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X-WR-CALDESC:Events for St. Matthew's Cathedral Arts
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BEGIN:VEVENT
DTSTART;TZID=UTC:20190208T193000
DTEND;TZID=UTC:20190208T213000
DTSTAMP:20260425T094327
CREATED:20181108T214238Z
LAST-MODIFIED:20190130T001753Z
UID:2906-1549654200-1549661400@cathedralartsdallas.org
SUMMARY:2018-19 Distinguished Artist Recital: Émile Naoumoff
DESCRIPTION:Friday\, February 8 at 7:30 pm\nGreat Hall\nFree parking and admission \nReception with the artist follows immediately \nProgram:\nJ.S. Bach: Passacaglia in C minor\, BWV 582\nGabriel Fauré:  Nocturnes Nos. 6\, 7 and 13\nMaurice Ravel:  Valses nobles et sentimentales\nLili Boulanger:  Thème et variations\nNadia Boulanger: Vers la vie nouvelle\nÉmile Naoumoff: Las Brisas \nOn Saturday\, February 9 at 9:30 am\, Mr. Naoumoff will return to St. Matthew’s to conduct a master class with select young pianists and a chamber music ensemble from Southern Methodist University’s Meadows School of the Arts. Admission is free to the public. Donations are welcomed. \nAbout the Artist:\nÉmile Naoumoff has been likened to both Vladimir Horowitz and Arthur Rubinstein as a pianist\, displaying — as one critic remarked — the fire of the former and the poetry of the latter. Émile revealed himself as a musical prodigy at age five\, taking up the piano and adding composition to his studies a year later. At the age of seven\, after a fateful meeting in Paris\, he became the last disciple of the legendary Nadia Boulanger\, who referred to him as “The gift of my old age.” He studied with her until her death in late 1979. During this auspicious apprenticeship\, Mlle. Boulanger gave him the opportunity to work with Clifford Curzon\, Igor Markevitch\, Robert and Gaby Casadesus\, Nikita Magaloff\, Jean Francaix\, Leonard Bernstein\, Soulima Stravinsky\, Aram Khachaturian and Yehudi Menuhin. Lord Menuhin conducted the premiere of Émile’s first piano concerto\, with the composer as a soloist\, when he was ten years old. At the same time\, he pursued music courses at the Paris Conservatory with Lelia Gousseau\, Pierre Sancan and Genevieve Joy-Dutilleux\, and studied conducting at the École Normale de Musique de Paris with Pierre Dervaux. \nÉmile regularly appears with the world’s premier orchestras: the Los Angeles Philharmonic\, the Berlin Symphony\, the Vienna Symphony\, the San Francisco Symphony\, National Symphony in Washington\, Moscow Symphony\, NHK Symphony\, the Residentie Orkest of the Hague\, Orchestre Philharmonique de Radio-France\, Camerata Bern\, and has worked closely with conductors such as Leonard Bernstein\, Igor Markevitch\, Leonard Slatkin\, Mstislav Rostropovich and Eliahu Inbal. His musical collaborations include Jean-Pierre Rampal\, Gerard Souzay\, Yo-Yo Ma\, Gary Hoffman\, Olivier Charlier\, Patrice Fontanarosa\, Regis Pasquier\, Philippe Graffin\, Philippe Bernold\, Gerard Caussé\, Jean Ferrandis\, Dominique de Williencourt and the Fine Arts Quartet. \nHighlights of his career include a performance of the Grieg Piano Concerto with the Los Angeles Philharmonic at the Hollywood Bowl\, and his own piano concerto version of Moussorgsky’s Pictures at an Exhibition with the National Symphony Orchestra at the Kennedy Center in Washington\, D.C. under the baton of Mstislav Rostropovich. In recent years Émile has been invited to numerous music festivals\, including the San Francisco Friends of Chamber Music’s Menuhin Seminars\, Santander Summer Masterclasses\, Verbier Academy Festival\, the Banff Center\, and residencies at Conservatory of Barcelona (ESMUC). In 1996\, he opened his own summer academy at the Château de Rangiport in Gargenville\, France\, in the spirit of Nadia Boulanger. Émile has been a professor at Indiana University’s Jacobs School of Music since 1998. He is an avid composer of French mélodies\, and is known for his mastery in transcribing music for the piano. Émile maintains a video journal of daily improvisations on his YouTube channel. \nRead more about the artist here.
URL:https://cathedralartsdallas.org/event/emile-naoumoff-distinguished-artist-recital/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Music,Recital
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/11/20171108_160810_942141_emile_naoumoff_mez.jpeg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190120T160000
DTEND;TZID=UTC:20190120T170000
DTSTAMP:20260425T094327
CREATED:20181104T090315Z
LAST-MODIFIED:20190114T231913Z
UID:2903-1548000000-1548003600@cathedralartsdallas.org
SUMMARY:Choral Evensong
DESCRIPTION:Cathedral Arts Choral Artists\nMusic for Treble Voices\n\nReception follows immediately in the Justus Sundermann Gallery\n\n\n\nAbout Evensong:\nDrawn from the 17th century\, participants are invited to enter into a sacred space of quiet reflection through music\, scripture\, and prayers that have shaped Christian lives for hundreds of years.\nBring a friend! All are welcome!\n\n  \nMore about the Evensong tradition at St. Matthew’s Cathedral Arts here.\nWatch a YouTube video of a recent Evensong Service (September 16\, 2018) here.
URL:https://cathedralartsdallas.org/event/choral-evensong-1-20-2019/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Choral,Choral Evensong,Music
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/03/evensongimage-e1535409344911.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190113T150000
DTEND;TZID=UTC:20190113T170000
DTSTAMP:20260425T094327
CREATED:20181103T234251Z
LAST-MODIFIED:20190107T014733Z
UID:2896-1547391600-1547398800@cathedralartsdallas.org
SUMMARY:Offstage: Opera Composers in Song with Jay Gardner\, Tenor
DESCRIPTION:Sunday\, January 13 at 3:00 pm\nGreat Hall\nFree parking and admission \nReception with the artist follows immediately \nThe program includes songs by Henry Purcell\, Benjamin Britten\, W. A. Mozart\, Richard Strauss\, Georges Bizet\, Jules Massenet\, Camille Saint-Saëns\, Giuseppe Verdi\, Giacomo Puccini\, Leonard Bernstein\, Marc Blitzstein and George Gershwin. \nAbout the Artist: \nCritics have described Jay Gardner as giving “a truly standout performance (Opera News)\, having a “bright\, bold lyric tenor” (Dallas Morning News)\, possessing “a clarion tenor deployed with rare taste” (Dallas Morning News) and “displaying great comic timing with one of the best voices on the stage.” (Theaterjones).  \nJay has earned a reputation as a versatile singing actor\, equally at home in opera\, musical theater and cabaret. \nFavorite roles include Judge Danforth in The Crucible with Rimrock Opera\, Canio in Pagliacci with Kansas Concert Opera\, The Beadle Bamford in Sweeney Todd with St. Petersburg Opera and Sam Polk in Susannah and Romeo in Romeo et Juliette\, both with the Marjorie Lawrence Opera Theatre. Jay’s work with The Dallas Opera includes the Second Jew in Salome\, Parpignol in La bohème and the Prince of Persia in Turandot. \nOn the concert stage\, Jay has performed as a soloist in the Carnegie Hall premiere of Sing For The Cure commissioned by the Susan G. Komen Breast Cancer Foundation and appeared as a soloist in Mahler’s Das Lied Von Der Erde with the University of North Texas Chamber Orchestra. In addition\, he has been heard as a soloist in Haydn’s Paukenmesse with the Schola Cantorum of Texas and in Mozart’s Requiem with the Turtle Creek Chorale in performance at the Meyerson Symphony Center in Dallas. \nMusical theater roles include Charlie Dalrymple in Brigadoon\, the Adult Authority Figure in Spring Awakening\, Herr Schultz in Cabaret and the voice of Audrey II in Little Shop of Horrors. Jay also appeared at the Crested Butte Music Festival as a featured artist in The Best of Broadway and Bernstein On Broadway. \nAn accomplished cabaret artist\, Jay has performed Coward and Cole in Words and Music at the Sammons Cabaret. In 2014 he was a Cabaret Fellow at the prestigious Eugene O’Neill Theater Center’s Cabaret and Performance Conference in Waterford\, Connecticut and regularly attends the St. Louis Cabaret Conference. As Artistic Director of Front Line Cabaret\, Jay brings the intimate art of cabaret to small venues throughout North Texas. \nRead more about the artist here.
URL:https://cathedralartsdallas.org/event/jay-gardner-in-recital/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Music,Recital
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/11/Jay-Gardner.jpeg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190103T180000
DTEND;TZID=UTC:20190103T200000
DTSTAMP:20260425T094328
CREATED:20181127T213959Z
LAST-MODIFIED:20181224T224051Z
UID:2914-1546538400-1546545600@cathedralartsdallas.org
SUMMARY:Opening Reception: “Afghan Odyssey - 1967” – Photographs by Richard Boul
DESCRIPTION:Justus Sundermann Gallery\nOpening January 3\n“Over fifty years have passed since I took these photographs in Afghanistan. These landscapes and portraits should be viewed simply for what they are\, from a traveler’s viewpoint without any depiction of politics or the presence of a foreign power which have been the lot of this small yet pivotal country since that time. This was a quiet interlude in Afghan history where one could travel freely and without fear in this ancient tribal land. The people here are proud and fiercely independent\, even xenophobic\, but at the same time welcoming beyond one’s expectations. Their history goes back to the end of the 4th millennium BC\, but more recently in 330 BC the area was colonized by Alexander the Great and the Greek language was introduced. By the 3rd century BC the area had already become the crossroads of Asia and to this day one sees the influence of Persian\, Indian and Greek ideas. Afghanistan was on the Silk Route\, stretching 700 miles from China to Greece\, and one sees the Greek influence\, (as shown in several photographs included in the exhibit) especially in the two standing Buddhas in Bamian\, which itself was on the Silk Route. Subsequently\, Bamian was totally destroyed and its entire population put to the sword by Genghis Khan in 1220 AD. So\, turbulence is no newcomer to Afghanistan but in spite of it all\, one is left with an overwhelming sense of history and culture.” – Richard Boul \nVisit Richard Boul online here.
URL:https://cathedralartsdallas.org/event/richard-boul-afghan-odyssey-1967/
LOCATION:Justus Sundermann Gallery\, St. Matthew’s Cathedral\, 5100 Ross Avenue at North Henderson\, Dallas\, TX\, 75206\, United States
CATEGORIES:Sundermann Gallery
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/11/Richard-Boul-image-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20181216T173000
DTEND;TZID=UTC:20181216T193000
DTSTAMP:20260425T094328
CREATED:20181130T013943Z
LAST-MODIFIED:20181130T014341Z
UID:2921-1544981400-1544988600@cathedralartsdallas.org
SUMMARY:Closing Reception: “Sacred Space - Visual Voice” – Works by Annie Ehrenreich
DESCRIPTION:Justus Sundermann Gallery\nThrough December 16\nAnnie Ehrenreich found herself fascinated by colorful Christian Medieval artwork\, causing her to experiment with the creation of updated devotional mosaics of faith. Utilizing paper tiles of Medieval and Renaissance works from the public domain\, her process has been self-taught. A growing number of secular art mosaics from the same periods has expanded her saturated art line. She finds “the physical action of hand-piecing these works to be spiritually centering and meditative.” This passion was sparked during an Art History of the Middle Ages course taken as a returning college student and was further inflamed while touring museums and cathedrals in Prague and Vienna. \n“As a kindergartener\, I crayoned all over my paper in different colors\, covered it all with solid black\, and then scraped it away to reveal multi-colored designs. As a teenager\, I obsessed about the collage posters on my wall being placed exactly level. As a returning adult college student\, I fell in love with Medieval Christian art when I took my first (and only) Art History course. The Holy Image collaborations were first and then came the Secular line. I love how the group massed together seems to highlight the individual artwork. I hope others will feel as I do and enjoy these art mosaics with a depth of appreciation for each individual work of art as well as for the impact of the whole.” – Annie Ehrenreich \nMore about the artist here.
URL:https://cathedralartsdallas.org/event/annie-ehrenreich-sacred-space-visual-voice-closing-reception/
LOCATION:Justus Sundermann Gallery\, St. Matthew’s Cathedral\, 5100 Ross Avenue at North Henderson\, Dallas\, TX\, 75206\, United States
CATEGORIES:Sundermann Gallery
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/09/annie-ehrenreich-artwork.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20181216T160000
DTEND;TZID=UTC:20181216T173000
DTSTAMP:20260425T094328
CREATED:20181012T043719Z
LAST-MODIFIED:20181212T175137Z
UID:2872-1544976000-1544981400@cathedralartsdallas.org
SUMMARY:A Festival of Nine Lessons and Carols
DESCRIPTION:The Cathedral Arts Choral Artists and selected readers unfold the Christmas narrative with familiar choral settings and scriptural accounts\, according to a beloved pattern established in 1918 by King’s College Chapel\, Cambridge. The service includes carols by Ledger\, Goldschmidt\, Wishart\, Willcocks\, Spicer\, Mathias\, Darke and Rutter. \nPrelude begins at 3:30 pm.\nReception following in Justus Sundermann Gallery. \nAll are welcome.\nInvite a friend – It may be the best gift you can give them!
URL:https://cathedralartsdallas.org/event/festival-lessons-carols-2018/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Choral,Music
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/10/holly-and-snow2-e1539356764508.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20181104T150000
DTEND;TZID=UTC:20181104T170000
DTSTAMP:20260425T094328
CREATED:20181001T230452Z
LAST-MODIFIED:20181005T231455Z
UID:2766-1541343600-1541350800@cathedralartsdallas.org
SUMMARY:Alessandro Mazzamuto in Recital
DESCRIPTION:Sunday\, November 4 at 3:00 pm\nGreat Hall\nFree parking and admission \nReception with the artist follows immediately \nProgram:\nFranz Schubert: Sonata in B-flat\, D.960\nFranz Liszt: Sonata in B minor  \nAbout the Artist:\nPianist Alessandro Mazzamuto is “one of the most inspiring\, extraordinary pianists that I have had the joy to hear” – writes Martha Argerich – and when she was recently asked by the French newspaper L’Expresso to name her ten favorite young pianists\, she included Alessandro in the company of artists such as Danil Trifonov\, Beatrice Rana\, Yuja Wang\, Sergio Tiempo\, Katia Buniatishvili. He is “no virtuoso of show\, no ruthless technician\, but a pianist absorbed in the music who plays with as much spontaneity as poetry\,” claims Pizzicato Magazine (Germany). Winner of International Classical Music Awards’ 2013 Young Instrumental Artist of the Year\, the 28-year-old Sicilian pianist has won more than 60 national and international competitions in piano and chamber music. \nRead more about the artist here.
URL:https://cathedralartsdallas.org/event/alessandro-mazzamuto-in-recital/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Music,Recital
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/10/Mazzamuto2-e1538416780409.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20181101T180000
DTEND;TZID=UTC:20181101T200000
DTSTAMP:20260425T094328
CREATED:20180910T063549Z
LAST-MODIFIED:20181130T013718Z
UID:2728-1541095200-1541102400@cathedralartsdallas.org
SUMMARY:Opening Reception: “Sacred Space - Visual Voice” – New Works by Annie Ehrenreich
DESCRIPTION:Justus Sundermann Gallery\nNovember 1 through December 16\nAnnie Ehrenreich found herself fascinated by colorful Christian Medieval artwork\, causing her to experiment with the creation of updated devotional mosaics of faith. Utilizing paper tiles of Medieval and Renaissance works from the public domain\, her process has been self-taught. A growing number of secular art mosaics from the same periods has expanded her saturated art line. She finds “the physical action of hand-piecing these works to be spiritually centering and meditative.” This passion was sparked during an Art History of the Middle Ages course taken as a returning college student and was further inflamed while touring museums and cathedrals in Prague and Vienna. \n“As a kindergartener\, I crayoned all over my paper in different colors\, covered it all with solid black\, and then scraped it away to reveal multi-colored designs. As a teenager\, I obsessed about the collage posters on my wall being placed exactly level. As a returning adult college student\, I fell in love with Medieval Christian art when I took my first (and only) Art History course. The Holy Image collaborations were first and then came the Secular line. I love how the group massed together seems to highlight the individual artwork. I hope others will feel as I do and enjoy these art mosaics with a depth of appreciation for each individual work of art as well as for the impact of the whole.” – Annie Ehrenreich \nMore about the artist here.
URL:https://cathedralartsdallas.org/event/annie-ehrenreich-sacred-space-visual-voice/
LOCATION:Justus Sundermann Gallery\, St. Matthew’s Cathedral\, 5100 Ross Avenue at North Henderson\, Dallas\, TX\, 75206\, United States
CATEGORIES:Sundermann Gallery
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/09/annie-ehrenreich-artwork.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20181021T160000
DTEND;TZID=UTC:20181021T170000
DTSTAMP:20260425T094328
CREATED:20180909T042609Z
LAST-MODIFIED:20181015T212535Z
UID:2723-1540137600-1540141200@cathedralartsdallas.org
SUMMARY:Choral Evensong
DESCRIPTION:Cathedral Arts Choral Artists\nMusic by Rachmaninoff\, Rose\, and Noble\n\nReception follows immediately in the Justus Sundermann Gallery\n\n\n\nAbout Evensong:\nDrawn from the 17th century\, participants are invited to enter into a sacred space of quiet reflection through music\, scripture\, and prayers that have shaped Christian lives for hundreds of years.\nBring a friend! All are welcome!\n\n  \nMore about the Evensong tradition at St. Matthew’s Cathedral Arts here.\nWatch a YouTube video of the most recent Evensong Service (September 16\, 2018) here.
URL:https://cathedralartsdallas.org/event/choral-evensong-10-21-2018/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Choral,Choral Evensong,Music
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/03/evensongimage-e1535409344911.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20181012T183000
DTEND;TZID=UTC:20181012T213000
DTSTAMP:20260425T094328
CREATED:20180908T234619Z
LAST-MODIFIED:20180923T221443Z
UID:2715-1539369000-1539379800@cathedralartsdallas.org
SUMMARY:Cathedral Arts Benefit Gala and Silent Auction
DESCRIPTION:The immensely popular annual Cathedral Arts Benefit Gala presents With One Look: The Music of Andrew Lloyd Webber on October 12.\nProceeds from this signature event help support the seventh season of free public arts and educational events at\nSt. Matthew’s Cathedral.\nFRIDAY\, OCTOBER 12\, 6:30 PM\nGREAT HALL\nSeating is limited! Reserve your tickets online HERE. \n 
URL:https://cathedralartsdallas.org/event/benefit-gala-and-silent-auction-10-12-18/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Special Event
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/09/STM-facebookheader-gala-eventgraphic-1.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180928T193000
DTEND;TZID=UTC:20180928T193000
DTSTAMP:20260425T094328
CREATED:20180816T001556Z
LAST-MODIFIED:20180827T193910Z
UID:2668-1538163000-1538163000@cathedralartsdallas.org
SUMMARY:Lucy and Friends in Concert: An Evening of Love and Laughter
DESCRIPTION:LIEBESLIEDER WALTZES\, OP. 52 (JOHANNES BRAHMS)\nLIEBESLIEDER POLKAS (P.D.Q. BACH)\nFRIDAY\, SEPTEMBER 28\n7:30 PM\nGREAT HALL \nFREE ADMISSION\nPOST-CONCERT RECEPTION \nLUCY CREECH\, SOPRANO\nNATALIE ARDUINO\, ALTO\nROBERT WILSON\, TENOR\nDAVID GROGAN\, BASS \nH. MICHIE AKIN & BRIAN BENTLEY\, PIANO FOUR HANDS \nAbout the music (adapted from Wikipedia articles): \nJohannes Brahms’ Liebeslieder Waltzes\, Op. 52 is a collection of love songs in Ländler style for voices and piano four hands. The lyrics for the Liebeslieder come from Georg Friedrich Daumer’s Polydora\, a collection of folk songs and love poems. While there is no record indicating the inspiration for the Waltzes\, there is speculation that Brahms’ motivation for the songs was his frustrated love for pianist Clara Schumann\, composer Robert Schumann’s wife. \nThe Liebeslieder Waltzes were completed in 1869 and were first performed January 5\, 1870. One aspect of the Liebeslieder Waltzes that possibly contributed to the work’s positive reception was that Brahms composed them with reference to Johann Strauss\, who was considered the “Waltz King.” With such another well-known composer attached to the work\, the audience would have enjoyed the tribute. To some\, Brahms revived chamber music. \nThe Liebeslieder Waltzes are written in a popular style\, but do not lose Brahms’ signature compositional complexity. Scored for piano four hands and voices ad libitum\, the piece can easily accommodate many different-sized ensembles. Although today they are part of the standard choral repertoire\, Brahms more likely intended them to be played in parlors or informal home gatherings rather than in concert halls. Immediately successful\, these waltzes were responsible for much of his personal wealth\, and solidified his reputation with the general music-buying public in Vienna and Europe. \n \nLiebeslieder Polkas for Mixed Chorus and Piano Five Hands\, S. 2/4\, is actually the music of American composer Peter Schickele (b. 1935)\, written under the comic pseudonym of P. D. Q. Bach. He describes this work as “the first opus of P.D.Q. Bach to be discovered in which he inflicted his music on the work of well-known poets\, or even known poets\, for that matter.” \nSchickele gives a humorous fictional biography of the composer\, according to which P. D. Q. Bach was born in Leipzig on April 1\, 1742\, the son of Johann Sebastian Bach and Anna Magdalena Bach; the twenty-first of Johann’s twenty children. He is also referred to as “the youngest and oddest of Johann Sebastian’s 20-odd children.” According to Schickele\, P. D. Q. “possessed the originality of Johann Christian\, the arrogance of Carl Philipp Emanuel\, and the obscurity of Johann Christoph Friedrich . . . His musical life has been divided into three creative periods: the Initial Plunge\, the Soused Period\, and Contrition. The middle period was by far the longest of the three\, and was characterized by a multiplicity of contrapuntal lines and a greater richness of harmony due to almost constant double vision. It was during this period that he emulated (i.e.\, stole from) the music of Haydn and Mozart\, but his pathetic attempts to be au courant were no more successful than his pathetic attempts to be passé had been during the Initial Plunge; having to cope with the problems that accompany immense popularity was something P.D.Q. Bach managed to avoid. It has been said that the only original places in his music are those places where he forgot what he was stealing.” \nSchickele’s works attributed to P. D. Q. Bach often incorporate comical rearrangements of well-known works of other composers. There is often a startling juxtaposition of styles within a single P. D. Q. Bach piece. The humor in P. D. Q. Bach music often derives from a violation of audience expectations\, such as repeating a tune more than the usual number of times\, resolving a musical chord later than usual (or not at all)\, unusual key changes\, excessive dissonance\, or sudden switches from high art to low art. \nThe titles in this collection also reveal Schickele’s wicked sense of literary humor: \nTo His Coy Mistress (Andrew Marvell)\nTo the Virgins\, to Make Much of Time (Robert Herrick)\nThe Passionate Shepherd to His Love (Christopher Marlowe)\nWhy So Pale and Wan\, Fond Lover? (Sir John Suckling)\nIt Was a Lover and His Lass (William Shakespeare)\nThe Constant Lover (Sir John Suckling)\nSong to Celia (Ben Johnson\, adapted by P.D.Q. Bach)\nFarewell\, Ungrateful Traitor (John Dryden)\nWho is Sylvia? (William Shakespeare) \nA recording of the work was released on Vanguard Records in 1980\, with a cover image of Schickele mimicking the famous image of Johannes Brahms at the piano. \n 
URL:https://cathedralartsdallas.org/event/lucy-and-friends-in-concert-9-28-2018/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Music,Recital
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/08/Brahms-Liebeslieder-8.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180920T060000
DTEND;TZID=UTC:20180920T235900
DTSTAMP:20260425T094328
CREATED:20180810T024618Z
LAST-MODIFIED:20180917T231636Z
UID:2659-1537423200-1537487940@cathedralartsdallas.org
SUMMARY:North Texas Giving Day
DESCRIPTION:Consider a contribution to the seventh season of\nSaint Matthew’s Cathedral Arts!\nEach year\, generous donors like you participate in the community-wide North Texas Giving Day\, coming\nThursday\, September 20\, 6:00 am until midnight. \nFor your convenience\, donors can schedule their gifts before Giving Day!\nSchedule your gift at any time HERE. \nMark your calendar and visit NorthTexasGivingDay.org for more information.\nThanks for your support of Saint Matthew’s Cathedral Arts!
URL:https://cathedralartsdallas.org/event/north-texas-giving-day-2018/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Special Event
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/08/NTGD-2018-Logo-3.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180916T153000
DTEND;TZID=UTC:20180916T170000
DTSTAMP:20260425T094328
CREATED:20180806T230518Z
LAST-MODIFIED:20180912T032042Z
UID:2648-1537111800-1537117200@cathedralartsdallas.org
SUMMARY:Choral Evensong
DESCRIPTION:Cathedral Arts Choral Artists\nMusic by Baynon\, Rose\, Brewer and Howells\n\n\nOrgan Recital at 3:30pm\nDamin Spritzer\, Cathedral Arts Artist-in-Residence\nMusic by Gilbert\, Bach\, Rowley and Willan\nReception follows immediately in the Justus Sundermann Gallery\n\n\n\nAbout Evensong:\nDrawn from the 17th century\, participants are invited to enter into a sacred space of quiet reflection through music\, scripture\, and prayers that have shaped Christian lives for hundreds of years.\nBring a friend! All are welcome!\nMore about the Evensong tradition at St. Matthew’s Cathedral Arts here.\nYouTube video from a recent Evensong Service (May 20\, 2018) at St. Matthew’s here.
URL:https://cathedralartsdallas.org/event/choral-evensong-9-16-2018/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Choral,Choral Evensong,Music
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/03/evensongimage-e1535409344911.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180913T180000
DTEND;TZID=UTC:20180913T200000
DTSTAMP:20260425T094328
CREATED:20180802T033315Z
LAST-MODIFIED:20180910T063411Z
UID:2644-1536861600-1536868800@cathedralartsdallas.org
SUMMARY:Opening Reception: “Walking to School” – Artworks of Juliana Crownover
DESCRIPTION:Justus Sundermann Gallery\nSeptember 13 through October 28\nJuliana Crownover is an award-winning pastelist who has been painting in pastels for over 20 years and teaching for 10 years. She has a BA from Austin College in biology\, art\, and environmental studies. A member of the Southwest Pastel Society\, she describes her passion this way: “In my own art\, I use light and color to bring out the beauty in everyday life\, whether that is a trail I have hiked 100 times\, or my son hanging laundry on a line. In that way\, I use my art as a reminder of where to find beauty all around us and to slow down in our daily lives so that we may see it. In my classes\, I strive to create a balance that allows enough freedom so that students can create their own art\, and enough direction to ensure success. Aside from the end-goal of finished art\, I think the process should be enjoyed\, and I work hard to create an environment that allows for that.” \n“Walking to School” is a whimsical\, fun series chronicling my second-grade daughter’s daily walks to school. It includes mixed-media and collages of homework\, tardy slips and bit and pieces we collect on our walks. On a more profound level\, it is about being present: we put away the phone\, compose a rhyme or poem\, talk about the day\, share our hopes and dreams\, plan dinner or our next family celebration. Walking and talking just go together.” \nMore about the artist here.
URL:https://cathedralartsdallas.org/event/juliana-crownover-walking-to-school/
LOCATION:Justus Sundermann Gallery\, St. Matthew’s Cathedral\, 5100 Ross Avenue at North Henderson\, Dallas\, TX\, 75206\, United States
CATEGORIES:Sundermann Gallery
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/08/Juliana-Crownover-exzhibit-LOGO-e1535409447578.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180630T090000
DTEND;TZID=UTC:20180630T160000
DTSTAMP:20260425T094328
CREATED:20180326T222453Z
LAST-MODIFIED:20180525T043435Z
UID:2277-1530349200-1530374400@cathedralartsdallas.org
SUMMARY:Closing Day: David McCullough's  “Quantum Art: The Energy of Color”
DESCRIPTION:David McCullough:  “Quantum Art: The Energy of Color” \nFinal day: June 30\, 2018 \nArtist’s Statement: \nFor the past forty-eight years\, my paintings\, sculpture\, and works on paper have been concerned with describing the phenomenon of light in nature from an audio-visual perspective. \nI have hiked and created art in National Parks throughout the U.S.A.\, especially the Southwest’s ‘Canyon Circle’ parks in the Four Corners area (Arizona\, Utah\, New Mexico and Colorado)\, notating their seasonal color changes and geological formations. I have used these field trips in the National Park system to explore and notate nature’s colorful holistic psyche and geological spirit through the mediums of watercolor\, drawing\, and photography. These notations are the foundation stones of all my abstract studio compositions. I have used these nature insights to instill into my Taoist vision of art a special quality of coloration that best describes her spirit and sacred character.  I have made many comparative studies of the Earth’s holistic psyche and its geological spirit in our ecosystem\, as well as rock painting sites. for example\, the Australian Northern Territory outback\, where I made watercolors\, drawings\, and photographs at sacred Aboriginal sites in Kakadu National Park in the Arnhem land with my field notations from Southwest U.S. national parks in the Four Corners region\, where I recorded the holistic earth energy rhythms at Native American sacred sites. \nMy ethnographic studies of the sacred nature of the Native American and Aboriginal traditions and their stories\, as well as their pictographic rock art depictions\, have informed the imagery and chemistry of my abstractions in many ways. I always paint on the ground at each site directly to music from cultures all over the world\, especially American Jazz. My fellow musicians have assisted me in feeling\, expressing\, and interpreting through the watercolor medium nature’s sacred colorful ordering systems in a sonic lyrical manner. These influential audiovisual insights have infused all my studio artworks with a cosmological significance and special color-filled sonic energy. \nAll my studio artworks reflect the poetic recordings of these sacred locations and their geological and botanical micro/macro spirit world. The poetic nature of these feelings\, aesthetic character of the field artworks\, and musical insights are all woven into the patterns\, geomantic order\, and compositions of all my artworks in every combination of mediums. I have cross-referenced knowledge from mythology\, the earth sciences (mineralogy\, crystallography\, and sacred geometry)\, quantum physics and biophysics with music\, art and poetry sources in order to map out new states of consciousness I can use to process new alchemical color medium systems. These science and nature insights have empowered my artworks with a dynamic visual-sonic presence.   \nMy most recent painting adventure was in Northern India\, Rishikesh and the Northern Himalayan mountain ranges\, where I recorded the Hindu cultural operating system and experienced the ‘Diwali Festival of Light’.   \nMore about the artist here.
URL:https://cathedralartsdallas.org/event/closing-day-david-mcculloughs-quantum-art-the-energy-of-color/
LOCATION:Justus Sundermann Gallery\, St. Matthew’s Cathedral\, 5100 Ross Avenue at North Henderson\, Dallas\, TX\, 75206\, United States
CATEGORIES:Sundermann Gallery
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/03/davidmcculough-e1525802466371.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180608T190000
DTEND;TZID=UTC:20180608T190000
DTSTAMP:20260425T094328
CREATED:20180326T225118Z
LAST-MODIFIED:20180525T042831Z
UID:2282-1528484400-1528484400@cathedralartsdallas.org
SUMMARY:Cathedral Jazz Night with Damon K. Clark
DESCRIPTION:Friday\, June 8 at 7:00 pm\nGreat Hall and Sundermann Gallery \nTickets $15.00 at the door. Major credit cards accepted. \nMore about Damon K. Clark here.
URL:https://cathedralartsdallas.org/event/cathedral-jazz-night-with-damon-k-clark/
LOCATION:TX
CATEGORIES:Music,Sundermann Gallery
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/03/22382373_1470001286422726_2098034257964149269_o.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180520T160000
DTEND;TZID=UTC:20180520T160000
DTSTAMP:20260425T094328
CREATED:20180213T025955Z
LAST-MODIFIED:20180523T060016Z
UID:1969-1526832000-1526832000@cathedralartsdallas.org
SUMMARY:Choral Evensong
DESCRIPTION:Cathedral Arts Choral Artists\n \nSunday\, May 20 at 4:00 pm\nfree parking and admission \nMusic:\n\nIntroit – O Holy Spirit\, Lord of grace – Christopher Tye\nPreces and Responses – Paul Spicer\nPsalm 145 – Anglican Chants by William Crotch and Samuel Wesley\nCanticles – Magnificat & Nunc Dimittis in C – Bryan Kelly\nAnthem – Behold\, O God our Defender – Herbert Howells\n \nAbout Evensong:\n\nDrawn from the 17th century\, participants are invited to enter into a sacred space of quiet reflection through music\, scripture\, and prayers that have shaped Christian lives for hundreds of years.\nBring a friend! All are welcome! \nMore about the Evensong tradition at St. Matthew’s Cathedral Arts here.\nMay 20\, 2018 YouTube video here.
URL:https://cathedralartsdallas.org/event/choral-evensong-5-20/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Choral Evensong,Music
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/03/evensongimage-e1535409344911.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180517
DTEND;VALUE=DATE:20180518
DTSTAMP:20260425T094328
CREATED:20180326T221945Z
LAST-MODIFIED:20181008T030111Z
UID:2271-1526515200-1526522400@cathedralartsdallas.org
SUMMARY:David McCullough:  “Quantum Art: The Energy of Color”
DESCRIPTION:Artist’s Statement: \nFor the past forty-eight years\, my paintings\, sculpture\, and works on paper have been concerned with describing the phenomenon of light in nature from an audio-visual perspective.  \nI have hiked and created art in National Parks throughout the U.S.A.\, especially the Southwest’s ‘Canyon Circle’ area of the Four Corners area (Arizona\, Utah\, New Mexico and Colorado) parks\, notating their seasonal color changes and geological formations. I have used these field trips in the National Park system to explore and notate nature’s colorful holistic psyche and geological spirit through the mediums of watercolor\, drawing\, and photography. These notations are the foundation stones of all my abstract studio compositions. I have used these nature insights to instill into my Taoist vision of art a special quality of coloration that best describes her spirit and sacred character.  I have made many comparative studies of the Earth’s holistic psyche and its geological spirit in our ecosystem\, as well as rock painting sites. for example\, the Australian Northern Territory outback\, where I made watercolors\, drawings\, and photographs at sacred Aboriginal sites in Kakadu National Park in the Arnhem land with my field notations from Southwest U.S. national parks in the Four Corners region\, where I recorded the holistic earth energy rhythms at Native American sacred sites.  \nMy ethnographic studies of the sacred nature of the Native American and Aboriginal traditions and their stories\, as well as their pictographic rock art depictions\, have informed the imagery and chemistry of my abstractions in many ways. I always paint on the ground at each site directly to music from cultures all over the world\, especially American Jazz. My fellow musicians have assisted me in feeling\, expressing\, and interpreting through the watercolor medium nature’s sacred colorful ordering systems in a sonic lyrical manner. These influential audiovisual insights have infused all my studio artworks with a cosmological significance and special color-filled sonic energy.  \nAll my studio artworks reflect the poetic recordings of these sacred locations and their geological and botanical micro/macro spirit world. The poetic nature of these feelings\, aesthetic character of the field artworks\, and musical insights are all woven into the patterns\, geomantic order\, and compositions of all my artworks in every combination of mediums. I have cross-referenced knowledge from mythology\, the earth sciences (mineralogy\, crystallography\, and sacred geometry)\, quantum physics and biophysics with music\, art and poetry sources in order to map out new states of consciousness I can use to process new alchemical color medium systems. These science and nature insights have empowered my artworks with a dynamic visual-sonic presence.   \nMy most recent painting adventure was in Northern India\, Rishikesh and the Northern Himalayan mountain ranges\, where I recorded the Hindu cultural operating system and experienced the ‘Diwali Festival of Light’.   \nMore about the artist here.
URL:https://cathedralartsdallas.org/event/artist-reception-david-mcculloughs-quantum-art-the-energy-of-color/
LOCATION:Justus Sundermann Gallery\, St. Matthew’s Cathedral\, 5100 Ross Avenue at North Henderson\, Dallas\, TX\, 75206\, United States
CATEGORIES:Sundermann Gallery
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/06/100T7253-e1773789041858.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180426T180000
DTEND;TZID=UTC:20180426T200000
DTSTAMP:20260425T094328
CREATED:20180326T212015Z
LAST-MODIFIED:20180408T035248Z
UID:2252-1524765600-1524772800@cathedralartsdallas.org
SUMMARY:Closing Artist Reception: "Every Day'll Be Sunday": The Photography of Richard Hill
DESCRIPTION:Closing reception with the artist on Thursday\, April 26\, 6:00-8:00 pm. \nCathedral Arts is excited to present the work of Dallas photographer Richard “Dickie” Hill. Titled Every Day’ll Be Sunday\, this collection includes more than 25 works that depict the devotion of the people in his hometown\, particularly within the Episcopal Diocese of Dallas which he calls home. The collection showcases a variety of occasions in the life of faith in Dallas; sometimes pious\, sometimes playful\, and is part of an ongoing project. \nDickie began his photographic work as a street and documentary photographer. His works emphasize gesture\, meaning\, and proximity in both his formal and documentary work. He has been featured in The Living Church Magazine\, Vieworld Photo Magazine\, Inspired Eye\, The Street Photographer Notebook and Dance Magazine. His works have been exhibited in the In-spire Galerie in Dublin\, the Columbus Art Museum as well as the Sundermann Gallery. He was awarded the 2016 Associated Church Press Award of Merit for A Nation Wounded. \nVisit the artist’s website here.
URL:https://cathedralartsdallas.org/event/every-dayll-be-sunday-the-photography-of-richard-hill/
LOCATION:Justus Sundermann Gallery\, St. Matthew’s Cathedral\, 5100 Ross Avenue at North Henderson\, Dallas\, TX\, 75206\, United States
CATEGORIES:Sundermann Gallery
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/03/RichardHillExhibit2018nologo.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180422T160000
DTEND;TZID=UTC:20180422T170000
DTSTAMP:20260425T094328
CREATED:20180213T025630Z
LAST-MODIFIED:20180510T222452Z
UID:1965-1524412800-1524416400@cathedralartsdallas.org
SUMMARY:Choral Evensong
DESCRIPTION:Cathedral Arts Choral Artists\nSunday\, April 22 at 4:00 pm – Free parking and admission \nMusic:\nIntroit – Pilgrim’s Hymn – Steven Paulus\nResponses- Philip Moore\nPsalm 114\, 115\nCanticles – Magnificat & Nunc Dimittis in G – Charles Villiers Stanford\nAnthem – We Wait For Thy Loving Kindness – McKie\n\nAbout Evensong:\nDrawn from the 17th century\, participants are invited to enter into a sacred space of quiet reflection through music\, scripture\, and prayers that have shaped Christian lives for hundreds of years.\nBring a friend! All are welcome! \nMore about the Evensong tradition at St. Matthew’s Cathedral Arts here.\nYouTube video from a recent Evensong Service (March 18\, 2018) at St. Matthew’s here. \nImage: “Evensong” by Carol Lander. More information here.
URL:https://cathedralartsdallas.org/event/choral-evensong-3/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Choral Evensong
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/02/Carol-Lander-Evensong-crop-1024x1018.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180420T193000
DTEND;TZID=UTC:20180420T213000
DTSTAMP:20260425T094328
CREATED:20180326T215947Z
LAST-MODIFIED:20180329T201509Z
UID:2262-1524252600-1524259800@cathedralartsdallas.org
SUMMARY:“La Vie en Rose\,” Damon K. Clark and Co.
DESCRIPTION:Friday\, April 20\, 7:30 pm Sundermann Gallery\n“La Vie en Rose\,” Damon K. Clark and Co. \nWhat two things go better together than wine and French music?\nIf you missed the last show\, La Vie Anterieur\, you won’t want to miss this concert. \nTenor Damon K. Clark and maestro\, concert pianist\, and accompanist Eldred Marshall have curated some of the most delicious French pop songs\, jazz tunes\, art songs\, and operatic arias for your enjoyment. \nWe’ll also have special guests: Victoria Bouton\, Patrick Jones\, Amy Zinger and  J. Arinze. \nAdmission includes wine and hors d’oeuvres in addition to the concert. \nRegular Ticket Price: $40.00\nLimited Time Groupon Promotion Price: $24.00\nCLICK HERE FOR SPECIAL DISCOUNT PRICING\nSpecial Guests\nELDRED MARSHALL \nConductor | Pianist \nEldred Marshall is indeed a tremendous artist! He has performed with numerous orchestras in concert halls all over the United States and Europe\, not only as a pianist but also as a conductor. He has led orchestras in Spain\, Italy\, Belgium\, Romania\, Bulgaria and the Ukraine. \nI love collaborating with Eldred! He’s a very musically precise\, clear\, and wonderfully supportive conductor. On top of that\, his piano playing is warm\, emotionally full\, and reverberates with excitement. \n  \nVICTORIA BOUTON \nSinger Songwriter | Pianist | Violinist \nA voice reminiscent of Karen Carpenter and brilliant writing skills and musicianship of Joni Mitchell\, singer songwriter Victoria Bouton’s voice dances like light through a stained glass window. \n  \n  \n  \n  \nPATRICK JONES \nVocalist | Actor \nWith Hollywood good looks\, Patrick Jones’ lyrical baritone rings out with silvery warmth with a little dose of southern charm. His fine musicianship and stage temperament serves each phrase with delicacy and thoughtfulness.
URL:https://cathedralartsdallas.org/event/damon-clark-la-vie-en-rose/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Music,Sundermann Gallery
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/03/22382373_1470001286422726_2098034257964149269_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180401T090000
DTEND;TZID=UTC:20180401T140000
DTSTAMP:20260425T094328
CREATED:20180326T213051Z
LAST-MODIFIED:20180408T034558Z
UID:2258-1522573200-1522591200@cathedralartsdallas.org
SUMMARY:Ongoing: "Every Day'll Be Sunday": The Photography of Richard Hill
DESCRIPTION:Richard Hill: “Every Day’ll Be Sunday”\nExhibit through April 26\nClosing Reception with the artist on Thursday\, April 26\, 6:00-8:00 pm \nCathedral Arts is excited to present the work of Dallas photographer Richard “Dickie” Hill. Titled Every Day’ll Be Sunday\, this collection includes more than 25 works that depict the devotion of the people in his hometown\, particularly within the Episcopal Diocese of Dallas which he calls home. The collection showcases a variety of occasions in the life of faith in Dallas; sometimes pious\, sometimes playful\, and is part of an ongoing project. \nDickie began his photographic work as a street and documentary photographer. His works emphasize gesture\, meaning\, and proximity in both his formal and documentary work. He has been featured in The Living Church Magazine\, Vieworld Photo Magazine\, Inspired Eye\, The Street Photographer Notebook and Dance Magazine. His works have been exhibited in the In-spire Galerie in Dublin\, the Columbus Art Museum as well as the Sundermann Gallery. He was awarded the 2016 Associated Church Press Award of Merit for A Nation Wounded. \nVisit the artist’s website here.\nSee much more of Richard Hill’s event photography here.
URL:https://cathedralartsdallas.org/event/every-day-sunday-richard-hill/
LOCATION:Justus Sundermann Gallery\, St. Matthew’s Cathedral\, 5100 Ross Avenue at North Henderson\, Dallas\, TX\, 75206\, United States
CATEGORIES:Sundermann Gallery
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/03/RichardHillExhibit2018nologo.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180318T160000
DTEND;TZID=UTC:20180318T160000
DTSTAMP:20260425T094328
CREATED:20180326T211149Z
LAST-MODIFIED:20180328T035435Z
UID:2248-1521388800-1521388800@cathedralartsdallas.org
SUMMARY:Choral Evensong
DESCRIPTION:Cathedral Arts Choral Artists\nSunday\, March 18 at 4:00 pm – Free parking and admission \nAbout Evensong:\nDrawn from the 17th century\, participants are invited to enter into a sacred space of quiet reflection through music\, scripture\, and prayers that have shaped Christian lives for hundreds of years. \nBring a friend! All are welcome!
URL:https://cathedralartsdallas.org/event/choral-evensong-5/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Choral Evensong
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/03/evensongimage-e1535409344911.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180304T150000
DTEND;TZID=UTC:20180304T150000
DTSTAMP:20260425T094328
CREATED:20180209T061143Z
LAST-MODIFIED:20180209T061557Z
UID:1876-1520175600-1520175600@cathedralartsdallas.org
SUMMARY:Pianist Eldred Marshall in Recital
DESCRIPTION:Presenting Eldred Marshall\, Piano\nSunday\, March 4 at 3:00 pm\nGreat Hall\nFree parking and admission\n\nAbout the Artist:\nThe Press-Enterprise (Riverside\, CA) hailed his “dazzling technique” and his “clean\, tidy approach.” Music critic Laurence Vittes described him as an “illumination in music\,” and said of his all-Beethoven recital: “Marshall presented a recital so full of musical thrills and beauties\, and so in identification with the composer’s own persona\, that\, for a few hours\, it was as if he were communing across the centuries to conjure up a rare and magical musical spectrum.” The Telegraf Online Constanta (Romania) reported that Marshall “captivated the audience” in Mozart’s Piano Concerto no. 20\, which he conducted from the piano. \nEldred Marshall began studying the piano at age six and played in public at age seven. His prodigious and inquisitive mind allowed him to master large swaths of the piano repertoire quickly as well as consistently win top prizes at the competitions he entered as a child. By 16\, he debuted with orchestra\, playing Brahms’s Second Piano Concerto with the Victor Valley Symphony Orchestra. Before entering Yale University\, where he graduated with honors with a B.A. in Political Science\, he had already performed all over the United States. \nThe critically-acclaimed pianist has performed internationally: Spain\, Italy\, the Republic of San Marino\, Belgium\, Germany Romania\, Bulgaria\, and Ukraine. He has twice performed the entire 32 Piano Sonatas of Beethoven in public\, from memory\, as a concentrated series: once in Portland in 2007 and again in San Francisco in 2008. He followed that project with a full West Coast tour of Bach’s Goldberg Variations in 2008 and 2009. In the 2015-2016 Season\, he toured extensively through Texas with two all-Bach piano recital programs\, one of which included the Goldberg Variations. In 2016\, he was named a semi-finalist in the Ninth J. S. Bach International Piano Competition in Würzburg\, Germany. He has appeared in piano festivals in Italy as well as the United States and has collaborated orchestrally with conductors K. C. Manji\, Carlo Ponti\, Beau Benson\, Greg Grabowski\, Michelle Merrill\, Jonathan Moore and Jessica Morel. \nAs an orchestral conductor\, Marshall has led several international ensembles: the Ukrainian State Academic Orchestra (Kiev\, Ukraine)\, the Kharkov Youth Symphony (Kharkov\, Ukraine)\, the Pleven Philharmonic Orchestra (Pleven\, Bulgaria)\, the Vidin Philharmonic Orchestra (Vidin\, Bulgaria)\, the Filharmonica Oltenia di Craiova (Craiova\, Romania)\, and the Constanta “Black Sea” Philharmonic Orchestra (Constanta\, Romania). In the United States\, he has worked as conductor for the Riverside (CA) Opera Institute’s Children’s Opera Division\, as assistant conductor of the Meadows Symphony Orchestra at Southern Methodist University\, and has collaborated with the University of North Texas Symphony Orchestra. \nMr. Marshall has earned three M.M. degrees from SMU: piano (2011)\, organ (2012) and orchestral conducting (2013). Currently\, he is finishing his D.M.A. in Piano Performance at UNT\, where he studies with Pamela Mia Paul. Additionally\, he was awarded a Teaching Fellowship at UNT and is an adjunct lecturer at SMU. His doctoral dissertation topic is on the art of conducting piano concerti from the piano – performance practice\, discipline and whether or not it is “real conducting.”
URL:https://cathedralartsdallas.org/event/pianist-eldred-marshall-in-recital/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Music,Recital
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/02/Eldred_Marshall.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180225T150000
DTEND;TZID=UTC:20180225T170000
DTSTAMP:20260425T094328
CREATED:20180206T040044Z
LAST-MODIFIED:20180209T061630Z
UID:1753-1519570800-1519578000@cathedralartsdallas.org
SUMMARY:Dallas Bach Society: Chamber Music of the French Baroque
DESCRIPTION:Chamber Music of the French Baroque\nTamara Meredith\, baroque flute\nBrent Wissick\, viola da gamba\nJames Richman\, harpsichord\nSunday\, February 25 at 3:00 pm – Free parking and admission\nTamara Meredith has been teaching and performing professionally for over 20 years. As an early flute specialist\, she is principal flute with the Dallas Bach Society orchestra and the Baroque Chamber Orchestra of Colorado and frequently lectures on historical performance topics. As a “modern” flutist\, she has performed with the Bozeman Symphony\, Greeley Philharmonic\, Wyoming Symphony\, and Fort Collins Symphony. Other performing credits include work with Apollo’s Fire\, Concert Royal\, and the Hawaii Performing Arts Festival orchestra. In addition to her flute career\, Dr. Meredith has “doubled” as a violinist/violist for most of her life. For many years\, she taught beginning-intermediate violin in the Dallas area and has played in orchestras in Washington\, Indiana\, Texas\, Montana\, Colorado\, and Wyoming. Most recently\, she held positions as a violist with the Wyoming and Cheyenne Symphonies. Dr. Meredith holds B.Mus. in Flute Performance from Central Washington University\, a M.Mus. in Historical Performance from Indiana University-Bloomington\, and an MLIS and Ph.D. in Learning Technologies from the University of North Texas. She recently relocated to Poulsbo\, Washington\, where she is the Director of the Jefferson County Rural Library District. \nBrent Wissick has taught cello\, viola da gamba\, and chamber music at the University of North Carolina at Chapel Hill UNC since 1982. A member of Ensemble Chanterelle and principal cellist of the Atlanta Baroque Orchestra\, he is also a frequent guest with American Bach Soloists\, Folger Consort\, Boston Early Music Festival\, Concert Royal\, Dallas Bach Society\, Vancouver Early Music Festival and Collegio di Musica Sacra in Poland. With these ensembles has recorded for the Centaur\, Albany\, Koch\, Radio Bremen\, Bard and Dux labels as well as in the soundtrack for the Touchstone film Casanova. His online video article\, “The Cello Music of Bononcini” can be viewed in the peer-reviewed Journal of Seventeenth-Century Music and several of his teaching videos are posted on the website of the Viola da Gamba Society of America. He served as president of that society from 2000 through 2004 and chaired its international Pan-Pacific Gamba Gathering in Hawaii during the summer of 2007. In addition to teaching cello at UNC\, he directs its Cello Choir\, Viol Consort and Baroque Ensemble; he also teaches classes in Historical Performance Practices and String Methods for Music Education Students as well as a First-Year Seminar in the Physics of Music with Laurie McNeil\, chair of the Physics Department. He has served as a mentor of the Kenan Music Scholars and is chair of the String Area. His current research and performance interests include the cello music of Benjamin Britten\, Chopin’s Cello Music on period instruments and French Gamba Music. A graduate of the Crane School of Music at Potsdam College in NY and of Penn State (MM cello\, 1978)\, he also studied with John Hsu at Cornell University and was an NEH Fellow at Harvard in the 1993 Beethoven Quartet Seminar. He has taught at the College of St Scholastica in Minnesota (1978-82)\, Chautauqua Institution and the 1997 Aston Magna Academy at Yale; and has presented lectures\, master classes and recitals at schools\, colleges and workshops throughout North America\, Europe\, Asia and Australia. \nJames Richman\, Artistic Director of the Dallas Bach Society since 1995\, is a prominent harpsichordist and fortepianist\, as well as one of today’s leading conductors of Baroque music and opera. The first musician since Leonard Bernstein to attend Harvard\, Juilliard\, and the Curtis Institute of Music\, James Richman studied conducting with Max Rudolf and Herbert Blomstedt\, piano with Mieczyslaw Horszowski\, Rosina Lhevinne and Rudolf Serkin\, and harpsichord with Albert Fuller and Kenneth Gilbert. He holds a degree in the History of Science magna cum laude from Harvard College. He is a prizewinner in four international competitions for early keyboard instruments\, including first prize in the Bodky Competition of the Cambridge Society of Early Music\, laureate of the Bruges Harpsichord Competition and bronze medal in the Paris Harpsichord Competition of the Festival Estival and in the First International Fortepiano Competition (Paris). His Concert Royal ensemble has been in residence at St. Thomas Church on Fifth Avenue in New York since 1982\, performing chamber music concerts as well as the works of Handel\, Bach and Purcell with the Choir of Men and Boys at St. Thomas. He is also Artistic Director and founder of New York’s Concert Royal and Music Director of the New York Baroque Dance Company\, and he recently led the Hanover Band at the Pollenca festival in Majorca.
URL:https://cathedralartsdallas.org/event/dallas-bach-society-2/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Dallas Bach Society,Music
ATTACH;FMTTYPE=image/png:https://cathedralartsdallas.org/wp-content/uploads/2018/02/tamara-meredith.png
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180218T160000
DTEND;TZID=UTC:20180218T173000
DTSTAMP:20260425T094328
CREATED:20180206T042003Z
LAST-MODIFIED:20180327T205257Z
UID:1763-1518969600-1518975000@cathedralartsdallas.org
SUMMARY:Choral Evensong
DESCRIPTION:Cathedral Arts Choral Artists\nSunday\, February 18 at 4:00 pm\nFree parking and admission\n \nMusic:\nResponses – Neswick\nPsalm 103\nPrinceton Service – Near\nAnthem – Holy is the True Light – Near \nAbout Evensong:\nDrawn from the 17th century\, participants are invited to enter into a sacred space of quiet reflection through music\, scripture\, and prayers that have shaped Christian lives for hundreds of years. \nBring a friend! All are welcome!
URL:https://cathedralartsdallas.org/event/choral-evensong-2/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Choral Evensong
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/02/evensongimage.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180218T090000
DTEND;TZID=UTC:20180218T140000
DTSTAMP:20260425T094328
CREATED:20180209T041646Z
LAST-MODIFIED:20180214T224138Z
UID:1825-1518944400-1518962400@cathedralartsdallas.org
SUMMARY:The Color of Hope: Abstract Expressions Sundays though March 4
DESCRIPTION:The Color of Hope\nAbstract Expressions in Acrylic and Collage by Margo Lee Miller\nIncluding work inspired by experiences in Nepal \nThrough March 4\, 2018\nFree parking and admission \nFrom the artist:\nI currently work with acrylic and collage\, combining elements like gold foil\, traditional Lokta papers\, painted images\, and ephemera to create movement\, pattern and evoke emotion. The images are built of layers that simultaneously reveal and obscure\, push and pull the viewer in and out of the artwork. You can feel the influence of music and dance in the pulsing rhythms of color and design. My work examines the complexity of our lives and emotions and reminds us that we are not our most obvious expression\, but a complicated compilation of all our past experiences and our future hopes and dreams. I invite the viewer to make their own revelations as they explore the surface and depth of these works. \nThis exhibit includes work inspired by the incredible sense of joy I felt from the people of Nepal when I visited in October as part of a mission trip. I was awed by the happiness and resilience that these people show in the face of poverty. Their country is one of vibrant colors\, an appropriate palette for the beautiful countryside filled with flowers and cities filled with life.\n15% of the proceeds from any sales of these artworks will go to the Episcopal Church of the Incarnation so that they may continue to support the medical mission trip to the Lower Solukhumbu region of Nepal. One painting\, “Marigolds” will be on sale for $1\,500.00. The entire $1\,500.00 will be donated to The Hope Home for Girls\, an orphanage in Kathmandu. This amount of money will feed\, clothe\, and educate one girl for an entire year. \nVisit Margo Lee Miller online HERE.
URL:https://cathedralartsdallas.org/event/the-color-of-hope-abstract-expressions-in-acrylic-and-collage-by-margo-lee-miller/
LOCATION:Justus Sundermann Gallery\, St. Matthew’s Cathedral\, 5100 Ross Avenue at North Henderson\, Dallas\, TX\, 75206\, United States
CATEGORIES:Sundermann Gallery
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/02/SMCA.MargoMiller-32-1-e1518129689467.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180206T193000
DTEND;TZID=UTC:20180206T213000
DTSTAMP:20260425T094328
CREATED:20150917T003351Z
LAST-MODIFIED:20180209T061420Z
UID:443-1517945400-1517952600@cathedralartsdallas.org
SUMMARY:Pianist Jonathan Tsay in Recital
DESCRIPTION:Jonathan Tsay will be exploring one of Beethoven’s greatest piano sonatas\, written at the threshold between the Classical and Romantic eras\, tracing its roots in history and its influence on works by Brahms\, Liszt\, and others in a multimedia “informance” that will include personal thoughts from the bench as well as historical source material from the composers. \nProgram: \nBeethoven: Piano Sonata No. 28 in A major\, op. 101\nI. Etwas lebhaft und mit der innigsten Empfindung \nHaydn: Piano Sonata in B Minor\, Hob. XVI:32\nAllegro moderato\nMenuet\nPresto\n\nBrahms: Ballade op. 10 no.1 in D Minor “Edward”\nBrahms: Intermezzo in B Minor\, op. 119\, no. 1 \nBeethoven: Piano Sonata No. 28 in A major\, op. 101\nII. Lebhaft. Marschmäßig \nWagner/Liszt: “Isoldens Liebestod” from Tristan und Isolde\nLiszt: La Lugubre Gondola\, S. 200 \nBeethoven: Piano Sonata No. 28 in A major\, op. 101\nIII. Langsam und sehnsuchtsvoll\nIV. Geschwind\, doch nicht zu sehr und mit Entschlossenheit
URL:https://cathedralartsdallas.org/event/jonathan-tsay/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Music,Recital
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2015/09/4cf66cb4-a456-47cc-ac79-bb50d6f5f42c.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180128T150000
DTEND;TZID=UTC:20180128T163000
DTSTAMP:20260425T094328
CREATED:20150917T001434Z
LAST-MODIFIED:20171201T024317Z
UID:440-1517151600-1517157000@cathedralartsdallas.org
SUMMARY:Dallas Bach Society: Complete Bach Sonatas for Violin and Harpsichord
DESCRIPTION:Dallas Bach Society Free Family Concert features Clare Cason\, violin and James Richman\, harpsichord\, performing the complete Bach Sonatas for Violin and Harpsichord. Don’t miss this opportunity! \nThe Dallas Bach Society is the Southwest’s primary resource for Baroque music on original instruments. The Dallas Bach Society unites the finest vocalists and instrumentalists in lively and informed performances of Bach\, Handel\, Vivaldi\, Purcell\, Monteverdi\, Couperin\, and Schütz: all the great music from the seventeenth and eighteenth centuries\, both masterpieces familiar to music lovers\, and those awaiting their discovery.
URL:https://cathedralartsdallas.org/event/dallas-bach-society/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Dallas Bach Society
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2015/09/dallasbachsocietyCCJR.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180121T160000
DTEND;TZID=UTC:20180121T173000
DTSTAMP:20260425T094328
CREATED:20150917T003904Z
LAST-MODIFIED:20180327T205127Z
UID:445-1516550400-1516555800@cathedralartsdallas.org
SUMMARY:Choral Evensong
DESCRIPTION:Join us for the first Choral Evensong of the New Year! \nChoral Evensong at 4:00 pm\nCathedral Arts Choral Artists \nMusic:\nPreces and Responses – Stephen Caracciolo\nPsalm 34 – Anglican Chant by John Goss\nMagnificat and Nunc Dimittis (Mt St. Albans) – David Hogan\nAnthem – The Lord is My Light – Peter Hallock \nA festive reception honoring SMCA Donors and Volunteers will follow in the Justus Sundermann Gallery.
URL:https://cathedralartsdallas.org/event/choral-evensong/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Choral Evensong,Music
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2015/09/18422387_1526276047424410_56480845060482668_o.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
END:VCALENDAR