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X-WR-CALNAME:St. Matthew&#039;s Cathedral Arts
X-ORIGINAL-URL:https://cathedralartsdallas.org
X-WR-CALDESC:Events for St. Matthew&#039;s Cathedral Arts
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BEGIN:VEVENT
DTSTART;TZID=UTC:20180426T180000
DTEND;TZID=UTC:20180426T200000
DTSTAMP:20260425T080824
CREATED:20180326T212015Z
LAST-MODIFIED:20180408T035248Z
UID:2252-1524765600-1524772800@cathedralartsdallas.org
SUMMARY:Closing Artist Reception: "Every Day'll Be Sunday": The Photography of Richard Hill
DESCRIPTION:Closing reception with the artist on Thursday\, April 26\, 6:00-8:00 pm. \nCathedral Arts is excited to present the work of Dallas photographer Richard “Dickie” Hill. Titled Every Day’ll Be Sunday\, this collection includes more than 25 works that depict the devotion of the people in his hometown\, particularly within the Episcopal Diocese of Dallas which he calls home. The collection showcases a variety of occasions in the life of faith in Dallas; sometimes pious\, sometimes playful\, and is part of an ongoing project. \nDickie began his photographic work as a street and documentary photographer. His works emphasize gesture\, meaning\, and proximity in both his formal and documentary work. He has been featured in The Living Church Magazine\, Vieworld Photo Magazine\, Inspired Eye\, The Street Photographer Notebook and Dance Magazine. His works have been exhibited in the In-spire Galerie in Dublin\, the Columbus Art Museum as well as the Sundermann Gallery. He was awarded the 2016 Associated Church Press Award of Merit for A Nation Wounded. \nVisit the artist’s website here.
URL:https://cathedralartsdallas.org/event/every-dayll-be-sunday-the-photography-of-richard-hill/
LOCATION:Justus Sundermann Gallery\, St. Matthew’s Cathedral\, 5100 Ross Avenue at North Henderson\, Dallas\, TX\, 75206\, United States
CATEGORIES:Sundermann Gallery
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/03/RichardHillExhibit2018nologo.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180422T160000
DTEND;TZID=UTC:20180422T170000
DTSTAMP:20260425T080824
CREATED:20180213T025630Z
LAST-MODIFIED:20180510T222452Z
UID:1965-1524412800-1524416400@cathedralartsdallas.org
SUMMARY:Choral Evensong
DESCRIPTION:Cathedral Arts Choral Artists\nSunday\, April 22 at 4:00 pm – Free parking and admission \nMusic:\nIntroit – Pilgrim’s Hymn – Steven Paulus\nResponses- Philip Moore\nPsalm 114\, 115\nCanticles – Magnificat & Nunc Dimittis in G – Charles Villiers Stanford\nAnthem – We Wait For Thy Loving Kindness – McKie\n\nAbout Evensong:\nDrawn from the 17th century\, participants are invited to enter into a sacred space of quiet reflection through music\, scripture\, and prayers that have shaped Christian lives for hundreds of years.\nBring a friend! All are welcome! \nMore about the Evensong tradition at St. Matthew’s Cathedral Arts here.\nYouTube video from a recent Evensong Service (March 18\, 2018) at St. Matthew’s here. \nImage: “Evensong” by Carol Lander. More information here.
URL:https://cathedralartsdallas.org/event/choral-evensong-3/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Choral Evensong
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/02/Carol-Lander-Evensong-crop-1024x1018.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180420T193000
DTEND;TZID=UTC:20180420T213000
DTSTAMP:20260425T080824
CREATED:20180326T215947Z
LAST-MODIFIED:20180329T201509Z
UID:2262-1524252600-1524259800@cathedralartsdallas.org
SUMMARY:“La Vie en Rose\,” Damon K. Clark and Co.
DESCRIPTION:Friday\, April 20\, 7:30 pm Sundermann Gallery\n“La Vie en Rose\,” Damon K. Clark and Co. \nWhat two things go better together than wine and French music?\nIf you missed the last show\, La Vie Anterieur\, you won’t want to miss this concert. \nTenor Damon K. Clark and maestro\, concert pianist\, and accompanist Eldred Marshall have curated some of the most delicious French pop songs\, jazz tunes\, art songs\, and operatic arias for your enjoyment. \nWe’ll also have special guests: Victoria Bouton\, Patrick Jones\, Amy Zinger and  J. Arinze. \nAdmission includes wine and hors d’oeuvres in addition to the concert. \nRegular Ticket Price: $40.00\nLimited Time Groupon Promotion Price: $24.00\nCLICK HERE FOR SPECIAL DISCOUNT PRICING\nSpecial Guests\nELDRED MARSHALL \nConductor | Pianist \nEldred Marshall is indeed a tremendous artist! He has performed with numerous orchestras in concert halls all over the United States and Europe\, not only as a pianist but also as a conductor. He has led orchestras in Spain\, Italy\, Belgium\, Romania\, Bulgaria and the Ukraine. \nI love collaborating with Eldred! He’s a very musically precise\, clear\, and wonderfully supportive conductor. On top of that\, his piano playing is warm\, emotionally full\, and reverberates with excitement. \n  \nVICTORIA BOUTON \nSinger Songwriter | Pianist | Violinist \nA voice reminiscent of Karen Carpenter and brilliant writing skills and musicianship of Joni Mitchell\, singer songwriter Victoria Bouton’s voice dances like light through a stained glass window. \n  \n  \n  \n  \nPATRICK JONES \nVocalist | Actor \nWith Hollywood good looks\, Patrick Jones’ lyrical baritone rings out with silvery warmth with a little dose of southern charm. His fine musicianship and stage temperament serves each phrase with delicacy and thoughtfulness.
URL:https://cathedralartsdallas.org/event/damon-clark-la-vie-en-rose/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Music,Sundermann Gallery
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/03/22382373_1470001286422726_2098034257964149269_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180401T090000
DTEND;TZID=UTC:20180401T140000
DTSTAMP:20260425T080824
CREATED:20180326T213051Z
LAST-MODIFIED:20180408T034558Z
UID:2258-1522573200-1522591200@cathedralartsdallas.org
SUMMARY:Ongoing: "Every Day'll Be Sunday": The Photography of Richard Hill
DESCRIPTION:Richard Hill: “Every Day’ll Be Sunday”\nExhibit through April 26\nClosing Reception with the artist on Thursday\, April 26\, 6:00-8:00 pm \nCathedral Arts is excited to present the work of Dallas photographer Richard “Dickie” Hill. Titled Every Day’ll Be Sunday\, this collection includes more than 25 works that depict the devotion of the people in his hometown\, particularly within the Episcopal Diocese of Dallas which he calls home. The collection showcases a variety of occasions in the life of faith in Dallas; sometimes pious\, sometimes playful\, and is part of an ongoing project. \nDickie began his photographic work as a street and documentary photographer. His works emphasize gesture\, meaning\, and proximity in both his formal and documentary work. He has been featured in The Living Church Magazine\, Vieworld Photo Magazine\, Inspired Eye\, The Street Photographer Notebook and Dance Magazine. His works have been exhibited in the In-spire Galerie in Dublin\, the Columbus Art Museum as well as the Sundermann Gallery. He was awarded the 2016 Associated Church Press Award of Merit for A Nation Wounded. \nVisit the artist’s website here.\nSee much more of Richard Hill’s event photography here.
URL:https://cathedralartsdallas.org/event/every-day-sunday-richard-hill/
LOCATION:Justus Sundermann Gallery\, St. Matthew’s Cathedral\, 5100 Ross Avenue at North Henderson\, Dallas\, TX\, 75206\, United States
CATEGORIES:Sundermann Gallery
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/03/RichardHillExhibit2018nologo.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180318T160000
DTEND;TZID=UTC:20180318T160000
DTSTAMP:20260425T080824
CREATED:20180326T211149Z
LAST-MODIFIED:20180328T035435Z
UID:2248-1521388800-1521388800@cathedralartsdallas.org
SUMMARY:Choral Evensong
DESCRIPTION:Cathedral Arts Choral Artists\nSunday\, March 18 at 4:00 pm – Free parking and admission \nAbout Evensong:\nDrawn from the 17th century\, participants are invited to enter into a sacred space of quiet reflection through music\, scripture\, and prayers that have shaped Christian lives for hundreds of years. \nBring a friend! All are welcome!
URL:https://cathedralartsdallas.org/event/choral-evensong-5/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Choral Evensong
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/03/evensongimage-e1535409344911.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180304T150000
DTEND;TZID=UTC:20180304T150000
DTSTAMP:20260425T080824
CREATED:20180209T061143Z
LAST-MODIFIED:20180209T061557Z
UID:1876-1520175600-1520175600@cathedralartsdallas.org
SUMMARY:Pianist Eldred Marshall in Recital
DESCRIPTION:Presenting Eldred Marshall\, Piano\nSunday\, March 4 at 3:00 pm\nGreat Hall\nFree parking and admission\n\nAbout the Artist:\nThe Press-Enterprise (Riverside\, CA) hailed his “dazzling technique” and his “clean\, tidy approach.” Music critic Laurence Vittes described him as an “illumination in music\,” and said of his all-Beethoven recital: “Marshall presented a recital so full of musical thrills and beauties\, and so in identification with the composer’s own persona\, that\, for a few hours\, it was as if he were communing across the centuries to conjure up a rare and magical musical spectrum.” The Telegraf Online Constanta (Romania) reported that Marshall “captivated the audience” in Mozart’s Piano Concerto no. 20\, which he conducted from the piano. \nEldred Marshall began studying the piano at age six and played in public at age seven. His prodigious and inquisitive mind allowed him to master large swaths of the piano repertoire quickly as well as consistently win top prizes at the competitions he entered as a child. By 16\, he debuted with orchestra\, playing Brahms’s Second Piano Concerto with the Victor Valley Symphony Orchestra. Before entering Yale University\, where he graduated with honors with a B.A. in Political Science\, he had already performed all over the United States. \nThe critically-acclaimed pianist has performed internationally: Spain\, Italy\, the Republic of San Marino\, Belgium\, Germany Romania\, Bulgaria\, and Ukraine. He has twice performed the entire 32 Piano Sonatas of Beethoven in public\, from memory\, as a concentrated series: once in Portland in 2007 and again in San Francisco in 2008. He followed that project with a full West Coast tour of Bach’s Goldberg Variations in 2008 and 2009. In the 2015-2016 Season\, he toured extensively through Texas with two all-Bach piano recital programs\, one of which included the Goldberg Variations. In 2016\, he was named a semi-finalist in the Ninth J. S. Bach International Piano Competition in Würzburg\, Germany. He has appeared in piano festivals in Italy as well as the United States and has collaborated orchestrally with conductors K. C. Manji\, Carlo Ponti\, Beau Benson\, Greg Grabowski\, Michelle Merrill\, Jonathan Moore and Jessica Morel. \nAs an orchestral conductor\, Marshall has led several international ensembles: the Ukrainian State Academic Orchestra (Kiev\, Ukraine)\, the Kharkov Youth Symphony (Kharkov\, Ukraine)\, the Pleven Philharmonic Orchestra (Pleven\, Bulgaria)\, the Vidin Philharmonic Orchestra (Vidin\, Bulgaria)\, the Filharmonica Oltenia di Craiova (Craiova\, Romania)\, and the Constanta “Black Sea” Philharmonic Orchestra (Constanta\, Romania). In the United States\, he has worked as conductor for the Riverside (CA) Opera Institute’s Children’s Opera Division\, as assistant conductor of the Meadows Symphony Orchestra at Southern Methodist University\, and has collaborated with the University of North Texas Symphony Orchestra. \nMr. Marshall has earned three M.M. degrees from SMU: piano (2011)\, organ (2012) and orchestral conducting (2013). Currently\, he is finishing his D.M.A. in Piano Performance at UNT\, where he studies with Pamela Mia Paul. Additionally\, he was awarded a Teaching Fellowship at UNT and is an adjunct lecturer at SMU. His doctoral dissertation topic is on the art of conducting piano concerti from the piano – performance practice\, discipline and whether or not it is “real conducting.”
URL:https://cathedralartsdallas.org/event/pianist-eldred-marshall-in-recital/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Music,Recital
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/02/Eldred_Marshall.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180225T150000
DTEND;TZID=UTC:20180225T170000
DTSTAMP:20260425T080824
CREATED:20180206T040044Z
LAST-MODIFIED:20180209T061630Z
UID:1753-1519570800-1519578000@cathedralartsdallas.org
SUMMARY:Dallas Bach Society: Chamber Music of the French Baroque
DESCRIPTION:Chamber Music of the French Baroque\nTamara Meredith\, baroque flute\nBrent Wissick\, viola da gamba\nJames Richman\, harpsichord\nSunday\, February 25 at 3:00 pm – Free parking and admission\nTamara Meredith has been teaching and performing professionally for over 20 years. As an early flute specialist\, she is principal flute with the Dallas Bach Society orchestra and the Baroque Chamber Orchestra of Colorado and frequently lectures on historical performance topics. As a “modern” flutist\, she has performed with the Bozeman Symphony\, Greeley Philharmonic\, Wyoming Symphony\, and Fort Collins Symphony. Other performing credits include work with Apollo’s Fire\, Concert Royal\, and the Hawaii Performing Arts Festival orchestra. In addition to her flute career\, Dr. Meredith has “doubled” as a violinist/violist for most of her life. For many years\, she taught beginning-intermediate violin in the Dallas area and has played in orchestras in Washington\, Indiana\, Texas\, Montana\, Colorado\, and Wyoming. Most recently\, she held positions as a violist with the Wyoming and Cheyenne Symphonies. Dr. Meredith holds B.Mus. in Flute Performance from Central Washington University\, a M.Mus. in Historical Performance from Indiana University-Bloomington\, and an MLIS and Ph.D. in Learning Technologies from the University of North Texas. She recently relocated to Poulsbo\, Washington\, where she is the Director of the Jefferson County Rural Library District. \nBrent Wissick has taught cello\, viola da gamba\, and chamber music at the University of North Carolina at Chapel Hill UNC since 1982. A member of Ensemble Chanterelle and principal cellist of the Atlanta Baroque Orchestra\, he is also a frequent guest with American Bach Soloists\, Folger Consort\, Boston Early Music Festival\, Concert Royal\, Dallas Bach Society\, Vancouver Early Music Festival and Collegio di Musica Sacra in Poland. With these ensembles has recorded for the Centaur\, Albany\, Koch\, Radio Bremen\, Bard and Dux labels as well as in the soundtrack for the Touchstone film Casanova. His online video article\, “The Cello Music of Bononcini” can be viewed in the peer-reviewed Journal of Seventeenth-Century Music and several of his teaching videos are posted on the website of the Viola da Gamba Society of America. He served as president of that society from 2000 through 2004 and chaired its international Pan-Pacific Gamba Gathering in Hawaii during the summer of 2007. In addition to teaching cello at UNC\, he directs its Cello Choir\, Viol Consort and Baroque Ensemble; he also teaches classes in Historical Performance Practices and String Methods for Music Education Students as well as a First-Year Seminar in the Physics of Music with Laurie McNeil\, chair of the Physics Department. He has served as a mentor of the Kenan Music Scholars and is chair of the String Area. His current research and performance interests include the cello music of Benjamin Britten\, Chopin’s Cello Music on period instruments and French Gamba Music. A graduate of the Crane School of Music at Potsdam College in NY and of Penn State (MM cello\, 1978)\, he also studied with John Hsu at Cornell University and was an NEH Fellow at Harvard in the 1993 Beethoven Quartet Seminar. He has taught at the College of St Scholastica in Minnesota (1978-82)\, Chautauqua Institution and the 1997 Aston Magna Academy at Yale; and has presented lectures\, master classes and recitals at schools\, colleges and workshops throughout North America\, Europe\, Asia and Australia. \nJames Richman\, Artistic Director of the Dallas Bach Society since 1995\, is a prominent harpsichordist and fortepianist\, as well as one of today’s leading conductors of Baroque music and opera. The first musician since Leonard Bernstein to attend Harvard\, Juilliard\, and the Curtis Institute of Music\, James Richman studied conducting with Max Rudolf and Herbert Blomstedt\, piano with Mieczyslaw Horszowski\, Rosina Lhevinne and Rudolf Serkin\, and harpsichord with Albert Fuller and Kenneth Gilbert. He holds a degree in the History of Science magna cum laude from Harvard College. He is a prizewinner in four international competitions for early keyboard instruments\, including first prize in the Bodky Competition of the Cambridge Society of Early Music\, laureate of the Bruges Harpsichord Competition and bronze medal in the Paris Harpsichord Competition of the Festival Estival and in the First International Fortepiano Competition (Paris). His Concert Royal ensemble has been in residence at St. Thomas Church on Fifth Avenue in New York since 1982\, performing chamber music concerts as well as the works of Handel\, Bach and Purcell with the Choir of Men and Boys at St. Thomas. He is also Artistic Director and founder of New York’s Concert Royal and Music Director of the New York Baroque Dance Company\, and he recently led the Hanover Band at the Pollenca festival in Majorca.
URL:https://cathedralartsdallas.org/event/dallas-bach-society-2/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Dallas Bach Society,Music
ATTACH;FMTTYPE=image/png:https://cathedralartsdallas.org/wp-content/uploads/2018/02/tamara-meredith.png
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180218T160000
DTEND;TZID=UTC:20180218T173000
DTSTAMP:20260425T080824
CREATED:20180206T042003Z
LAST-MODIFIED:20180327T205257Z
UID:1763-1518969600-1518975000@cathedralartsdallas.org
SUMMARY:Choral Evensong
DESCRIPTION:Cathedral Arts Choral Artists\nSunday\, February 18 at 4:00 pm\nFree parking and admission\n \nMusic:\nResponses – Neswick\nPsalm 103\nPrinceton Service – Near\nAnthem – Holy is the True Light – Near \nAbout Evensong:\nDrawn from the 17th century\, participants are invited to enter into a sacred space of quiet reflection through music\, scripture\, and prayers that have shaped Christian lives for hundreds of years. \nBring a friend! All are welcome!
URL:https://cathedralartsdallas.org/event/choral-evensong-2/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Choral Evensong
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/02/evensongimage.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180218T090000
DTEND;TZID=UTC:20180218T140000
DTSTAMP:20260425T080824
CREATED:20180209T041646Z
LAST-MODIFIED:20180214T224138Z
UID:1825-1518944400-1518962400@cathedralartsdallas.org
SUMMARY:The Color of Hope: Abstract Expressions Sundays though March 4
DESCRIPTION:The Color of Hope\nAbstract Expressions in Acrylic and Collage by Margo Lee Miller\nIncluding work inspired by experiences in Nepal \nThrough March 4\, 2018\nFree parking and admission \nFrom the artist:\nI currently work with acrylic and collage\, combining elements like gold foil\, traditional Lokta papers\, painted images\, and ephemera to create movement\, pattern and evoke emotion. The images are built of layers that simultaneously reveal and obscure\, push and pull the viewer in and out of the artwork. You can feel the influence of music and dance in the pulsing rhythms of color and design. My work examines the complexity of our lives and emotions and reminds us that we are not our most obvious expression\, but a complicated compilation of all our past experiences and our future hopes and dreams. I invite the viewer to make their own revelations as they explore the surface and depth of these works. \nThis exhibit includes work inspired by the incredible sense of joy I felt from the people of Nepal when I visited in October as part of a mission trip. I was awed by the happiness and resilience that these people show in the face of poverty. Their country is one of vibrant colors\, an appropriate palette for the beautiful countryside filled with flowers and cities filled with life.\n15% of the proceeds from any sales of these artworks will go to the Episcopal Church of the Incarnation so that they may continue to support the medical mission trip to the Lower Solukhumbu region of Nepal. One painting\, “Marigolds” will be on sale for $1\,500.00. The entire $1\,500.00 will be donated to The Hope Home for Girls\, an orphanage in Kathmandu. This amount of money will feed\, clothe\, and educate one girl for an entire year. \nVisit Margo Lee Miller online HERE.
URL:https://cathedralartsdallas.org/event/the-color-of-hope-abstract-expressions-in-acrylic-and-collage-by-margo-lee-miller/
LOCATION:Justus Sundermann Gallery\, St. Matthew’s Cathedral\, 5100 Ross Avenue at North Henderson\, Dallas\, TX\, 75206\, United States
CATEGORIES:Sundermann Gallery
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2018/02/SMCA.MargoMiller-32-1-e1518129689467.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180206T193000
DTEND;TZID=UTC:20180206T213000
DTSTAMP:20260425T080824
CREATED:20150917T003351Z
LAST-MODIFIED:20180209T061420Z
UID:443-1517945400-1517952600@cathedralartsdallas.org
SUMMARY:Pianist Jonathan Tsay in Recital
DESCRIPTION:Jonathan Tsay will be exploring one of Beethoven’s greatest piano sonatas\, written at the threshold between the Classical and Romantic eras\, tracing its roots in history and its influence on works by Brahms\, Liszt\, and others in a multimedia “informance” that will include personal thoughts from the bench as well as historical source material from the composers. \nProgram: \nBeethoven: Piano Sonata No. 28 in A major\, op. 101\nI. Etwas lebhaft und mit der innigsten Empfindung \nHaydn: Piano Sonata in B Minor\, Hob. XVI:32\nAllegro moderato\nMenuet\nPresto\n\nBrahms: Ballade op. 10 no.1 in D Minor “Edward”\nBrahms: Intermezzo in B Minor\, op. 119\, no. 1 \nBeethoven: Piano Sonata No. 28 in A major\, op. 101\nII. Lebhaft. Marschmäßig \nWagner/Liszt: “Isoldens Liebestod” from Tristan und Isolde\nLiszt: La Lugubre Gondola\, S. 200 \nBeethoven: Piano Sonata No. 28 in A major\, op. 101\nIII. Langsam und sehnsuchtsvoll\nIV. Geschwind\, doch nicht zu sehr und mit Entschlossenheit
URL:https://cathedralartsdallas.org/event/jonathan-tsay/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Music,Recital
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2015/09/4cf66cb4-a456-47cc-ac79-bb50d6f5f42c.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180128T150000
DTEND;TZID=UTC:20180128T163000
DTSTAMP:20260425T080824
CREATED:20150917T001434Z
LAST-MODIFIED:20171201T024317Z
UID:440-1517151600-1517157000@cathedralartsdallas.org
SUMMARY:Dallas Bach Society: Complete Bach Sonatas for Violin and Harpsichord
DESCRIPTION:Dallas Bach Society Free Family Concert features Clare Cason\, violin and James Richman\, harpsichord\, performing the complete Bach Sonatas for Violin and Harpsichord. Don’t miss this opportunity! \nThe Dallas Bach Society is the Southwest’s primary resource for Baroque music on original instruments. The Dallas Bach Society unites the finest vocalists and instrumentalists in lively and informed performances of Bach\, Handel\, Vivaldi\, Purcell\, Monteverdi\, Couperin\, and Schütz: all the great music from the seventeenth and eighteenth centuries\, both masterpieces familiar to music lovers\, and those awaiting their discovery.
URL:https://cathedralartsdallas.org/event/dallas-bach-society/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Dallas Bach Society
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2015/09/dallasbachsocietyCCJR.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180121T160000
DTEND;TZID=UTC:20180121T173000
DTSTAMP:20260425T080824
CREATED:20150917T003904Z
LAST-MODIFIED:20180327T205127Z
UID:445-1516550400-1516555800@cathedralartsdallas.org
SUMMARY:Choral Evensong
DESCRIPTION:Join us for the first Choral Evensong of the New Year! \nChoral Evensong at 4:00 pm\nCathedral Arts Choral Artists \nMusic:\nPreces and Responses – Stephen Caracciolo\nPsalm 34 – Anglican Chant by John Goss\nMagnificat and Nunc Dimittis (Mt St. Albans) – David Hogan\nAnthem – The Lord is My Light – Peter Hallock \nA festive reception honoring SMCA Donors and Volunteers will follow in the Justus Sundermann Gallery.
URL:https://cathedralartsdallas.org/event/choral-evensong/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Choral Evensong,Music
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2015/09/18422387_1526276047424410_56480845060482668_o.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20171217T160000
DTEND;TZID=UTC:20171217T170000
DTSTAMP:20260425T080824
CREATED:20150917T004835Z
LAST-MODIFIED:20171201T023540Z
UID:447-1513526400-1513530000@cathedralartsdallas.org
SUMMARY:A Festival of Nine Lessons and Carols
DESCRIPTION:The Cathedral Arts Choral Artists and selected readers unfold the Christmas narrative with familiar choral settings and scriptural accounts\, according to a beloved pattern established in 1918 by King’s College Chapel\, Cambridge. The service includes music of Cleobury\, Caracciolo\, Ledger\, Warlock\, Gardner\, Davies\, and Howells. \nOrgan Prelude at 4:00 pm by Keith Franks. \nAll are welcome.\nInvite a friend – It may be the best gift you can give them!
URL:https://cathedralartsdallas.org/event/festival-nine-lessons-carols/
LOCATION:Zoom Video Platform\, TX\, United States
CATEGORIES:Choral,Music
ATTACH;FMTTYPE=image/jpeg:https://cathedralartsdallas.org/wp-content/uploads/2015/09/Event-9lessons.jpg
ORGANIZER;CN="St. Matthew's Cathedral Arts":MAILTO:info@cathedralartsdallas.org
END:VEVENT
END:VCALENDAR