Apr 22
Carol-lander

Choral Evensong

  • April 22, 2018
  • 4:00 PM - 5:00 PM

Drawn from the 17th century, participants are invited to enter into a sacred space of quiet reflection through music, scripture, and prayers that have shaped Christian lives for hundreds of years.

Apr 1
dickie-hill-sunday

Ongoing: “Every Day’ll Be Sunday”: The Photography of Richard Hill

  • April 1, 2018
  • 9:00 AM - 2:00 PM
  • Justus Sundermann Gallery, St. Matthew’s Cathedral, 5100 Ross Avenue, Dallas, TX, 75206

Cathedral Arts is excited to present the work of Dallas photographer Richard “Dickie” Hill. Titled Every Day’ll Be Sunday, this collection includes more than 25 works that depict the devotion of the people in his hometown, particularly within the Episcopal Diocese of Dallas which he calls home.

Mar 18
evensong1

Choral Evensong

  • March 18, 2018
  • 4:00 PM

Drawn from the 17th century, participants are invited to enter into a sacred space of quiet reflection through music, scripture, and prayers that have shaped Christian lives for hundreds of years.

Mar 4
Eldred-Marshall-eveny

Pianist Eldred Marshall in Recital

  • March 4, 2018
  • 3:00 PM

He has twice performed the entire 32 Piano Sonatas of Beethoven in public, from memory, as a concentrated series: once in Portland in 2007 and again in San Francisco in 2008.

Feb 18
color-of-hope

The Color of Hope: Abstract Expressions Sundays though March 4

  • February 18, 2018
  • 9:00 AM - 2:00 PM
  • Justus Sundermann Gallery, St. Matthew’s Cathedral, 5100 Ross Avenue, Dallas, TX, 75206

This exhibit includes work inspired by the incredible sense of joy I felt from the people of Nepal when I visited in October as part of a mission trip. I was awed by the happiness and resilience that these people show in the face of poverty. Their country is one of vibrant colors, an appropriate palette for the beautiful countryside filled with flowers and cities filled with life.

Feb 6
jonathan-tsay

Pianist Jonathan Tsay in Recital

  • February 6, 2018
  • 7:30 PM - 9:30 PM

Jonathan Tsay will be exploring one of Beethoven’s greatest piano sonatas, written at the threshold between the Classical and Romantic eras, tracing its roots in history and its influence on works by Brahms, Liszt, and others in a multimedia “informance” that will include personal thoughts from the bench as well as historical source material from the composers.