallas.org/event/emile-naoumoff-master-class/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Music,Special Event
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2019/01/Naoumoff-Master-Class.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190208T193000
DTEND;TZID=UTC:20190208T213000
DTSTAMP:20260425T102450
CREATED:20181108T214238Z
LAST-MODIFIED:20190130T001753Z
UID:2906-1549654200-1549661400@cathedralartsdallas.org
SUMMARY:2018-19 Distinguished Artist Recital: Émile Naoumoff
DESCRIPTION:Friday\, February 8 at 7:30 pm\nGreat Hall\nFree parking and admission \nReception with the artist follows immediately \nProgram:\nJ.S. Bach: Passacaglia in C minor\, BWV 582\nGabriel Fauré:  Nocturnes Nos. 6\, 7 and 13\nMaurice Ravel:  Valses nobles et sentimentales\nLili Boulanger:  Thème et variations\nNadia Boulanger: Vers la vie nouvelle\nÉmile Naoumoff: Las Brisas \nOn Saturday\, February 9 at 9:30 am\, Mr. Naoumoff will return to St. Matthew’s to conduct a master class with select young pianists and a chamber music ensemble from Southern Methodist University’s Meadows School of the Arts. Admission is free to the public. Donations are welcomed. \nAbout the Artist:\nÉmile Naoumoff has been likened to both Vladimir Horowitz and Arthur Rubinstein as a pianist\, displaying — as one critic remarked — the fire of the former and the poetry of the latter. Émile revealed himself as a musical prodigy at age five\, taking up the piano and adding composition to his studies a year later. At the age of seven\, after a fateful meeting in Paris\, he became the last disciple of the legendary Nadia Boulanger\, who referred to him as “The gift of my old age.” He studied with her until her death in late 1979. During this auspicious apprenticeship\, Mlle. Boulanger gave him the opportunity to work with Clifford Curzon\, Igor Markevitch\, Robert and Gaby Casadesus\, Nikita Magaloff\, Jean Francaix\, Leonard Bernstein\, Soulima Stravinsky\, Aram Khachaturian and Yehudi Menuhin. Lord Menuhin conducted the premiere of Émile’s first piano concerto\, with the composer as a soloist\, when he was ten years old. At the same time\, he pursued music courses at the Paris Conservatory with Lelia Gousseau\, Pierre Sancan and Genevieve Joy-Dutilleux\, and studied conducting at the École Normale de Musique de Paris with Pierre Dervaux. \nÉmile regularly appears with the world’s premier orchestras: the Los Angeles Philharmonic\, the Berlin Symphony\, the Vienna Symphony\, the San Francisco Symphony\, National Symphony in Washington\, Moscow Symphony\, NHK Symphony\, the Residentie Orkest of the Hague\, Orchestre Philharmonique de Radio-France\, Camerata Bern\, and has worked closely with conductors such as Leonard Bernstein\, Igor Markevitch\, Leonard Slatkin\, Mstislav Rostropovich and Eliahu Inbal. His musical collaborations include Jean-Pierre Rampal\, Gerard Souzay\, Yo-Yo Ma\, Gary Hoffman\, Olivier Charlier\, Patrice Fontanarosa\, Regis Pasquier\, Philippe Graffin\, Philippe Bernold\, Gerard Caussé\, Jean Ferrandis\, Dominique de Williencourt and the Fine Arts Quartet. \nHighlights of his career include a performance of the Grieg Piano Concerto with the Los Angeles Philharmonic at the Hollywood Bowl\, and his own piano concerto version of Moussorgsky’s Pictures at an Exhibition with the National Symphony Orchestra at the Kennedy Center in Washington\, D.C. under the baton of Mstislav Rostropovich. In recent years Émile has been invited to numerous music festivals\, including the San Francisco Friends of Chamber Music’s Menuhin Seminars\, Santander Summer Masterclasses\, Verbier Academy Festival\, the Banff Center\, and residencies at Conservatory of Barcelona (ESMUC). In 1996\, he opened his own summer academy at the Château de Rangiport in Gargenville\, France\, in the spirit of Nadia Boulanger. Émile has been a professor at Indiana University’s Jacobs School of Music since 1998. He is an avid composer of French mélodies\, and is known for his mastery in transcribing music for the piano. Émile maintains a video journal of daily improvisations on his YouTube channel. \nRead more about the artist here.
URL:https://cathedralartsdallas.org/event/emile-naoumoff-distinguished-artist-recital/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Music,Recital
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/11/20171108_160810_942141_emile_naoumoff_mez.jpeg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190120T160000
DTEND;TZID=UTC:20190120T170000
DTSTAMP:20260425T102450
CREATED:20181104T090315Z
LAST-MODIFIED:20190114T231913Z
UID:2903-1548000000-1548003600@cathedralartsdallas.org
SUMMARY:Choral Evensong
DESCRIPTION:Cathedral Arts Choral Artists\nMusic for Treble Voices\n\nReception follows immediately in the Justus Sundermann Gallery\n\n\n\nAbout Evensong:\nDrawn from the 17th century\, participants are invited to enter into a sacred space of quiet reflection through music\, scripture\, and prayers that have shaped Christian lives for hundreds of years.\nBring a friend! All are welcome!\n\n  \nMore about the Evensong tradition at St. Matthew’s Cathedral Arts here.\nWatch a YouTube video of a recent Evensong Service (September 16\, 2018) here.
URL:https://cathedralartsdallas.org/event/choral-evensong-1-20-2019/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Choral,Choral Evensong,Music
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/03/evensongimage-e1535409344911.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190113T150000
DTEND;TZID=UTC:20190113T170000
DTSTAMP:20260425T102450
CREATED:20181103T234251Z
LAST-MODIFIED:20190107T014733Z
UID:2896-1547391600-1547398800@cathedralartsdallas.org
SUMMARY:Offstage: Opera Composers in Song with Jay Gardner\, Tenor
DESCRIPTION:Sunday\, January 13 at 3:00 pm\nGreat Hall\nFree parking and admission \nReception with the artist follows immediately \nThe program includes songs by Henry Purcell\, Benjamin Britten\, W. A. Mozart\, Richard Strauss\, Georges Bizet\, Jules Massenet\, Camille Saint-Saëns\, Giuseppe Verdi\, Giacomo Puccini\, Leonard Bernstein\, Marc Blitzstein and George Gershwin. \nAbout the Artist: \nCritics have described Jay Gardner as giving “a truly standout performance (Opera News)\, having a “bright\, bold lyric tenor” (Dallas Morning News)\, possessing “a clarion tenor deployed with rare taste” (Dallas Morning News) and “displaying great comic timing with one of the best voices on the stage.” (Theaterjones).  \nJay has earned a reputation as a versatile singing actor\, equally at home in opera\, musical theater and cabaret. \nFavorite roles include Judge Danforth in The Crucible with Rimrock Opera\, Canio in Pagliacci with Kansas Concert Opera\, The Beadle Bamford in Sweeney Todd with St. Petersburg Opera and Sam Polk in Susannah and Romeo in Romeo et Juliette\, both with the Marjorie Lawrence Opera Theatre. Jay’s work with The Dallas Opera includes the Second Jew in Salome\, Parpignol in La bohème and the Prince of Persia in Turandot. \nOn the concert stage\, Jay has performed as a soloist in the Carnegie Hall premiere of Sing For The Cure commissioned by the Susan G. Komen Breast Cancer Foundation and appeared as a soloist in Mahler’s Das Lied Von Der Erde with the University of North Texas Chamber Orchestra. In addition\, he has been heard as a soloist in Haydn’s Paukenmesse with the Schola Cantorum of Texas and in Mozart’s Requiem with the Turtle Creek Chorale in performance at the Meyerson Symphony Center in Dallas. \nMusical theater roles include Charlie Dalrymple in Brigadoon\, the Adult Authority Figure in Spring Awakening\, Herr Schultz in Cabaret and the voice of Audrey II in Little Shop of Horrors. Jay also appeared at the Crested Butte Music Festival as a featured artist in The Best of Broadway and Bernstein On Broadway. \nAn accomplished cabaret artist\, Jay has performed Coward and Cole in Words and Music at the Sammons Cabaret. In 2014 he was a Cabaret Fellow at the prestigious Eugene O’Neill Theater Center’s Cabaret and Performance Conference in Waterford\, Connecticut and regularly attends the St. Louis Cabaret Conference. As Artistic Director of Front Line Cabaret\, Jay brings the intimate art of cabaret to small venues throughout North Texas. \nRead more about the artist here.
URL:https://cathedralartsdallas.org/event/jay-gardner-in-recital/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Music,Recital
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/11/Jay-Gardner.jpeg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190103T180000
DTEND;TZID=UTC:20190103T200000
DTSTAMP:20260425T102450
CREATED:20181127T213959Z
LAST-MODIFIED:20181224T224051Z
UID:2914-1546538400-1546545600@cathedralartsdallas.org
SUMMARY:Opening Reception: “Afghan Odyssey - 1967” – Photographs by Richard Boul
DESCRIPTION:Justus Sundermann Gallery\nOpening January 3\n“Over fifty years have passed since I took these photographs in Afghanistan. These landscapes and portraits should be viewed simply for what they are\, from a traveler’s viewpoint without any depiction of politics or the presence of a foreign power which have been the lot of this small yet pivotal country since that time. This was a quiet interlude in Afghan history where one could travel freely and without fear in this ancient tribal land. The people here are proud and fiercely independent\, even xenophobic\, but at the same time welcoming beyond one’s expectations. Their history goes back to the end of the 4th millennium BC\, but more recently in 330 BC the area was colonized by Alexander the Great and the Greek language was introduced. By the 3rd century BC the area had already become the crossroads of Asia and to this day one sees the influence of Persian\, Indian and Greek ideas. Afghanistan was on the Silk Route\, stretching 700 miles from China to Greece\, and one sees the Greek influence\, (as shown in several photographs included in the exhibit) especially in the two standing Buddhas in Bamian\, which itself was on the Silk Route. Subsequently\, Bamian was totally destroyed and its entire population put to the sword by Genghis Khan in 1220 AD. So\, turbulence is no newcomer to Afghanistan but in spite of it all\, one is left with an overwhelming sense of history and culture.” – Richard Boul \nVisit Richard Boul online here.
URL:https://cathedralartsdallas.org/event/richard-boul-afghan-odyssey-1967/
LOCATION:Justus Sundermann Gallery\, St. Matthew’s Cathedral\, 5100 Ross Avenue at North Henderson\, Dallas\, TX\, 75206\, United States
CATEGORIES:Sundermann Gallery
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/11/Richard-Boul-image-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20181216T173000
DTEND;TZID=UTC:20181216T193000
DTSTAMP:20260425T102450
CREATED:20181130T013943Z
LAST-MODIFIED:20181130T014341Z
UID:2921-1544981400-1544988600@cathedralartsdallas.org
SUMMARY:Closing Reception: “Sacred Space - Visual Voice” – Works by Annie Ehrenreich
DESCRIPTION:Justus Sundermann Gallery\nThrough December 16\nAnnie Ehrenreich found herself fascinated by colorful Christian Medieval artwork\, causing her to experiment with the creation of updated devotional mosaics of faith. Utilizing paper tiles of Medieval and Renaissance works from the public domain\, her process has been self-taught. A growing number of secular art mosaics from the same periods has expanded her saturated art line. She finds “the physical action of hand-piecing these works to be spiritually centering and meditative.” This passion was sparked during an Art History of the Middle Ages course taken as a returning college student and was further inflamed while touring museums and cathedrals in Prague and Vienna. \n“As a kindergartener\, I crayoned all over my paper in different colors\, covered it all with solid black\, and then scraped it away to reveal multi-colored designs. As a teenager\, I obsessed about the collage posters on my wall being placed exactly level. As a returning adult college student\, I fell in love with Medieval Christian art when I took my first (and only) Art History course. The Holy Image collaborations were first and then came the Secular line. I love how the group massed together seems to highlight the individual artwork. I hope others will feel as I do and enjoy these art mosaics with a depth of appreciation for each individual work of art as well as for the impact of the whole.” – Annie Ehrenreich \nMore about the artist here.
URL:https://cathedralartsdallas.org/event/annie-ehrenreich-sacred-space-visual-voice-closing-reception/
LOCATION:Justus Sundermann Gallery\, St. Matthew’s Cathedral\, 5100 Ross Avenue at North Henderson\, Dallas\, TX\, 75206\, United States
CATEGORIES:Sundermann Gallery
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/09/annie-ehrenreich-artwork.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20181216T160000
DTEND;TZID=UTC:20181216T173000
DTSTAMP:20260425T102450
CREATED:20181012T043719Z
LAST-MODIFIED:20181212T175137Z
UID:2872-1544976000-1544981400@cathedralartsdallas.org
SUMMARY:A Festival of Nine Lessons and Carols
DESCRIPTION:The Cathedral Arts Choral Artists and selected readers unfold the Christmas narrative with familiar choral settings and scriptural accounts\, according to a beloved pattern established in 1918 by King’s College Chapel\, Cambridge. The service includes carols by Ledger\, Goldschmidt\, Wishart\, Willcocks\, Spicer\, Mathias\, Darke and Rutter. \nPrelude begins at 3:30 pm.\nReception following in Justus Sundermann Gallery. \nAll are welcome.\nInvite a friend – It may be the best gift you can give them!
URL:https://cathedralartsdallas.org/event/festival-lessons-carols-2018/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Choral,Music
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/10/holly-and-snow2-e1539356764508.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20181104T150000
DTEND;TZID=UTC:20181104T170000
DTSTAMP:20260425T102450
CREATED:20181001T230452Z
LAST-MODIFIED:20181005T231455Z
UID:2766-1541343600-1541350800@cathedralartsdallas.org
SUMMARY:Alessandro Mazzamuto in Recital
DESCRIPTION:Sunday\, November 4 at 3:00 pm\nGreat Hall\nFree parking and admission \nReception with the artist follows immediately \nProgram:\nFranz Schubert: Sonata in B-flat\, D.960\nFranz Liszt: Sonata in B minor  \nAbout the Artist:\nPianist Alessandro Mazzamuto is “one of the most inspiring\, extraordinary pianists that I have had the joy to hear” – writes Martha Argerich – and when she was recently asked by the French newspaper L’Expresso to name her ten favorite young pianists\, she included Alessandro in the company of artists such as Danil Trifonov\, Beatrice Rana\, Yuja Wang\, Sergio Tiempo\, Katia Buniatishvili. He is “no virtuoso of show\, no ruthless technician\, but a pianist absorbed in the music who plays with as much spontaneity as poetry\,” claims Pizzicato Magazine (Germany). Winner of International Classical Music Awards’ 2013 Young Instrumental Artist of the Year\, the 28-year-old Sicilian pianist has won more than 60 national and international competitions in piano and chamber music. \nRead more about the artist here.
URL:https://cathedralartsdallas.org/event/alessandro-mazzamuto-in-recital/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Music,Recital
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/10/Mazzamuto2-e1538416780409.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20181101T180000
DTEND;TZID=UTC:20181101T200000
DTSTAMP:20260425T102450
CREATED:20180910T063549Z
LAST-MODIFIED:20181130T013718Z
UID:2728-1541095200-1541102400@cathedralartsdallas.org
SUMMARY:Opening Reception: “Sacred Space - Visual Voice” – New Works by Annie Ehrenreich
DESCRIPTION:Justus Sundermann Gallery\nNovember 1 through December 16\nAnnie Ehrenreich found herself fascinated by colorful Christian Medieval artwork\, causing her to experiment with the creation of updated devotional mosaics of faith. Utilizing paper tiles of Medieval and Renaissance works from the public domain\, her process has been self-taught. A growing number of secular art mosaics from the same periods has expanded her saturated art line. She finds “the physical action of hand-piecing these works to be spiritually centering and meditative.” This passion was sparked during an Art History of the Middle Ages course taken as a returning college student and was further inflamed while touring museums and cathedrals in Prague and Vienna. \n“As a kindergartener\, I crayoned all over my paper in different colors\, covered it all with solid black\, and then scraped it away to reveal multi-colored designs. As a teenager\, I obsessed about the collage posters on my wall being placed exactly level. As a returning adult college student\, I fell in love with Medieval Christian art when I took my first (and only) Art History course. The Holy Image collaborations were first and then came the Secular line. I love how the group massed together seems to highlight the individual artwork. I hope others will feel as I do and enjoy these art mosaics with a depth of appreciation for each individual work of art as well as for the impact of the whole.” – Annie Ehrenreich \nMore about the artist here.
URL:https://cathedralartsdallas.org/event/annie-ehrenreich-sacred-space-visual-voice/
LOCATION:Justus Sundermann Gallery\, St. Matthew’s Cathedral\, 5100 Ross Avenue at North Henderson\, Dallas\, TX\, 75206\, United States
CATEGORIES:Sundermann Gallery
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/09/annie-ehrenreich-artwork.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20181021T160000
DTEND;TZID=UTC:20181021T170000
DTSTAMP:20260425T102450
CREATED:20180909T042609Z
LAST-MODIFIED:20181015T212535Z
UID:2723-1540137600-1540141200@cathedralartsdallas.org
SUMMARY:Choral Evensong
DESCRIPTION:Cathedral Arts Choral Artists\nMusic by Rachmaninoff\, Rose\, and Noble\n\nReception follows immediately in the Justus Sundermann Gallery\n\n\n\nAbout Evensong:\nDrawn from the 17th century\, participants are invited to enter into a sacred space of quiet reflection through music\, scripture\, and prayers that have shaped Christian lives for hundreds of years.\nBring a friend! All are welcome!\n\n  \nMore about the Evensong tradition at St. Matthew’s Cathedral Arts here.\nWatch a YouTube video of the most recent Evensong Service (September 16\, 2018) here.
URL:https://cathedralartsdallas.org/event/choral-evensong-10-21-2018/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Choral,Choral Evensong,Music
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/03/evensongimage-e1535409344911.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20181012T183000
DTEND;TZID=UTC:20181012T213000
DTSTAMP:20260425T102450
CREATED:20180908T234619Z
LAST-MODIFIED:20180923T221443Z
UID:2715-1539369000-1539379800@cathedralartsdallas.org
SUMMARY:Cathedral Arts Benefit Gala and Silent Auction
DESCRIPTION:The immensely popular annual Cathedral Arts Benefit Gala presents With One Look: The Music of Andrew Lloyd Webber on October 12.\nProceeds from this signature event help support the seventh season of free public arts and educational events at\nSt. Matthew’s Cathedral.\nFRIDAY\, OCTOBER 12\, 6:30 PM\nGREAT HALL\nSeating is limited! Reserve your tickets online HERE. \n 
URL:https://cathedralartsdallas.org/event/benefit-gala-and-silent-auction-10-12-18/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Special Event
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/09/STM-facebookheader-gala-eventgraphic-1.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180928T193000
DTEND;TZID=UTC:20180928T193000
DTSTAMP:20260425T102450
CREATED:20180816T001556Z
LAST-MODIFIED:20180827T193910Z
UID:2668-1538163000-1538163000@cathedralartsdallas.org
SUMMARY:Lucy and Friends in Concert: An Evening of Love and Laughter
DESCRIPTION:LIEBESLIEDER WALTZES\, OP. 52 (JOHANNES BRAHMS)\nLIEBESLIEDER POLKAS (P.D.Q. BACH)\nFRIDAY\, SEPTEMBER 28\n7:30 PM\nGREAT HALL \nFREE ADMISSION\nPOST-CONCERT RECEPTION \nLUCY CREECH\, SOPRANO\nNATALIE ARDUINO\, ALTO\nROBERT WILSON\, TENOR\nDAVID GROGAN\, BASS \nH. MICHIE AKIN & BRIAN BENTLEY\, PIANO FOUR HANDS \nAbout the music (adapted from Wikipedia articles): \nJohannes Brahms’ Liebeslieder Waltzes\, Op. 52 is a collection of love songs in Ländler style for voices and piano four hands. The lyrics for the Liebeslieder come from Georg Friedrich Daumer’s Polydora\, a collection of folk songs and love poems. While there is no record indicating the inspiration for the Waltzes\, there is speculation that Brahms’ motivation for the songs was his frustrated love for pianist Clara Schumann\, composer Robert Schumann’s wife. \nThe Liebeslieder Waltzes were completed in 1869 and were first performed January 5\, 1870. One aspect of the Liebeslieder Waltzes that possibly contributed to the work’s positive reception was that Brahms composed them with reference to Johann Strauss\, who was considered the “Waltz King.” With such another well-known composer attached to the work\, the audience would have enjoyed the tribute. To some\, Brahms revived chamber music. \nThe Liebeslieder Waltzes are written in a popular style\, but do not lose Brahms’ signature compositional complexity. Scored for piano four hands and voices ad libitum\, the piece can easily accommodate many different-sized ensembles. Although today they are part of the standard choral repertoire\, Brahms more likely intended them to be played in parlors or informal home gatherings rather than in concert halls. Immediately successful\, these waltzes were responsible for much of his personal wealth\, and solidified his reputation with the general music-buying public in Vienna and Europe. \n \nLiebeslieder Polkas for Mixed Chorus and Piano Five Hands\, S. 2/4\, is actually the music of American composer Peter Schickele (b. 1935)\, written under the comic pseudonym of P. D. Q. Bach. He describes this work as “the first opus of P.D.Q. Bach to be discovered in which he inflicted his music on the work of well-known poets\, or even known poets\, for that matter.” \nSchickele gives a humorous fictional biography of the composer\, according to which P. D. Q. Bach was born in Leipzig on April 1\, 1742\, the son of Johann Sebastian Bach and Anna Magdalena Bach; the twenty-first of Johann’s twenty children. He is also referred to as “the youngest and oddest of Johann Sebastian’s 20-odd children.” According to Schickele\, P. D. Q. “possessed the originality of Johann Christian\, the arrogance of Carl Philipp Emanuel\, and the obscurity of Johann Christoph Friedrich . . . His musical life has been divided into three creative periods: the Initial Plunge\, the Soused Period\, and Contrition. The middle period was by far the longest of the three\, and was characterized by a multiplicity of contrapuntal lines and a greater richness of harmony due to almost constant double vision. It was during this period that he emulated (i.e.\, stole from) the music of Haydn and Mozart\, but his pathetic attempts to be au courant were no more successful than his pathetic attempts to be passé had been during the Initial Plunge; having to cope with the problems that accompany immense popularity was something P.D.Q. Bach managed to avoid. It has been said that the only original places in his music are those places where he forgot what he was stealing.” \nSchickele’s works attributed to P. D. Q. Bach often incorporate comical rearrangements of well-known works of other composers. There is often a startling juxtaposition of styles within a single P. D. Q. Bach piece. The humor in P. D. Q. Bach music often derives from a violation of audience expectations\, such as repeating a tune more than the usual number of times\, resolving a musical chord later than usual (or not at all)\, unusual key changes\, excessive dissonance\, or sudden switches from high art to low art. \nThe titles in this collection also reveal Schickele’s wicked sense of literary humor: \nTo His Coy Mistress (Andrew Marvell)\nTo the Virgins\, to Make Much of Time (Robert Herrick)\nThe Passionate Shepherd to His Love (Christopher Marlowe)\nWhy So Pale and Wan\, Fond Lover? (Sir John Suckling)\nIt Was a Lover and His Lass (William Shakespeare)\nThe Constant Lover (Sir John Suckling)\nSong to Celia (Ben Johnson\, adapted by P.D.Q. Bach)\nFarewell\, Ungrateful Traitor (John Dryden)\nWho is Sylvia? (William Shakespeare) \nA recording of the work was released on Vanguard Records in 1980\, with a cover image of Schickele mimicking the famous image of Johannes Brahms at the piano. \n 
URL:https://cathedralartsdallas.org/event/lucy-and-friends-in-concert-9-28-2018/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Music,Recital
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/08/Brahms-Liebeslieder-8.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180920T060000
DTEND;TZID=UTC:20180920T235900
DTSTAMP:20260425T102450
CREATED:20180810T024618Z
LAST-MODIFIED:20180917T231636Z
UID:2659-1537423200-1537487940@cathedralartsdallas.org
SUMMARY:North Texas Giving Day
DESCRIPTION:Consider a contribution to the seventh season of\nSaint Matthew’s Cathedral Arts!\nEach year\, generous donors like you participate in the community-wide North Texas Giving Day\, coming\nThursday\, September 20\, 6:00 am until midnight. \nFor your convenience\, donors can schedule their gifts before Giving Day!\nSchedule your gift at any time HERE. \nMark your calendar and visit NorthTexasGivingDay.org for more information.\nThanks for your support of Saint Matthew’s Cathedral Arts!
URL:https://cathedralartsdallas.org/event/north-texas-giving-day-2018/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Special Event
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/08/NTGD-2018-Logo-3.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180916T153000
DTEND;TZID=UTC:20180916T170000
DTSTAMP:20260425T102450
CREATED:20180806T230518Z
LAST-MODIFIED:20180912T032042Z
UID:2648-1537111800-1537117200@cathedralartsdallas.org
SUMMARY:Choral Evensong
DESCRIPTION:Cathedral Arts Choral Artists\nMusic by Baynon\, Rose\, Brewer and Howells\n\n\nOrgan Recital at 3:30pm\nDamin Spritzer\, Cathedral Arts Artist-in-Residence\nMusic by Gilbert\, Bach\, Rowley and Willan\nReception follows immediately in the Justus Sundermann Gallery\n\n\n\nAbout Evensong:\nDrawn from the 17th century\, participants are invited to enter into a sacred space of quiet reflection through music\, scripture\, and prayers that have shaped Christian lives for hundreds of years.\nBring a friend! All are welcome!\nMore about the Evensong tradition at St. Matthew’s Cathedral Arts here.\nYouTube video from a recent Evensong Service (May 20\, 2018) at St. Matthew’s here.
URL:https://cathedralartsdallas.org/event/choral-evensong-9-16-2018/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Choral,Choral Evensong,Music
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/03/evensongimage-e1535409344911.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180913T180000
DTEND;TZID=UTC:20180913T200000
DTSTAMP:20260425T102450
CREATED:20180802T033315Z
LAST-MODIFIED:20180910T063411Z
UID:2644-1536861600-1536868800@cathedralartsdallas.org
SUMMARY:Opening Reception: “Walking to School” – Artworks of Juliana Crownover
DESCRIPTION:Justus Sundermann Gallery\nSeptember 13 through October 28\nJuliana Crownover is an award-winning pastelist who has been painting in pastels for over 20 years and teaching for 10 years. She has a BA from Austin College in biology\, art\, and environmental studies. A member of the Southwest Pastel Society\, she describes her passion this way: “In my own art\, I use light and color to bring out the beauty in everyday life\, whether that is a trail I have hiked 100 times\, or my son hanging laundry on a line. In that way\, I use my art as a reminder of where to find beauty all around us and to slow down in our daily lives so that we may see it. In my classes\, I strive to create a balance that allows enough freedom so that students can create their own art\, and enough direction to ensure success. Aside from the end-goal of finished art\, I think the process should be enjoyed\, and I work hard to create an environment that allows for that.” \n“Walking to School” is a whimsical\, fun series chronicling my second-grade daughter’s daily walks to school. It includes mixed-media and collages of homework\, tardy slips and bit and pieces we collect on our walks. On a more profound level\, it is about being present: we put away the phone\, compose a rhyme or poem\, talk about the day\, share our hopes and dreams\, plan dinner or our next family celebration. Walking and talking just go together.” \nMore about the artist here.
URL:https://cathedralartsdallas.org/event/juliana-crownover-walking-to-school/
LOCATION:Justus Sundermann Gallery\, St. Matthew’s Cathedral\, 5100 Ross Avenue at North Henderson\, Dallas\, TX\, 75206\, United States
CATEGORIES:Sundermann Gallery
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/08/Juliana-Crownover-exzhibit-LOGO-e1535409447578.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180630T090000
DTEND;TZID=UTC:20180630T160000
DTSTAMP:20260425T102450
CREATED:20180326T222453Z
LAST-MODIFIED:20180525T043435Z
UID:2277-1530349200-1530374400@cathedralartsdallas.org
SUMMARY:Closing Day: David McCullough's  “Quantum Art: The Energy of Color”
DESCRIPTION:David McCullough:  “Quantum Art: The Energy of Color” \nFinal day: June 30\, 2018 \nArtist’s Statement: \nFor the past forty-eight years\, my paintings\, sculpture\, and works on paper have been concerned with describing the phenomenon of light in nature from an audio-visual perspective. \nI have hiked and created art in National Parks throughout the U.S.A.\, especially the Southwest’s ‘Canyon Circle’ parks in the Four Corners area (Arizona\, Utah\, New Mexico and Colorado)\, notating their seasonal color changes and geological formations. I have used these field trips in the National Park system to explore and notate nature’s colorful holistic psyche and geological spirit through the mediums of watercolor\, drawing\, and photography. These notations are the foundation stones of all my abstract studio compositions. I have used these nature insights to instill into my Taoist vision of art a special quality of coloration that best describes her spirit and sacred character.  I have made many comparative studies of the Earth’s holistic psyche and its geological spirit in our ecosystem\, as well as rock painting sites. for example\, the Australian Northern Territory outback\, where I made watercolors\, drawings\, and photographs at sacred Aboriginal sites in Kakadu National Park in the Arnhem land with my field notations from Southwest U.S. national parks in the Four Corners region\, where I recorded the holistic earth energy rhythms at Native American sacred sites. \nMy ethnographic studies of the sacred nature of the Native American and Aboriginal traditions and their stories\, as well as their pictographic rock art depictions\, have informed the imagery and chemistry of my abstractions in many ways. I always paint on the ground at each site directly to music from cultures all over the world\, especially American Jazz. My fellow musicians have assisted me in feeling\, expressing\, and interpreting through the watercolor medium nature’s sacred colorful ordering systems in a sonic lyrical manner. These influential audiovisual insights have infused all my studio artworks with a cosmological significance and special color-filled sonic energy. \nAll my studio artworks reflect the poetic recordings of these sacred locations and their geological and botanical micro/macro spirit world. The poetic nature of these feelings\, aesthetic character of the field artworks\, and musical insights are all woven into the patterns\, geomantic order\, and compositions of all my artworks in every combination of mediums. I have cross-referenced knowledge from mythology\, the earth sciences (mineralogy\, crystallography\, and sacred geometry)\, quantum physics and biophysics with music\, art and poetry sources in order to map out new states of consciousness I can use to process new alchemical color medium systems. These science and nature insights have empowered my artworks with a dynamic visual-sonic presence.   \nMy most recent painting adventure was in Northern India\, Rishikesh and the Northern Himalayan mountain ranges\, where I recorded the Hindu cultural operating system and experienced the ‘Diwali Festival of Light’.   \nMore about the artist here.
URL:https://cathedralartsdallas.org/event/closing-day-david-mcculloughs-quantum-art-the-energy-of-color/
LOCATION:Justus Sundermann Gallery\, St. Matthew’s Cathedral\, 5100 Ross Avenue at North Henderson\, Dallas\, TX\, 75206\, United States
CATEGORIES:Sundermann Gallery
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/03/davidmcculough-e1525802466371.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180608T190000
DTEND;TZID=UTC:20180608T190000
DTSTAMP:20260425T102450
CREATED:20180326T225118Z
LAST-MODIFIED:20180525T042831Z
UID:2282-1528484400-1528484400@cathedralartsdallas.org
SUMMARY:Cathedral Jazz Night with Damon K. Clark
DESCRIPTION:Friday\, June 8 at 7:00 pm\nGreat Hall and Sundermann Gallery \nTickets $15.00 at the door. Major credit cards accepted. \nMore about Damon K. Clark here.
URL:https://cathedralartsdallas.org/event/cathedral-jazz-night-with-damon-k-clark/
LOCATION:TX
CATEGORIES:Music,Sundermann Gallery
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/03/22382373_1470001286422726_2098034257964149269_o.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180520T160000
DTEND;TZID=UTC:20180520T160000
DTSTAMP:20260425T102450
CREATED:20180213T025955Z
LAST-MODIFIED:20180523T060016Z
UID:1969-1526832000-1526832000@cathedralartsdallas.org
SUMMARY:Choral Evensong
DESCRIPTION:Cathedral Arts Choral Artists\n \nSunday\, May 20 at 4:00 pm\nfree parking and admission \nMusic:\n\nIntroit – O Holy Spirit\, Lord of grace – Christopher Tye\nPreces and Responses – Paul Spicer\nPsalm 145 – Anglican Chants by William Crotch and Samuel Wesley\nCanticles – Magnificat & Nunc Dimittis in C – Bryan Kelly\nAnthem – Behold\, O God our Defender – Herbert Howells\n \nAbout Evensong:\n\nDrawn from the 17th century\, participants are invited to enter into a sacred space of quiet reflection through music\, scripture\, and prayers that have shaped Christian lives for hundreds of years.\nBring a friend! All are welcome! \nMore about the Evensong tradition at St. Matthew’s Cathedral Arts here.\nMay 20\, 2018 YouTube video here.
URL:https://cathedralartsdallas.org/event/choral-evensong-5-20/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Choral Evensong,Music
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/03/evensongimage-e1535409344911.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180517
DTEND;VALUE=DATE:20180518
DTSTAMP:20260425T102450
CREATED:20180326T221945Z
LAST-MODIFIED:20181008T030111Z
UID:2271-1526515200-1526522400@cathedralartsdallas.org
SUMMARY:David McCullough:  “Quantum Art: The Energy of Color”
DESCRIPTION:Artist’s Statement: \nFor the past forty-eight years\, my paintings\, sculpture\, and works on paper have been concerned with describing the phenomenon of light in nature from an audio-visual perspective.  \nI have hiked and created art in National Parks throughout the U.S.A.\, especially the Southwest’s ‘Canyon Circle’ area of the Four Corners area (Arizona\, Utah\, New Mexico and Colorado) parks\, notating their seasonal color changes and geological formations. I have used these field trips in the National Park system to explore and notate nature’s colorful holistic psyche and geological spirit through the mediums of watercolor\, drawing\, and photography. These notations are the foundation stones of all my abstract studio compositions. I have used these nature insights to instill into my Taoist vision of art a special quality of coloration that best describes her spirit and sacred character.  I have made many comparative studies of the Earth’s holistic psyche and its geological spirit in our ecosystem\, as well as rock painting sites. for example\, the Australian Northern Territory outback\, where I made watercolors\, drawings\, and photographs at sacred Aboriginal sites in Kakadu National Park in the Arnhem land with my field notations from Southwest U.S. national parks in the Four Corners region\, where I recorded the holistic earth energy rhythms at Native American sacred sites.  \nMy ethnographic studies of the sacred nature of the Native American and Aboriginal traditions and their stories\, as well as their pictographic rock art depictions\, have informed the imagery and chemistry of my abstractions in many ways. I always paint on the ground at each site directly to music from cultures all over the world\, especially American Jazz. My fellow musicians have assisted me in feeling\, expressing\, and interpreting through the watercolor medium nature’s sacred colorful ordering systems in a sonic lyrical manner. These influential audiovisual insights have infused all my studio artworks with a cosmological significance and special color-filled sonic energy.  \nAll my studio artworks reflect the poetic recordings of these sacred locations and their geological and botanical micro/macro spirit world. The poetic nature of these feelings\, aesthetic character of the field artworks\, and musical insights are all woven into the patterns\, geomantic order\, and compositions of all my artworks in every combination of mediums. I have cross-referenced knowledge from mythology\, the earth sciences (mineralogy\, crystallography\, and sacred geometry)\, quantum physics and biophysics with music\, art and poetry sources in order to map out new states of consciousness I can use to process new alchemical color medium systems. These science and nature insights have empowered my artworks with a dynamic visual-sonic presence.   \nMy most recent painting adventure was in Northern India\, Rishikesh and the Northern Himalayan mountain ranges\, where I recorded the Hindu cultural operating system and experienced the ‘Diwali Festival of Light’.   \nMore about the artist here.
URL:https://cathedralartsdallas.org/event/artist-reception-david-mcculloughs-quantum-art-the-energy-of-color/
LOCATION:Justus Sundermann Gallery\, St. Matthew’s Cathedral\, 5100 Ross Avenue at North Henderson\, Dallas\, TX\, 75206\, United States
CATEGORIES:Sundermann Gallery
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/06/100T7253-e1773789041858.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180426T180000
DTEND;TZID=UTC:20180426T200000
DTSTAMP:20260425T102450
CREATED:20180326T212015Z
LAST-MODIFIED:20180408T035248Z
UID:2252-1524765600-1524772800@cathedralartsdallas.org
SUMMARY:Closing Artist Reception: "Every Day'll Be Sunday": The Photography of Richard Hill
DESCRIPTION:Closing reception with the artist on Thursday\, April 26\, 6:00-8:00 pm. \nCathedral Arts is excited to present the work of Dallas photographer Richard “Dickie” Hill. Titled Every Day’ll Be Sunday\, this collection includes more than 25 works that depict the devotion of the people in his hometown\, particularly within the Episcopal Diocese of Dallas which he calls home. The collection showcases a variety of occasions in the life of faith in Dallas; sometimes pious\, sometimes playful\, and is part of an ongoing project. \nDickie began his photographic work as a street and documentary photographer. His works emphasize gesture\, meaning\, and proximity in both his formal and documentary work. He has been featured in The Living Church Magazine\, Vieworld Photo Magazine\, Inspired Eye\, The Street Photographer Notebook and Dance Magazine. His works have been exhibited in the In-spire Galerie in Dublin\, the Columbus Art Museum as well as the Sundermann Gallery. He was awarded the 2016 Associated Church Press Award of Merit for A Nation Wounded. \nVisit the artist’s website here.
URL:https://cathedralartsdallas.org/event/every-dayll-be-sunday-the-photography-of-richard-hill/
LOCATION:Justus Sundermann Gallery\, St. Matthew’s Cathedral\, 5100 Ross Avenue at North Henderson\, Dallas\, TX\, 75206\, United States
CATEGORIES:Sundermann Gallery
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/03/RichardHillExhibit2018nologo.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
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BEGIN:VEVENT
DTSTART;TZID=UTC:20180422T160000
DTEND;TZID=UTC:20180422T170000
DTSTAMP:20260425T102450
CREATED:20180213T025630Z
LAST-MODIFIED:20180510T222452Z
UID:1965-1524412800-1524416400@cathedralartsdallas.org
SUMMARY:Choral Evensong
DESCRIPTION:Cathedral Arts Choral Artists\nSunday\, April 22 at 4:00 pm – Free parking and admission \nMusic:\nIntroit – Pilgrim’s Hymn – Steven Paulus\nResponses- Philip Moore\nPsalm 114\, 115\nCanticles – Magnificat & Nunc Dimittis in G – Charles Villiers Stanford\nAnthem – We Wait For Thy Loving Kindness – McKie\n\nAbout Evensong:\nDrawn from the 17th century\, participants are invited to enter into a sacred space of quiet reflection through music\, scripture\, and prayers that have shaped Christian lives for hundreds of years.\nBring a friend! All are welcome! \nMore about the Evensong tradition at St. Matthew’s Cathedral Arts here.\nYouTube video from a recent Evensong Service (March 18\, 2018) at St. Matthew’s here. \nImage: “Evensong” by Carol Lander. More information here.
URL:https://cathedralartsdallas.org/event/choral-evensong-3/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Choral Evensong
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/02/Carol-Lander-Evensong-crop-1024x1018.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180420T193000
DTEND;TZID=UTC:20180420T213000
DTSTAMP:20260425T102450
CREATED:20180326T215947Z
LAST-MODIFIED:20180329T201509Z
UID:2262-1524252600-1524259800@cathedralartsdallas.org
SUMMARY:“La Vie en Rose\,” Damon K. Clark and Co.
DESCRIPTION:Friday\, April 20\, 7:30 pm Sundermann Gallery\n“La Vie en Rose\,” Damon K. Clark and Co. \nWhat two things go better together than wine and French music?\nIf you missed the last show\, La Vie Anterieur\, you won’t want to miss this concert. \nTenor Damon K. Clark and maestro\, concert pianist\, and accompanist Eldred Marshall have curated some of the most delicious French pop songs\, jazz tunes\, art songs\, and operatic arias for your enjoyment. \nWe’ll also have special guests: Victoria Bouton\, Patrick Jones\, Amy Zinger and  J. Arinze. \nAdmission includes wine and hors d’oeuvres in addition to the concert. \nRegular Ticket Price: $40.00\nLimited Time Groupon Promotion Price: $24.00\nCLICK HERE FOR SPECIAL DISCOUNT PRICING\nSpecial Guests\nELDRED MARSHALL \nConductor | Pianist \nEldred Marshall is indeed a tremendous artist! He has performed with numerous orchestras in concert halls all over the United States and Europe\, not only as a pianist but also as a conductor. He has led orchestras in Spain\, Italy\, Belgium\, Romania\, Bulgaria and the Ukraine. \nI love collaborating with Eldred! He’s a very musically precise\, clear\, and wonderfully supportive conductor. On top of that\, his piano playing is warm\, emotionally full\, and reverberates with excitement. \n  \nVICTORIA BOUTON \nSinger Songwriter | Pianist | Violinist \nA voice reminiscent of Karen Carpenter and brilliant writing skills and musicianship of Joni Mitchell\, singer songwriter Victoria Bouton’s voice dances like light through a stained glass window. \n  \n  \n  \n  \nPATRICK JONES \nVocalist | Actor \nWith Hollywood good looks\, Patrick Jones’ lyrical baritone rings out with silvery warmth with a little dose of southern charm. His fine musicianship and stage temperament serves each phrase with delicacy and thoughtfulness.
URL:https://cathedralartsdallas.org/event/damon-clark-la-vie-en-rose/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Music,Sundermann Gallery
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/03/22382373_1470001286422726_2098034257964149269_o.jpg
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